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In 1996, the (now-late) editor, writer, and my dear friend, Janet Berliner had a hot streak. She wrangled excellent deals for three anthologies with Big Publishers, for which she commissioned me to contribute three stories, including this one for the anthology, David Copperfield’s Tales of the Impossible.
Yes, that David Copperfield, the handsome stage magician who appeared frequently on television in the 1990s and has a long-running show in Las Vegas (still, I think). From the San Francisco Bay Area where I met her, Jan had moved to Las Vegas, crossed paths with David, and convinced him (she could be very convincing) to put his name on the anthology. He contributed a story, as well.
The gorgeous hardcover anthology was published by HarperPrism (a division of HarperCollins) in 1996, then also in a mass paperback edition, and in several foreign countries.
Jan’s proposal could not have come at a better time. I’d recently finished The Gilded Age, a time travel which takes place in 1895 and in 2395, as well as Celestial Girl, A Lily Modjeska Mystery, a four mini-book series and a passionate historical mystery which takes place exclusively in 1895. I was conversant in that time period in San Francisco and I was fluent in my Victorian voice, which is a bit different from my modern voice(s).
The project was also ably suited to my resources at hand.
It turns out that Tom Robinson, the abstract symbolist artist and studio jeweler (and my husband), was fascinated by stage magic as a boy growing up in Los Angeles. He collected stage magic magazines and books, acquired magic tricks from a local curio shop, and invented a few tricks himself.
He and a friend were wandering through their neighborhood in the Los Angeles hills when they came upon a fence surrounding a warehouse. In the backyard were placards and instruments and strange devices. Tom recognized them at once. “Those are stage magic tricks!” He hopped over the fence and met John Guaghan, the premier stage magic illusion-builder in the world, purveyor to Blackstone and probably to the young David Copperfield. Tom worked for Guaghan while he was still a teenager in high school, building and decorating stage magic illusions.
he opening quotation of “Every Mystery Unexplained” (and the title) is from one of Tom’s magic books and the ebook cover of “The Great Socar”, a stage magician from India, is a charming illustration from one of Tom’s carefully preserved magazines.
My story, “Every Mystery Unexplained”, is the only stage magic story in Tales of the Impossible. I expected other authors to turn in stage magic stories, but they didn’t. Mine is the only one!
Here’s what one critic had to say:
“This is the type of story I was hoping for from these anthologies: a blend of fiction and magic history . . .  Mason knows her magic history (the title is from a Harry Kellar quote) and she knows San Francisco. My favorite story of the year!”
-Katherine Nabity, The Writerly Reader
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