Archives for category: Lovely Fantasy Story

This story was commissioned by Katharine Kerr for her anthology, The Shimmering Door: Sorcerers and Shamans, Witches and Warlocks, Enchanters and Spell-Casters, Magicians and Mages, and published by HarperPrism in 1996. The anthology includes so many wonderful writers of fantasy, I can’t type all the names. I’m pleased and honored to be among them.
The Hanged Man
Lisa Mason
There is no such thing as magic in telespace. Telespace is the aggregated correlation of five billion minds worldwide, uploaded into a computer-generated virtual reality. In a word, technology. And technology is scientific. Provable. Repeatable. Logical.
Whereas, magic. Well, magic is superstition. The belief that supernatural forces exist. That you can contact them, these supernatural forces. Manipulate them. Command them. But that’s an illusion, all right? You cannot depend on magic.
So Snap was outraged when a Hanged Man popped out of nowhere in the industrial telespace he was jacked into. “Damn telespace! Crashing again?” He’d been wrestling with a recalcitrant code and muttering to himself. He would never finish the TeleSystems infrastructure proposal if telespace crashed again.
Sometimes you cannot depend on technology, either.
A gruesome sight he was, too. Snap had never seen such a thing. Not some purple-faced, black-tongued, bug-eyed corpse throttled at the neck and dangling as hanged men do. Snap could have dealt with that. He would have thought Chickeeta was pecking at the resolution switch again. Was it Halloween? Snap had jacked in for three days straight, burning hypertime on the infrastructure proposal. For a moment, he couldn’t remember what month this was. What day. Dawn or dusk.
No, the Hanged Man dangled from his foot, his long, golden hair streaming down. A noose bound his right ankle. His left leg was crossed behind his right knee. His arms were trussed behind his back. He wore scarlet leggings, an azure jacket. And the Hanged Man was alive. He gazed at Snap with lucid, sorrowful eyes. His expression of silent agony was terrifying.
Then ping! he was gone.
Fear prickled through Snap’s telelink. He felt nauseated and dizzy, like the time some mooner had bumped the back of his motortrike in the gridlock and nearly killed him. Black streaks oozed in his perimeters. He dropped the code, which landed on the floor of the industrial telespace with a resounding plop and lay there, gelatinous as a jellyfish out of water.
“So help me,” Snap muttered, an expression he’d picked up from Chickeeta. “Whip you into shape later,” he promised the limp code.
Snap talked to himself a lot these days. He’d been ungainfully employed as a freelance telelinker ever since he’d been downsized out of a steady job with a utilities company two years ago. Except for a rented friend who’d been hired for three days because Snap couldn’t afford a longer term, he lived alone with Chickeeta. He saved the three days’ work on the TeleSystems infrastructure proposal to his backup drive, praying that the drive had enough space.
Praying. Now there’s some magic for you.
He jacked out of telespace.
And found himself strapped into the workstation tucked in his shabby studio apartment a story above the gravity dancing club deep in the wilds of the nightclub district. What the gravity dancers lacked in technical skill, they more than made up for in charm. Snap himself never patronized the club, but he often saw the dancers crowded around the front door, sneaking a smoke of this or that. Flashing gap-toothed grins, they lingered there in their fourth-hand danceskins and retreaded athletic shoes.
Snap’s studio apartment was not the kind of place to show your grandmother, but he liked it fine. Plus the price was right for a freelance telelinker. Snap unclipped the straps, cut the electro-neural. Feeling like three loads of dirty laundry, he dragged himself out of the workstation. Swigged a can of tweaked Coke. Threw open the window shade.
The damp chill and glimmer behind the eastern hills told him maybe four-thirty, maybe five a.m. Chickeeta huddled by the wallboard heater, eking out a bit of warmth, and glanced at him with glossy eyespots that always seemed too wise. Or wise-ass.
“Hey, idiot, where’ve you been?” Chickeeta said, ruffling its plumes. “I want to live, I want to dance, I want to cha-cha-cha.” Chickeeta let loose a tremendous shriek, then muttered, “So help me, ol’ salty boy.”
Snap grinned. He’d acquired the microbot from one of the sailors who frequented his lovely neighborhood. The sailor had mooned out in back of the club next to the door that led up to Snap’s studio. Someone had relieved the sailor of just about everything but the shirt on his back and the microbot.
Snap let the sailor sleep it off upstairs, gave him a pair of jeans and a ten-credit disk. For that small favor, the sailor gave Snap the microbot. A tiny, graceful entity with a bright copper head, anodized emerald aluminum plumes, and a silver rotary propeller extruding from its slender spine.
The exchange with the sailor turned out to be a good deal. Snap had the microbot appraised and discovered it could fetch up to five thousand credits through classy first-hand markets. Wow! But when a potential buyer responded to his telespace posting, Snap had to admit he didn’t want to sell, after all.
He’d grown attached to Chickeeta. The microbot was a pretty little thing. Smart. Sassy. Always nagging him. And at least Snap could complain to someone—something—other than himself.
Snap finished the tweaked Coke, which lessened the pounding in his head, sweetened the sourness in his stomach. A decent deal. He shuffled to the fridge. A small glacier calved out of the freezer. Down below, the fridge held the withered wrapper from a toner cartridge and half an organic apple that had seen better days.
Snap shredded the wrapper for Chickeeta. Sliced the apple for himself. Boiled tap water, mixed up instant coffee. Which could have been dishwater except it was black.
“You look like hell, amigo,” Chickeeta said, seizing wrapper shreds in its beak. The microbot processed metals and motor oil, automatically repairing its internal hardware.
“Tell me about it,” Snap muttered. “So help me.”
“Heh, heh, heh, so help me,” Chickeeta said. “Yeeeek!
An anomaly, that’s what the Hanged Man was. Snap sighed and sipped coffee. The brew tasted like freeway grit, but the caffeine wended its way to his exhausted brain. An anomaly. He’d heard of them, of course. Who hadn’t? The Hanged Man’s eyes were glossed with some awesome emotion, a strange intelligence that Snap couldn’t place at all. He shivered. Anomalies were random manifestations in telespace, erratic bits of electro-neural energy. Anomalies could never be completely deleted, not even with all those terabytes of artificial intelligence.
Yes, but telespace was technology. Technology was science. You could depend on science. Couldn’t you?
The Hanged Man meant Snap’s telelink was whacked. He didn’t know how it happened, but he had to get himself fixed. And fast. The TeleSystems infrastructure proposal had a deadline. He was depending on landing this gig. He tried to cast away the thought of his debts stacking up, the rent due in a week, his empty fridge. His unemployment compensation had long since expired. He would wind up on the street if he didn’t land this gig.
Snap stroked the microbot’s gleaming back. Chickeeta nuzzled his elbow. If Snap were to give up Chickeeta on the street, bargain and sell the microbot, he’d be no better off than the sailor in the alley. He’d be without Chickeeta. He’d be no good at all.
“Gotta go downtown, big bopper,” Snap said, draining the last drops of the coffee.
“What’s happenin,’ massa?”
Microbots cannot really understand concepts, Snap reminded himself. They don’t have much memory, let alone intelligence. They just repeat routines they’ve learned.
“Need to check with Data Control. Ah, what am I saying. You don’t really know what I mean, right?”
Chickeeta winked. Or maybe the microbot just had to clean a speck of dust on its eyespot.
“I won’t be long,” Snap added, just in case.
Chickeeta ruefully picked at the shredded wrapper. The microbot was looking rather scruffy lately. So was Snap.
“I’ll get some decent grub for us, too, okay? I’ll charge it, what the hell.”
Microbots can’t smile, either, but a grin curved Chickeeta’s beak. “Charge it, what the hell, heh, heh, heh!”
*   *   *
The gridlock idled downtown, emitting a filthy haze over the morning. The toiling masses were decked out in their facemasks and oxygen tanks. Since the air-borne San Joaquin fever caused a half million deaths in the city last year and toxic fumes claimed nearly another million, masks and tanks had become a necessity, despite escalating robberies and police protests.
To read the rest of “The Hanged Man” and find out how Snap solves his problem, the woman he meets who changes his life, and an Afterword about the story’s setting, please join Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies for you there—more stories, recipes, movie reviews, book excerpts—with more on the way.
Donate a tip from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

10.18.17.3.ATHENA.IN.BOX_NEW

About Me
I’ve published eleven novels including Summer of Love, a Philip K. Dick Award Finalist and San Francisco Recommended Book of the Year, The Gilded Age, a New York Times Notable Book and a New York Public Library Recommended Book, a collection of previously published fiction, Strange Ladies: 7 Stories, three screenplays, and forty stories and novellas in magazines and anthologies worldwide. My Omni story, “Tomorrow’s Child”, sold outright as a feature film in 2001 to Universal Pictures. But that sale occurred eighteen years ago. Will the movie ever happen? Who knows? I’m working on a new screenplay for it.
I live in the San Francisco Bay area with my artist husband, Tom Robinson, and our Siamese-Angora cat (a breed otherwise known as a rag doll). Athena.
CHROME is my new speculative fiction novel.
Why Patreon?
Books take me years to research and write. Stories, even, may take months. If I try to rush, the result never comes out good.
I wish I could have written hundreds of books and stories like some other authors. But I can’t. I have too much respect for you, the reader, and for the work itself. The work is my legacy. The work will last long after I’m gone.
When a writer sells a book to a traditional publisher, typically that writer signs up for a modest advance against which a miniscule percentage of earnings are charged before the publisher pays out a royalty—every six months. When a writer, rebelling against the System as so many traditionally published writers have, goes to publish independently, there’s a huge personal investment in production, distribution, and promotion.
But I’m not on Patreon to complain that the lives of writers and artists is difficult. You can read such complaints anywhere. And they’re legitimate complaints—that’s why Patreon exists.
No, I’m on Patreon because something terrible and unexpected happened to me.
On July 11, 2018, I was walking around Lake Merritt on a sunny afternoon, with the dog-walkers, the moms and baby strollers, the bicyclists and joggers, as I’ve done virtually every day since 1996—rain or shine, hot or cold, summer or winter, three and a half miles—when a man jumped out of the bushes and confronted me on the sidewalk.
He tried to beat me up, I fended him off, then he shoved me into two lanes of oncoming traffic on the street. To avoid plunging into the traffic, I backpedaled with my feet, and fell on the concrete curb.
The police apprehended him after he assaulted several other people around lake. From the back of an ambulance, I identified him.
Then I went off in the ambulance to a big urban hospital where I underwent three hours of surgery under general anesthetic for a fractured hip and a broken thigh.
Now it’s a year later and I can’t walk like I did before. Half a mile to the market and back takes nearly an hour. I can’t walk three miles daily to my publishing office, where I earned a good salary. I can no longer walk around the lake, which I miss terribly. The Attack has inflicted me—a former ballet dancer, a swimmer, and an athlete—with a partial disability, daily pain, a nasty limp, and nastier scars. Other health complications may be ensuing.
That’s why Patreon.
I’m prepared to give you, my wonderful Patrons, in exchange for your Sustenance, my best efforts on a monthly basis.
For the September 2019 Tier One, Essential Sustenance, I posted a tribute to my late friend and Japanese translator, Yoshio Kobayashi, my recipe for California Spicy Rice, and my movie review of “Can You Ever Forgive Me?
For Tier Two, Vital Sustenance, I posted a delightful urban fantasy, “Crawl Space,” a spin-off story from my novel, The Garden of Abracadabra, an Introduction to the story, and Afterword about the extensive research I undertook for this 4,000-word story, and the September Writer’s Tip about inadvertent repetition in your writing. (August 2019 was a lovely cat fantasy, “Crazy Chimera Lady.”)
On Tier Three, Necessary Sustenance, I posted Excerpt 2 from my new SF novel, CHROME. (August 2019 was Excerpt 1.) Also I posted to the public the first five-star review.
I’m making changes to Tier Four, Nutritious Sustenance, and adding Tier Five, Delicious Sustenance. I’ll tell you about that tomorrow or the next day.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies for you there with more on the way.
Donate from your PayPal account to lisasmason@aol.com. Even a tiny tip will help!
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

10.18.17.3.ATHENA.IN.BOX_NEW

The August Lisa Mason Story
I first told this true story, event by event, on Facebook .and received such expressions of worried suspense and relief, delight and enjoyment that I was inspired to write the lovely story below, taken one fantasy level above reality.
Some time before we adopted Athena, we saw the outstanding documentary, “The Elephant in the Living Room,” about people who are compelled to keep wild animals and the wild animals that often live near—and endanger—our civilized homes (think huge serpents, mountain lions). I have to wonder about our domesticated cats and dogs, who sometimes still have one paw in the jungle, and why we love them so.
“Crazy Chimera Lady”
Lisa Mason
“It’s now or never,” Thomas says as we breathe the scent of lavender perfuming our garden. “We should adopt another chimera. And soon.”
“Before we get too much older and have to worry about the chimera outliving you and me?” I sip my chilled chardonnay.
“Yes.” My husband contemplates his cabernet sauvignon. Thomas prefers red, I prefer white. In the two-hundred-forty-five chimera years of our marriage, we’ve never had a wine fight. We’ve both come to think about time in chimera years. It has made us feel closer to them. “And so? What do you think?”
Midnight after a productive day. I’ve woven half a tapestry commissioned by a wealthy coder. Thomas has carved a dozen gemstones for a day-trader who, despite her abrasive manners, always pays in full and on time.
“I don’t know.” I sigh. It’s been fifty-six long chimera years since Alana died at the age of a hundred-twenty-six. A good long life for an ivory-wing, a breed not known for its longevity. Six chimera years earlier, Luna had died. We didn’t know Luna’s age when we adopted her from the animal shelter, but she was a blue-wing, which is a long-lived breed. She probably had been older than Alana.
After fourteen chimera years, the grief for my girls eventually subsided. Became a distant ache rather than tears streaming down my face while I slept. Now I’m not sure I can watch another beloved chimera grow from clutchling to full-fledged to oldster and die. Which they do. Usually before we do.
“I’ve loved chimeras since I was a kid,” my husband argues. “My dad always had a clutch of seal-wings in the house. I want a chimera again, Susan, I really do.  Before it would be irresponsible of us to adopt.”
“We’re having this conversation now that we’re four-hundred-thirty-four chimera years old?” I joke. “Not when we were two-hundred-ten?”
“Yes.” Maybe Thomas is in such a serious mood because we’ve just executed our wills, powers of attorney, and all those other fun documents that force you to contemplate your own mortality. That’s not something you do when you’re two-hundred-ten, either. “Now or never, for the rest of our lives.”
“Never, then,” I whisper.
He chooses to ignore that. “I wish you’d search the Web one more time.”
It’s not as if I haven’t. Though I’ve searched only for another ivory-wing like Alana—golden eyes, plumy white tail, white feathery wings. I’d found such an enchanted creature thirty-five chimera years ago. But she was—as her foster mom honestly admitted—a biter. My seal-wing, Sita, had been a biter. Blue-eyed and beautiful, with fawn-colored wings and paws, Sita had often made my life difficult. I was a university student, then a graduate weaver looking for a husband. She’d left a scar across my left hand.
I couldn’t have a biter who looked like my gentle Alana. That would have been too hard. I had to let that chimera go.
Going on Facebook hasn’t helped. Everyone, it seems, has a beloved domesticated chimera. Posts adorable photos and videos. Chimeras snoozing in the sun. Chimeras leaping in and out of crates. Chimeras flapping happily in aviaries, fetching Frisbees. The big wild chimeras, in zoos and wildlife preserves, have their own photo opps, too. Frolicking with their clutchlings in grasslands. Soaring over mountaintops.
A Facebook friend, a weaver in Australia, started posting photos of the silver-stripe clutchlings she’d rescued from a parking lot in Sidney, and I found myself straying into the pet supplies aisle at Whole Foods. Sure enough, the Whole Paws label offers high-quality canned chimera food and bagged kibbles with a low ash content. No soy, corn, grain, or dairy. Just whole ground rabbit fortified with B-6, calcium, and other vitamins and minerals.
Rabbit—not fish, fowl, or deer—is a chimera’s food of choice in the wild. Rabbits are the reason farmers domesticated chimeras centuries ago and bred down their size. Which is fine with me. If you think rabbits are cute, you’ve never tried to grow vegetables. There’s nothing cute about ravenous lagomorphs gnawing your carrots and spinach into mulch.
I push back my patio chair, go inside to the computer. “If it’ll make you happy,” I tell Thomas, “I’ll search now.”
“It’ll make me very happy,” my husband says and follows me.
I log onto the Web, go to the usual websites—Ebay, the Tri-County Society for the Protection of Chimeras, and Purebred Chimeras Rescue. Thomas stands behind my chair, leaning over the screen.
“Oh?” I click on an Ebay listing for a blue-eyed, blue-wing clutchling. “Damn! Her breeder is up in Redding. You must be kidding me.”
“What is that, a four-hour drive from Piedmont?”
“Try five, and that’s just one way. This won’t work. I can’t see ten hours on the freeway to adopt a chimera, no matter how sweet she looks.”
Thomas brings me my glass of wine. “Keep searching.”
Tri-County has hundreds of listings of the usual domesticated chimeras. Though they look appealing and desperately need homes, we can’t find a likely candidate. We’ve both been raised with seal-wings. For the last chimera we will probably ever own, we want an exotic.
I go to Purebred Chimeras Rescue. The website has three pages of promising exotics, but they’re all males. Ara, our flame-wing who died sixty-three chimera years ago, had been a lovely boy chimera, but he didn’t have that loving maternal instinct which, in my experience, all female chimeras possess. The last chimera we will ever own has to be a girl.
Then there she is.
Baby Blue is a nine-month-old clutchling surrendered by an ailing, aging breeder to the San Jose SPOC. Purebred Chimeras Rescue took her from San Jose to their headquarters in Davis for registration, then to a vet in Salinas where she was de-wormed, given surgery under anesthetic to spay her, treated for fleas and lice, and given the full battery of vaccinations. From Salinas, PCR took her to Chimera Hill in Santa Cruz for adopting out.
“Born and bred in cages and carrying crates all her life,” Thomas says, “with a history like that.”
“Yes.” I frown. “They’re calling her a blue-wing mix, but look. She looks like a lilac-wing bred with an ivory-wing.”
“They must have named her Baby Blue on account of her eyes.”
Oh, her eyes! Her slanted, almond-shaped eyes are the color of a cloudless summer sky. Her description says she’s shy. Fearful of people. She struggles to escape when a human handles her. Possibly, the description says, she will be a problem chimera. A biter. A clawer. A potential killer.
You see that now and then on the Web. A chimera kills her human.
In the shelter’s four photos, Baby Blue looks shy and fearful and gorgeous. She looks like Luna and Alana miraculously combined into one chimera. A blue-eyed ivory-wing with a lilac face-mask, artistic splotches of lilac on her silky white coat and wings, and a plumy lilac tail.
My fingertips hesitate on the keyboard. “What do you think?”
“Fill out the application,” Thomas says. “Do it, Susan.”
“A problem chimera?”
“She’s young. We can train her.” He adds, “She needs us.”
I feverishly navigate through the website. “You know, it will be a lot of extra work, caring for a chimera again. Just when our businesses are doing so well. Our careers transitioning into Act Two.”
I can picture who will take care of the chimera. Clean her eyes, trim her talons, floss her fangs, brush her coat, comb her wing feathers, feed her rabbit meat, change her drinking water, clean her litter box, take her out into the aviary, toss around chimera toys, ooh and aah.
That will be me.
Thomas looks at me. “I’ll take care of her, too. I promise.”
“It’s till death do us part. When she dies, we’ll be a whole lot closer to our own deaths. Are you prepared for that?”
“Absolutely. I’ll work harder than ever on the gemstones. Please, Susan.”
I click on “Apply.”
The application asks a lot of nosy questions. Are we married? Do we rent or own our home? Do we have children living there? How about other animals? Are we financially secure? What is our estimate of an acceptable veterinarian bill for medical services? Do we have heirs or other arrangements for the chimera if anything happens to us? Do we know how to train a chimera? What is our position on neutering, de-taloning, de-fanging, wing-clipping?
Neutering, yes. Everything else, no.
The application requires that we provide two local personal references and their phone numbers. It’s sobering and a little saddening to realize that, at four-hundred-thirty-four chimera years, Thomas and I don’t have a lot of local references. Friends have died or moved away. We’ve each run our independent businesses for a hundred-seventy-five chimera years, deal with gallery owners and clients and agents, but don’t have business partners or employees. Thomas’ parents and step-parents died many chimera years ago, as have mine. His cousins live in Washington State, my only sibling in Colorado.
I understand, I suppose. Purebred Chimeras Rescue is serious about adopting out chimeras to legitimate people. Not to people who would adopt an exotic chimera, then resell her for three times the price. Or de-talon and de-fang and clip her wings. Or sell her to a research laboratory. Or sacrifice her in some satanic ritual.
I shudder to think of it.
We’ve got Stuart as a local reference. Stuart is my tech guy at General Computer Store who replaced the motherboard on my aging Dell. And we’ve got Yoshio, a recluse who’s lived in our neighborhood for two-hundred-and-one chimera years. Yoshio owns a hundred-forty-year-old blue-eyed blue-wing. This last March, he asked us to feed, water, medicate, and fly her while he went off on his annual hike in the Sierra Nevada Mountains. We gladly did.
I electronically sign and send the application. “When I was at the university,” I tell Thomas, “I saw an ad for Sita in the Ann Arbor Gazette. I drove to a farm outside of town, handed over ten bucks, and left with my clutchling, fleas and all. No questions asked.”
“It’s a different world,” Thomas agrees.
The next morning a woman emails me. She identifies herself as Gwyneth from Purebred Chimeras Rescue, asks for my phone number and when is a good time to call for an interview.
An interview? Yes. She informs me that twelve other people have applied for Baby Blue. That we shouldn’t be too disappointed if we don’t get her.
“What?” I shout at Thomas. “We finally find a chimera who could be our last and they’re playing games?”
“Send her another email,” Thomas says. “Insist. You’re good at insisting.”
I send Gwyneth another email reiterating how much we want this chimera. I beg and plead. I send the Web address of my weaver’s website, which features two pages of Luna and Alana, two pages of my husband’s carved gemstones, and twenty pages of my award-winning tapestries. A photo of Thomas and me on our wedding day. A photo of me holding Alana in our kitchen. Her furry white arms wrapped lovingly around my shoulders, plumy white tail curled around my waist, white wings fluttering. Thomas took it, one of those once-in-a-lifetime photos you cherish forever.
Gwyneth calls exactly at three in the afternoon.
“So you were this hot-shot industrial weaver and you left it all to make art?” she begins. For someone who wants to adopt out a chimera for a hefty fee—two thousand dollars, cash or check, no credit cards—her tone sounds  a bit belligerent.
My story is no secret. I’ve laid out my checkered life on my Bio page. “Yep,” I say amiably. “I love the craft of weaving. I just didn’t fit into an industrial setting.”
If she thought I was going to pull an attitude, apparently she doesn’t think so anymore. “I know exactly what you mean,” she replies. “I’m an architect myself, but I didn’t like dealing with clients. Now I run a boarding facility for chimeras. Go figure.”
“Which is amazing,” I say and mean it. I looked up Chimera Hill on Facebook. Found photos of a clapboard house beneath a giant avocado tree. Gwyneth is expanding the house, constructing aviaries adjacent to the cages so the chimeras can stretch their wings in the sunlight. “Really amazing.”
She gives a little chimera-like trill. Quizzes me about my previous chimeras. Had Sita, the biter, been de-taloned? Yes, she had. Vets did that in those unenlightened days. Now they won’t because it’s cruel.
“Oh, some vets still de-talon,” Gwyneth snaps. “That’s probably why Sita became a biter. Talons are a chimera’s first defense in the wild.”
“That’s a good point. Extract the talons, and the chimera has to resort to her fangs.”
“Exactly.” Gwyneth sounds pleased. “Do you understand about chimera nutrition? You and your husband look like New-Agey types.”
She’s baiting me. “I totally understand. Chimeras are obligate carnivores.” I recently stumbled upon this term in a chimera magazine. I’m happy to trot it out now.
“Obligate carnivores,” Gwyneth echoes as if she’s never heard the term before, either, but will use it to good advantage with some hapless interviewee in the future. “How do you feel about adopting a female chimera? Some people think they’re inferior to males.”
“Oh, no! We definitely want a female.”
“Okay.” A rustle of papers on her end. ”Just so you know, we’re keeping Baby Blue in a cage with two males. When the vet spayed her two weeks ago, she wasn’t pregnant.”
I don’t like the sound of that. I don’t want our chimera staying in that cage one more night. “I’ll come and get Baby Blue tomorrow.”
“I’ll pencil you in for Saturday.” Gwyneth is paying for the long-distance call but that doesn’t mean she’s allowed to bully me.
“Gwyneth, Saturday is the Fourth of July. Traffic will be hellish up to Santa Cruz. Drunk drivers?”
“Yeah, but tomorrow’s not good.” More rustling of papers. “Our reference checker has to teach class tomorrow. How about Thursday?”
They’re actually going to call Stuart and Yoshio? “Thursday, it is. I will be there for my chimera and I will see you then.” I’m not taking no for an answer.
“I’ll email you directions. Is Thomas coming with you?” Her tone turns coy. “His gemstones are beautiful.”
So she has given our website a going-over. How many of the other twelve applicants have a website with two pages of chimera pictures? “Nope. Thomas will be taking the chimera tree out of storage. And the water bowls and food bowls and chimera toys. And staking up the aviary in the backyard. Our new chimera will be the heiress to the bounty of our chimeras past.”
“Wonderful,” she trills. “But I do hope Thomas will come. I’d love to meet him. He’s really cute.”
I smile. “Yes, he is.”
For the rest of the brand-new August Lisa Mason cat fantasy story, join Tier 2 on my Patreon page at https://www.patreon.com/bePatron?u=23011206.
Donate from your PayPal account to lisasmason@aol.com. Thank you!
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!