Archives for category: modern fantasy

8.12.20.ODD.SMLL

ODDITIES
22 Stories
Lisa Mason
Here You Enter
Yesterday
Tomorrow
& Fantasy
Coming November 17, 2020 in Print and Ebook

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10.18.17.TGOA.BOOKS

At her mother’s urgent deathbed plea, Abby Teller enrolls at the Berkeley College of Magical Arts and Crafts to learn Real Magic. To support herself through school, she signs on as the superintendent of the Garden of Abracadabra, a mysterious, magical apartment building on campus.
She discovers that her tenants are witches, shapeshifters, vampires, and wizards and that each apartment is a fairyland or hell.
On her first day in Berkeley, she stumbles upon a supernatural multiple murder scene. One of the victims is a man she picked up hitchhiking the day before.
Torn between three men—Daniel Stern, her ex-fiance who wants her back, Jack Kovac, an enigmatic FBI agent, and Prince Lastor, a seductive supernatural entity who lives in the penthouse and may be a suspect—Abby will question what she really wants and needs from a life partner.
Compelled into a dangerous murder investigation, Abby will discover the first secrets of an ancient and ongoing war between Humanity and Demonic Realms, uncover mysteries of her own troubled past, and learn that the lessons of Real Magic may spell the difference between her own life or death.
The Garden of Abracadabra is an ebook on BarnesandNoble, Apple, Kobo, and Smashwords.
On Kindle in the U.S., the U.K., Germany, France, Spain, Italy, Netherlands, Japan, Brazil, Canada, Mexico, Australia, and India.
The Garden of Abracadabra is in Print in the U.S., the U.K., Germany, France, Spain, Italy, and Japan.
“So refreshing. . . .This is Stephanie Plum in the world of Harry Potter.”
Goodreads: “I loved the writing style and am hungry for more!”
Amazon.com: “Fun and enjoyable urban fantasy”
This is a very entertaining novel—sort of a down-to-earth Harry Potter with a modern adult woman in the lead. Even as Abby has to deal with mundane concerns like college and running the apartment complex she works at, she is surrounded by supernatural elements and mysteries that she is more than capable of taking on. Although this book is just the first in a series, it ties up the first “episode” while still leaving some story threads for upcoming books. I’m looking forward to finding out more.”
So there you have it, my friends! I’m delighted to announce The Garden of Abracadabra is in print and an ebook worldwide.
Join other patrons on my Patreon page and help me after the Attack. https://www.patreon.com/bePatron?u=23011206. I’ve got delightful new and previously published stories, writing tips, book excerpts, movie recommendations, and more!
Donate a tip in the tip jar at paypal at http://paypal.me/lisamasonthewriter
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
Please disregard any ad you see here. They have been placed without my permission.

6.3.18.LADIESSMALL

We all could use a laugh these days, so I present for your enjoyment “Transformation and the Postmodern Identity Crisis”. The story was commissioned by editor Margaret Weis and published in the anthology Fantastic Alice, New Stories from Wonderland by Ace Books. The story was republished in my first story collection, Strange Ladies: 7 Stories by Bast Books. Here are what of the some of the critics say about the collection:
“Offers everything you could possibly want, from more traditional science fiction and fantasy tropes to thought-provoking explorations of gender issues and pleasing postmodern humor…This is a must-read collection.”
—The San Francisco Review of Books
“Lisa Mason might just be the female Philip K. Dick. Like Dick, Mason’s stories are far more than just sci-fi tales, they are brimming with insight into human consciousness and the social condition….a sci-fi collection of excellent quality….you won’t want to miss it.”
—The Book Brothers Review Blog
“Fantastic book of short stories….Recommended.”
—Reader Review
“I’m quite impressed, not only by the writing, which gleams and sparkles, but also by [Lisa Mason’s] versatility . . . Mason is a wordsmith . . . her modern take on Lewis Carroll’s Alice in Wonderland is a hilarious gem! [This collection] sparkles, whirls, and fizzes. Mason is clearly a writer to follow!”
—Amazing Stories
Transformation and the Postmodern Identity Crisis
I want to thank you all for inviting me here tonight to this, the thirtieth anniversary of my Fall into Wonderland. Yes, thank you, thank you very much. I would never have come if the Dodo hadn’t promised there’d be a fat speaker’s fee in it for me.
It’s not as though any of you have kept in touch. It’s not as though you’ve given me a jingle just to say, “How’s tricks, Alice?” It’s not as though you give a sh—oh, I beg your pardon. I don’t mean to offend. It’s not as though you’ve got the slightest notion what I’ve been through all these years.
Whatever happened to Alice, you want to know? She was, after all, such a strange little girl. Ever a scowl. Ever a snippy word. Had herself an attitude.
What could I do, what else was I fit for, after Wonderland? Of course I became a writer as my big sister encouraged me to do. You should see how much money I owe her. Oh, but you’ve never heard of me. You’ve never seen me on the list of the top ten richest writers in the world. You’ve never seen a trilogy of movies based on my books.
What are my books? Surely you’ve read The Shapeshifters, Down and Out in Berkeley and Boston, and TartGate: the Swindle and Tea-tray. Thank you, thank you very much. You congratulate me. How glamorous, Alice, you say. How exciting! What an adventure!
Have you got the slightest notion how the publishing business works these days?
One slaves in solitude over a book for two or three years, compromising health, sanity, and financial security. One’s editor pays an advance that covers the bills for two or three months, not counting food, phone service, and lottery tickets. One’s book gets noticed for two or three weeks. Booklist is snide, TLS brutal. After production costs, printing, paper, binding, marketing expenses, and general overhead to keep the publisher in posh digs, one earns two or three cents in royalties. One’s book is remaindered in two or three days while one’s editor implores one to get off that lazy bum and write ten more before the year-end.
Never mind the fantasies of hanging oneself. These will pass.
Who would ever aspire to a literary career? One would have to be raving mad.
But you don’t care. That’s on me, you say. Get a job. You don’t give a sh—oh, I beg your pardon. I don’t mean to suggest you’re an insensitive dullard who would rather veg out in front of the tellie every night than read a good book now and then. You don’t want to hear about the troubles of a girl of forty. The compulsive weaving of daisy-chains. The soporifics acquired without a prescription. The anonymous encounters in seedy laundromats with persons who refuse to make change. The arrests for disorderly conduct in tony shopping malls during lunch hour. Oh well, you say. You’re an Artist, Alice. Drowning in one’s own sorrow. It’s in the cards.
You want to romanticize Wonderland. You want to hear how cool it was. What a rave. What a romp. What a beneficent influence Falling into Wonderland had on my life. How Wonderland transformed me.
Transformed us all.
Have you got the slightest notion what happened to the White Rabbit? Every advantage, that’s what he had. Got admitted to Harvard Law School. Graduated summa cum laude. Joined the blue-chip law firm of O’Hare & Leporiday. Made partner in five years. White-collar crime and commodities fraud his speciality.
Yet there was always something too precious, too fussbudgety, about him. I suppose we should have seen it coming when the White Rabbit became an animal rights activist. Joined Small Mammals Against Savage Humans. Stands in SMASH picket lines outside Saks Fifth Avenue every Saturday, flinging ketchup on ladies in fur coats. Frequents the petting zoo every Sunday. Travels round the country delivering speeches supporting cruelty-free cosmetics dressed in a Givenchy gown, spike heels, and full makeup.
His poor old mum, whom you never hear about, nearly had a stroke when he posed, shaved bald and nude, for the cover of Vanity Fair. She calls me. “Where did I go wrong?” she wants to know. “Every advantage, that’s what he had.”
“Exactly, mum,” I tell her. “It’s postmodern life. Life after Wonderland. None of us knows who we are anymore.”
You’re silent now. Not chuckling? Not applauding? Do I suggest that the White Rabbit’s youthful experiences underground had some bearing upon his wantonness later in life? Do I suggest that Wonderland was an incitement to explore the dangerous depths of the subconscious mind? An inducement to abandon the moral strictures and conventions that Society, our schools, and our families have struggled so mightily and with the best of intentions to impose upon us?
In exchange for what? Illicit freedom?
Uncommon nonsense, you say? Ridiculous? Paranoid?
Well. It makes no difference to me if the White Rabbit pickets KFC franchises dressed in a chicken suit, but his law partners didn’t feel the same way. Hounded him out of the firm. Of course he’s suing. His mum won’t speak to him. And he still frequents the petting zoo every Sunday. You may draw your own conclusions.
But that’s the White Rabbit, you say. The White Rabbit is a shining example of the Dr. Spock generation. Those coddled Boomer kids. Me yesterday, Me tomorrow, and Me today. Give ‘em what they want when they want it. Every advantage, that’s what they’ve had. And see how they turn out?
Have you got the slightest notion what happened to the Mock Turtle? There’s another casualty. Diagnosed schizophrenic with delusions of bovinity. But since when has mental illness ever interfered with stardom? Since when has delusion ever impeded huge fame?
Those big brown eyes, that throbbing tenor raised in song! The sighs, the sobs. The disingenuous self-pity, the sudden sulking silences. Those maudlin dance tunes! What tabloid on the grocery store checkout stand hasn’t told the tale of how he became the idol of millions overnight? Mock Turtle, the King of Sop.
Of course Wonderland left its mark on him. I only became aware of how deeply damaged he was when we dated ten years later. The Mock Turtle is not exactly a fellow you want to introduce to your mum. But when we met again on the beach at Mazatlan, I fell for him hard. Always was a soft touch for his Poor Me act. One day he took me to a Miami Dolphins game. We stood up for the pledge of allegiance to the flag, and what do you suppose he said?
“A wedge of lemon in my glass
Of salt-rimmed tequila;
And with my French fries dipped in lard,
One burger
In a bun
With mustard and relish for all.”
Eating disorder, nothing. Obsessed with food, he was! Always crooning about soup and fish sticks. A foodaholic, a gourmand in extremis. A skinny reptile struggling to get out of that shell. Food fetishes? Try peanut-butter-and-bacon sandwiches. Couldn’t get through the day without a box of Ritz crackers. No wonder he packed on the pounds. Heart attack material, that’s what he became. And that’s what did the Mock Turtle in. Right in the middle of a performance on a Las Vegas soundstage. That’s the truth—it was a coronary. Not the booze, the pills, the teenage girls.
Of course everyone knows the consumption of mood-altering substances was commonplace in Wonderland. The mysterious liquids in those little stoppered bottles. The cakes of unknown ingredients left out on a side table. The smoke twisting up from herbaceous tinder. Could one contend that the fungus which induced the sensation of growing larger or smaller actually altered the body, such as steroids do? Or merely altered the mind? Though plenty of body-altering there. Take one’s liver, for starters. Never mind one’s brain cells. But oh so good, as the song goes. Can you imagine enduring the rat race without coke and Jack on the rocks? No wonder so many of us in postmodern society seek consolation in chemicals.
Who can blame us, after Wonderland?
To read the rest of the popular humorous story and discover whatever happened to the Caterpillar, the King and Queen of Hearts, the Gryphon, the Cheshire Cat and other denizens of Wonderland, please go my Patreon page at https://www.patreon.com/bePatron?u=23011206. You’ll find new and previously published stories, book excerpts, writing tips, movie recommendations, and more exclusively for patrons.
Meanwhile, check out Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books). On Nook, Smashwords, Apple, and Kobo.
On Kindle at US Kindle, Canada Kindle, UK Kindle, Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
Strange Ladies: 7 Stories is in Print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, beautiful covers, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

6.3.18.LADIESSMALL

Updated for 2020! Published in print in seven countries and as an ebook on eighteen markets worldwide.
As I mulled over my published short fiction (now forty stories), I found seven wildly different stories with one thing in common–a heroine totally unlike me. I’m the girl next door. I have no idea where these strange ladies came from.
In The Oniomancer (Asimov’s Science Fiction Magazine), a Chinese-American punk bicycle messenger finds an artifact on the street. In Guardian (Asimov’s Science Fiction Magazine), an African-American gallerist resorts to voodoo to confront a criminal. In Felicitas (Desire Burn: Women Writing from the Dark Side of Passion [Carroll and Graf]), an immigrant faces life as a cat shapeshifter. In Stripper (Unique Magazine), an exotic dancer battles the Mob. In Triad (Universe 2 [Bantam]), Dana Anad lives half the time as a woman, half the time as a man, and falls in love with a very strange lady. In Destination (Magazine of Fantasy and Science Fiction), a driver takes three strangers from a ride board on a cross-country trip as the radio reports that a serial killer is on the loose. In Transformation and the Postmodern Identity Crisis (Fantastic Alice [Ace]), Alice considers life after Wonderland.
Five stars on Facebook and Amazon! “Great work, Lisa Mason!”
“Hilarious, provocative, profound.”
From Jeanne-Mary Allen, Author on Facebook and the Book Brothers Blog: “Kyle Wylde and I are thrilled to have found such a talented, dedicated, and brilliant collection of shorts in Strange Ladies: 7 Stories…Your style/craft is highly impressive.”
From the San Francisco Book Review: “Strange Ladies: 7 Stories offers everything you could possibly want, from more traditional science fiction and fantasy tropes to thought-provoking explorations of gender issues and pleasing postmodern humor…This is a must-read collection.” http://anotheruniverse.com/strange-ladies-7-stories/
From the Book Brothers Review Blog: “Lisa Mason might just be the female Philip K. Dick. Like Dick, Mason’s stories are far more than just sci-fi tales, they are brimming with insight into human consciousness and the social condition….Strange Ladies: 7 Stories is a sci-fi collection of excellent quality. If you like deeply crafted worlds with strange, yet relatable characters, then you won’t want to miss it.” http://www.thebookbrothers.com/2013/09/the-book-brothers-review-strange.html#more
And on Amazon: 5.0 out of 5 stars This one falls in the must-read category, an appellation that I rarely use.
“I have been a fan of Lisa Mason from the beginning of her writing career, but I confess that I often overlook her short fiction. That turns out to have been a big mistake! I have just read Strange Ladies thinking I would revisit a few old friends and discover a few I had missed. Well, I had missed more than I had thought, and I regret that oversight. This collection was so much fun! I loved each and every story and enjoyed their unique twists, turns, and insights. I thank Ms Mason especially, though, for the high note ending with the big smiles in Transformation and the Postmodern Identity Crisis. Uh oh, I guess I still am a child of the summer of love. Well played. You made me laugh at the world and myself.”
From Amazing Stories. com “I’m quite impressed, not only by the writing, which gleams and sparkles, but also by [Lisa Mason’s] versatility . . . Mason is a wordsmith . . . her modern take on Lewis Carroll’s Alice in Wonderland is a hilarious gem! [This collection] sparkles, whirls, and fizzes. Mason is clearly a writer to follow!”—Amazing Stories
5.0 out of 5 stars Great collection that will make you think
Format: Kindle Edition
“My definition of a good short story is one that you keep thinking about for days, and this book had several of them.”
Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books). On Nook, Smashwords, Apple, and Kobo.
On Kindle at US Kindle, Canada Kindle, UK Kindle, Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
Strange Ladies: 7 Stories is in Print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and help me while I recover from the Attack. I’ve got delightful new stories and previously published stories, books excerpts, writing tips, movie recommendations, and more there for you with more on the way.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, beautiful covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

 

10.18.17.TGOA.BOOKS

At her mother’s urgent deathbed plea, Abby Teller enrolls at the Berkeley College of Magical Arts and Crafts to learn Real Magic. To support herself through school, she signs on as the superintendent of the Garden of Abracadabra, a mysterious, magical apartment building on campus.
She discovers that her tenants are witches, shapeshifters, vampires, and wizards and that each apartment is a fairyland or hell.
On her first day in Berkeley, she stumbles upon a supernatural multiple murder scene. One of the victims is a man she picked up hitchhiking the day before.
Torn between three men—Daniel Stern, her ex-fiance who wants her back, Jack Kovac, an enigmatic FBI agent, and Prince Lastor, a seductive supernatural entity who lives in the penthouse and may be a suspect—Abby will question what she really wants and needs from a life partner.
Compelled into a dangerous murder investigation, Abby will discover the first secrets of an ancient and ongoing war between Humanity and Demonic Realms, uncover mysteries of her own troubled past, and learn that the lessons of Real Magic may spell the difference between her own life or death.
The Garden of Abracadabra is an ebook on BarnesandNoble, Apple, Kobo, and Smashwords.
On Kindle in the U.S., the U.K., Germany, France, Spain, Italy, Netherlands, Japan, Brazil, Canada, Mexico, Australia, and India.
The Garden of Abracadabra is in Print in the U.S., the U.K., Germany, France, Spain, Italy, and Japan.
“So refreshing. . . .This is Stephanie Plum in the world of Harry Potter.”
Goodreads: “I loved the writing style and am hungry for more!”
Amazon.com: “Fun and enjoyable urban fantasy”
This is a very entertaining novel—sort of a down-to-earth Harry Potter with a modern adult woman in the lead. Even as Abby has to deal with mundane concerns like college and running the apartment complex she works at, she is surrounded by supernatural elements and mysteries that she is more than capable of taking on. Although this book is just the first in a series, it ties up the first “episode” while still leaving some story threads for upcoming books. I’m looking forward to finding out more.”
The Garden of Abracadabra was, in part, inspired by the Garden of Allah, a townhouse and apartment complex in Hollywood, California. New Yorker writers, like Robert Benchley and Dorothy Parker and F. Scott Fitzgerald, who went to L.A. to write screenplays, and actors like the Marx Brothers and Errol Flynn lived it up there and created quite a scandalous reputation for the place. “Big Yellow Taxi,” the song by Joni Mitchell was inspired when the city razed the place to the ground and built a strip mall over the ruins. “They paved Paradise and put up a parking lot,” the line goes.
So there you have it, my friends! I’m delighted to announce The Garden of Abracadabra is in print and an ebook worldwide.
Join other patrons on my Patreon page and help me after the Attack at https://www.patreon.com/bePatron?u=23011206. I’ve got delightful new and previously published stories, writing tips, book excerpts, movie recommendations, and more for patrons!
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
Please disregard any ad you see here. They have been placed without my permission.

 

6.3.18.LADIESSMALL

Updated for 2019! Published in print in seven countries and as an ebook on eighteen markets worldwide.
As I mulled over my published short fiction, I found seven wildly different stories with one thing in common–a heroine totally unlike me. I’m the girl next door. I have no idea where these strange ladies came from.
In The Oniomancer (Asimov’s Science Fiction Magazine), a Chinese-American punk bicycle messenger finds an artifact on the street. In Guardian (Asimov’s Science Fiction Magazine), an African-American gallerist resorts to voodoo to confront a criminal. In Felicitas (Desire Burn: Women Writing from the Dark Side of Passion [Carroll and Graf]), an immigrant faces life as a cat shapeshifter. In Stripper (Unique Magazine), an exotic dancer battles the Mob. In Triad (Universe 2 [Bantam]), Dana Anad lives half the time as a woman, half the time as a man, and falls in love with a very strange lady. In Destination (Magazine of Fantasy and Science Fiction), a driver takes three strangers from a ride board on a cross-country trip as the radio reports that a serial killer is on the loose. In Transformation and the Postmodern Identity Crisis (Fantastic Alice [Ace]), Alice considers life after Wonderland.
Five stars on Facebook and Amazon! “Great work, Lisa Mason!”
“Hilarious, provocative, profound.”
From Jeanne-Mary Allen, Author on Facebook and the Book Brothers Blog: “Kyle Wylde and I are thrilled to have found such a talented, dedicated, and brilliant collection of shorts in Strange Ladies: 7 Stories…Your style/craft is highly impressive.”
From the San Francisco Book Review: “Strange Ladies: 7 Stories offers everything you could possibly want, from more traditional science fiction and fantasy tropes to thought-provoking explorations of gender issues and pleasing postmodern humor…This is a must-read collection.” http://anotheruniverse.com/strange-ladies-7-stories/
From the Book Brothers Review Blog: “Lisa Mason might just be the female Philip K. Dick. Like Dick, Mason’s stories are far more than just sci-fi tales, they are brimming with insight into human consciousness and the social condition….Strange Ladies: 7 Stories is a sci-fi collection of excellent quality. If you like deeply crafted worlds with strange, yet relatable characters, then you won’t want to miss it.” http://www.thebookbrothers.com/2013/09/the-book-brothers-review-strange.html#more
5.0 out of 5 stars This one falls in the must-read category, an appellation that I rarely use.
“I have been a fan of Lisa Mason from the beginning of her writing career, but I confess that I often overlook her short fiction. That turns out to have been a big mistake! I have just read Strange Ladies thinking I would revisit a few old friends and discover a few I had missed. Well, I had missed more than I had thought, and I regret that oversight. This collection was so much fun! I loved each and every story and enjoyed their unique twists, turns, and insights. I thank Ms Mason especially, though, for the high note ending with the big smiles in Transformation and the Postmodern Identity Crisis. Uh oh, I guess I still am a child of the summer of love. Well played. You made me laugh at the world and myself.”
“I’m quite impressed, not only by the writing, which gleams and sparkles, but also by [Lisa Mason’s] versatility . . . Mason is a wordsmith . . . her modern take on Lewis Carroll’s Alice in Wonderland is a hilarious gem! [This collection] sparkles, whirls, and fizzes. Mason is clearly a writer to follow!”—Amazing Stories
5.0 out of 5 stars Great collection that will make you think
Format: Kindle Edition
“My definition of a good short story is one that you keep thinking about for days, and this book had several of them.”
Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books). On Nook, Smashwords, Apple, and Kobo.
On Kindle at US Kindle, Canada Kindle, UK Kindle, Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
Strange Ladies: 7 Stories is in Print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies there for you with more on the way.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

This story was commissioned by Katharine Kerr for her anthology, The Shimmering Door: Sorcerers and Shamans, Witches and Warlocks, Enchanters and Spell-Casters, Magicians and Mages, and published by HarperPrism in 1996. The anthology includes so many wonderful writers of fantasy, I can’t type all the names. I’m pleased and honored to be among them.
The Hanged Man
Lisa Mason
There is no such thing as magic in telespace. Telespace is the aggregated correlation of five billion minds worldwide, uploaded into a computer-generated virtual reality. In a word, technology. And technology is scientific. Provable. Repeatable. Logical.
Whereas, magic. Well, magic is superstition. The belief that supernatural forces exist. That you can contact them, these supernatural forces. Manipulate them. Command them. But that’s an illusion, all right? You cannot depend on magic.
So Snap was outraged when a Hanged Man popped out of nowhere in the industrial telespace he was jacked into. “Damn telespace! Crashing again?” He’d been wrestling with a recalcitrant code and muttering to himself. He would never finish the TeleSystems infrastructure proposal if telespace crashed again.
Sometimes you cannot depend on technology, either.
A gruesome sight he was, too. Snap had never seen such a thing. Not some purple-faced, black-tongued, bug-eyed corpse throttled at the neck and dangling as hanged men do. Snap could have dealt with that. He would have thought Chickeeta was pecking at the resolution switch again. Was it Halloween? Snap had jacked in for three days straight, burning hypertime on the infrastructure proposal. For a moment, he couldn’t remember what month this was. What day. Dawn or dusk.
No, the Hanged Man dangled from his foot, his long, golden hair streaming down. A noose bound his right ankle. His left leg was crossed behind his right knee. His arms were trussed behind his back. He wore scarlet leggings, an azure jacket. And the Hanged Man was alive. He gazed at Snap with lucid, sorrowful eyes. His expression of silent agony was terrifying.
Then ping! he was gone.
Fear prickled through Snap’s telelink. He felt nauseated and dizzy, like the time some mooner had bumped the back of his motortrike in the gridlock and nearly killed him. Black streaks oozed in his perimeters. He dropped the code, which landed on the floor of the industrial telespace with a resounding plop and lay there, gelatinous as a jellyfish out of water.
“So help me,” Snap muttered, an expression he’d picked up from Chickeeta. “Whip you into shape later,” he promised the limp code.
Snap talked to himself a lot these days. He’d been ungainfully employed as a freelance telelinker ever since he’d been downsized out of a steady job with a utilities company two years ago. Except for a rented friend who’d been hired for three days because Snap couldn’t afford a longer term, he lived alone with Chickeeta. He saved the three days’ work on the TeleSystems infrastructure proposal to his backup drive, praying that the drive had enough space.
Praying. Now there’s some magic for you.
He jacked out of telespace.
And found himself strapped into the workstation tucked in his shabby studio apartment a story above the gravity dancing club deep in the wilds of the nightclub district. What the gravity dancers lacked in technical skill, they more than made up for in charm. Snap himself never patronized the club, but he often saw the dancers crowded around the front door, sneaking a smoke of this or that. Flashing gap-toothed grins, they lingered there in their fourth-hand danceskins and retreaded athletic shoes.
Snap’s studio apartment was not the kind of place to show your grandmother, but he liked it fine. Plus the price was right for a freelance telelinker. Snap unclipped the straps, cut the electro-neural. Feeling like three loads of dirty laundry, he dragged himself out of the workstation. Swigged a can of tweaked Coke. Threw open the window shade.
The damp chill and glimmer behind the eastern hills told him maybe four-thirty, maybe five a.m. Chickeeta huddled by the wallboard heater, eking out a bit of warmth, and glanced at him with glossy eyespots that always seemed too wise. Or wise-ass.
“Hey, idiot, where’ve you been?” Chickeeta said, ruffling its plumes. “I want to live, I want to dance, I want to cha-cha-cha.” Chickeeta let loose a tremendous shriek, then muttered, “So help me, ol’ salty boy.”
Snap grinned. He’d acquired the microbot from one of the sailors who frequented his lovely neighborhood. The sailor had mooned out in back of the club next to the door that led up to Snap’s studio. Someone had relieved the sailor of just about everything but the shirt on his back and the microbot.
Snap let the sailor sleep it off upstairs, gave him a pair of jeans and a ten-credit disk. For that small favor, the sailor gave Snap the microbot. A tiny, graceful entity with a bright copper head, anodized emerald aluminum plumes, and a silver rotary propeller extruding from its slender spine.
The exchange with the sailor turned out to be a good deal. Snap had the microbot appraised and discovered it could fetch up to five thousand credits through classy first-hand markets. Wow! But when a potential buyer responded to his telespace posting, Snap had to admit he didn’t want to sell, after all.
He’d grown attached to Chickeeta. The microbot was a pretty little thing. Smart. Sassy. Always nagging him. And at least Snap could complain to someone—something—other than himself.
Snap finished the tweaked Coke, which lessened the pounding in his head, sweetened the sourness in his stomach. A decent deal. He shuffled to the fridge. A small glacier calved out of the freezer. Down below, the fridge held the withered wrapper from a toner cartridge and half an organic apple that had seen better days.
Snap shredded the wrapper for Chickeeta. Sliced the apple for himself. Boiled tap water, mixed up instant coffee. Which could have been dishwater except it was black.
“You look like hell, amigo,” Chickeeta said, seizing wrapper shreds in its beak. The microbot processed metals and motor oil, automatically repairing its internal hardware.
“Tell me about it,” Snap muttered. “So help me.”
“Heh, heh, heh, so help me,” Chickeeta said. “Yeeeek!
An anomaly, that’s what the Hanged Man was. Snap sighed and sipped coffee. The brew tasted like freeway grit, but the caffeine wended its way to his exhausted brain. An anomaly. He’d heard of them, of course. Who hadn’t? The Hanged Man’s eyes were glossed with some awesome emotion, a strange intelligence that Snap couldn’t place at all. He shivered. Anomalies were random manifestations in telespace, erratic bits of electro-neural energy. Anomalies could never be completely deleted, not even with all those terabytes of artificial intelligence.
Yes, but telespace was technology. Technology was science. You could depend on science. Couldn’t you?
The Hanged Man meant Snap’s telelink was whacked. He didn’t know how it happened, but he had to get himself fixed. And fast. The TeleSystems infrastructure proposal had a deadline. He was depending on landing this gig. He tried to cast away the thought of his debts stacking up, the rent due in a week, his empty fridge. His unemployment compensation had long since expired. He would wind up on the street if he didn’t land this gig.
Snap stroked the microbot’s gleaming back. Chickeeta nuzzled his elbow. If Snap were to give up Chickeeta on the street, bargain and sell the microbot, he’d be no better off than the sailor in the alley. He’d be without Chickeeta. He’d be no good at all.
“Gotta go downtown, big bopper,” Snap said, draining the last drops of the coffee.
“What’s happenin,’ massa?”
Microbots cannot really understand concepts, Snap reminded himself. They don’t have much memory, let alone intelligence. They just repeat routines they’ve learned.
“Need to check with Data Control. Ah, what am I saying. You don’t really know what I mean, right?”
Chickeeta winked. Or maybe the microbot just had to clean a speck of dust on its eyespot.
“I won’t be long,” Snap added, just in case.
Chickeeta ruefully picked at the shredded wrapper. The microbot was looking rather scruffy lately. So was Snap.
“I’ll get some decent grub for us, too, okay? I’ll charge it, what the hell.”
Microbots can’t smile, either, but a grin curved Chickeeta’s beak. “Charge it, what the hell, heh, heh, heh!”
*   *   *
The gridlock idled downtown, emitting a filthy haze over the morning. The toiling masses were decked out in their facemasks and oxygen tanks. Since the air-borne San Joaquin fever caused a half million deaths in the city last year and toxic fumes claimed nearly another million, masks and tanks had become a necessity, despite escalating robberies and police protests.
To read the rest of “The Hanged Man” and find out how Snap solves his problem, the woman he meets who changes his life, and an Afterword about the story’s setting, please join Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies for you there—more stories, recipes, movie reviews, book excerpts—with more on the way.
Donate a tip from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

6.3.18.LADIESSMALL

Updated for 2019! Published in print in seven countries and as an ebook on eighteen markets worldwide.
As I mulled over my published short fiction, I found seven wildly different stories with one thing in common–a heroine totally unlike me. I’m the girl next door. I have no idea where these strange ladies came from.
In The Oniomancer (Asimov’s Science Fiction Magazine), a Chinese-American punk bicycle messenger finds an artifact on the street. In Guardian (Asimov’s Science Fiction Magazine), an African-American gallerist resorts to voodoo to confront a criminal. In Felicitas (Desire Burn: Women Writing from the Dark Side of Passion [Carroll and Graf]), an immigrant faces life as a cat shapeshifter. In Stripper (Unique Magazine), an exotic dancer battles the Mob. In Triad (Universe 2 [Bantam]), Dana Anad lives half the time as a woman, half the time as a man, and falls in love with a very strange lady. In Destination (Magazine of Fantasy and Science Fiction), a driver takes three strangers from a ride board on a cross-country trip as the radio reports that a serial killer is on the loose. In Transformation and the Postmodern Identity Crisis (Fantastic Alice [Ace]), Alice considers life after Wonderland.
Five stars on Facebook and Amazon! “Great work, Lisa Mason!”
“Hilarious, provocative, profound.”
From Jeanne-Mary Allen, Author on Facebook and the Book Brothers Blog: “Kyle Wylde and I are thrilled to have found such a talented, dedicated, and brilliant collection of shorts in Strange Ladies: 7 Stories…Your style/craft is highly impressive.”
From the San Francisco Book Review: “Strange Ladies: 7 Stories offers everything you could possibly want, from more traditional science fiction and fantasy tropes to thought-provoking explorations of gender issues and pleasing postmodern humor…This is a must-read collection.” http://anotheruniverse.com/strange-ladies-7-stories/
From the Book Brothers Review Blog: “Lisa Mason might just be the female Philip K. Dick. Like Dick, Mason’s stories are far more than just sci-fi tales, they are brimming with insight into human consciousness and the social condition….Strange Ladies: 7 Stories is a sci-fi collection of excellent quality. If you like deeply crafted worlds with strange, yet relatable characters, then you won’t want to miss it.” http://www.thebookbrothers.com/2013/09/the-book-brothers-review-strange.html#more
5.0 out of 5 stars This one falls in the must-read category, an appellation that I rarely use.
“I have been a fan of Lisa Mason from the beginning of her writing career, but I confess that I often overlook her short fiction. That turns out to have been a big mistake! I have just read Strange Ladies thinking I would revisit a few old friends and discover a few I had missed. Well, I had missed more than I had thought, and I regret that oversight. This collection was so much fun! I loved each and every story and enjoyed their unique twists, turns, and insights. I thank Ms Mason especially, though, for the high note ending with the big smiles in Transformation and the Postmodern Identity Crisis. Uh oh, I guess I still am a child of the summer of love. Well played. You made me laugh at the world and myself.”
“I’m quite impressed, not only by the writing, which gleams and sparkles, but also by [Lisa Mason’s] versatility . . . Mason is a wordsmith . . . her modern take on Lewis Carroll’s Alice in Wonderland is a hilarious gem! [This collection] sparkles, whirls, and fizzes. Mason is clearly a writer to follow!”—Amazing Stories
5.0 out of 5 stars Great collection that will make you think
Format: Kindle Edition
“My definition of a good short story is one that you keep thinking about for days, and this book had several of them.”
Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books). On Nook, Smashwords, Apple, and Kobo.
On Kindle at US Kindle, Canada Kindle, UK Kindle, Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
Strange Ladies: 7 Stories is in Print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies there for you with more on the way.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

10.18.17.TGOA.BOOKS

You could pay $4K for some “legendary” how-to-write racket. Or you could pick up writing tips from an author who has been publishing stories and books since 1987 (that would be me). You could pay ME $4K, too, but you don’t have to. You could join my Patreon page at https://www.patreon.com/lisamasonfantasyandsciencefictionwriter?alert=2.
It turns out that writing can be a tricky business. You wouldn’t think so, in these days of push-button churning out of words and push-button editing.
But perhaps it’s trickier than ever, now that we are wedded to a keyboard and not writing by hand in pen or pencil on recycled trees, otherwise known as paper.
Some writers—Jennifer Egan springs to mind—claim they write first drafts by hand, then transfer the words to a computer. I have been known to apply this technique myself, especially with stories. But also with key parts of novel.
Others swear by read-throughs, which is always a good idea since then you can hear the sound of the language. When you are speaking spontaneously—not a rehearsed speech—you seldom think about your word choices. The words just flow. But when you write for publication, suddenly word choices become significant. And oddly, sometimes difficult to control.
You want to have a Voice. You want to have a distinctive sound in your written work. See? That was a repetition—“You want to”. A deliberate repetition.
I’m talking about inadvertent, unconscious repetitions of words, usually distinctive words beyond the usual “but” and “and” that are only too easy to write. Those repetitions detract from the bold, precise language you want to use.
A writer in a workshop I once participated in called it “writer’s echolalia.”
I see inadvertent repetitions frequently in published fiction. These are words that have been through several pairs of professional eyes—the writer herself, an editor, a copy editor, and a proofreader.
But even a team of the pros often can’t catch it.
The longer the manuscript, the more difficult it is to catch this stuff. It’s only when you boil things down for print publication, are down to the wire, need to blow through 130,000 words in a few days, not a few years—when you see those clean, shiny proofs ready to go off to the printer—that you can spot writer’s echolalia.
Sometimes.
* * *
For the rest of The September Writing Tip, join my Patreon page at https://www.patreon.com/bePatron?u=23011206 or https://www.patreon.com/lisamasonfantasyandsciencefictionwriter?alert=2.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
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4.29.18.F.AND.SFS.2

Here’s the list of publications, including magazines and anthologies, I’ve published stories in:

OMNI, edited by Ellen Datlow

The Magazine of Fantasy and Science Fiction, edited by C.C. Finlay, earlier editions edited by Gordon Van Gelder, and an even earlier edition edited by Kristine Kathryn Rusch

Asimov’s Science Fiction Magazine, edited by Gardner Dozois

Unique Magazine, edited by Tamara Sellman

Welcome to Dystopia, edited by Gordon Van Gelder

Not One of Us, edited by John Benson

Transcendental Tales From Asimov’s, edited by Gardner Dozois

Year’s Best Fantasy and Horror 5th Annual edition, edited by Ellen Datlow and Terri Windling

Full Spectrum 5, edited by Jennifer Hershey, Tom Dupree, and Janna Silverstein

The Shimmering Door, edited by Katharine Kerr

Fantastic Alice: More Stories from Underground, edited by Margaret Weis

David Copperfield’s Tales of the Impossible, edited by David Copperfield and Janet Berliner

Peter S. Beagle’s Immortal Unicorn, edited by Peter S. Beagle and Janet Berliner

Desire Burn: Women Writing from the Dark Side of Passion, edited by Janet Berliner

Universe 2, edited by Robert Silverberg and Karen Haber

Hayakawa Science Fiction (I can’t read Japanese)

Unter Die Haut, edited by Karin Ivansics and Peter Hiess

Gogols Frau, edited by Wolfgang Jeschke

Cyberpunk, edited by John-Henri Holmberg

and now Daily Science Fiction, edited by Michele-Lee Barasso and Jonathan Laden!

(Doesn’t seem like enough, does it?) Onward!

From the author of Summer of Love (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book). On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. BACK IN PRINT! Find the beautiful trade paperback at https://www.amazon.com/Summer-Love-Travel-Lisa-Mason/dp/1548106119/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/summer-of-love-a-time-travel-lisa-mason/1104160569.

The Gilded Age (a New York Times Notable Book and New York Public Library Recommended Book). On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. BACK IN PRINT! Find the beautiful trade paperback at https://www.amazon.com/Gilded-Age-Time-Travel/dp/1975853172/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/the-gilded-age-a-time-travel-lisa-mason/1106038566.

The Garden of Abracadabra (“Fun and enjoyable urban fantasy . . . I want to read more!) On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. NOW IN PRINT! Find the beautiful trade paperback at https://www.amazon.com/dp/1978148291/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/the-garden-of-abracadabra-lisa-mason/1108093507

Arachne (a Locus Hardover Bestseller) is an ebook on US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Barnes and Noble, Apple, Kobo, and Smashwords. On Kindle worldwide in France Kindle, Germany Kindle, Italy Kindle, Netherlands Kindle, Spain Kindle, Mexico Kindle, Brazil Kindle, India Kindle, and Japan Kindle. Back in Print! Find the beautiful trade paperback at https://www.amazon.com/dp/198435602X or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/arachne-lisa-mason/1000035633.

Cyberweb (sequel to Arachne) is on US Kindle, BarnesandNoble, Apple, Kobo, and Smashwords. Also Kindle worldwide on UK Kindle, Canada Kindle, Australia Kindle, Brazil Kindle, France Kindle, Germany Kindle, India Kindle, Italy Kindle, Japan Kindle, Mexico Kindle, Netherlands Kindle, and Spain Kindle. Back in Print at https://www.amazon.com/dp/1984356941 or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/cyberweb-lisa-mason/1001932064

Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books). On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle world wide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. NOW IN PRINT at https://www.amazon.com/Strange-Ladies-Stories-Lisa-Mason/dp/1981104380/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/strange-ladies-lisa-mason/1115861322.

One Day in the Life of Alexa (“Five stars! An appealing narrator and subtly powerful emotional rhythms”). On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. Order the beautiful trade paperback NOW IN PRINT at https://www.amazon.com/One-Life-Alexa-Lisa-Mason/dp/1546783091 or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/one-day-in-the-life-of-alexa-lisa-mason/1126431598.

Celestial Girl, The Omnibus Edition, A Lily Modjeska Mystery (Five stars) On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. SOON IN PRINT!

Shaken (in Asimov’s Science Fiction Magazine) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.

Hummers (in Fifth Annual Year’s Best Fantasy and Horror) On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.

Daughter of the Tao (in Peter S. Beagle’s Immortal Unicorn) on US Kindle, Canada Kindle, UK Kindle, BarnesandNoble, Apple, Kobo, and Smashwords. Also on Kindle in AustraliaFrance, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.

Every Mystery Unexplained (in David Copperfield’s Tales of the Impossible) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.

Tomorrow’s Child (In Active Development at Universal Pictures) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.

The Sixty-third Anniversary of Hysteria (in Full Spectrum 5) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.

U F uh-O (Five Stars!) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.

Tesla, A Screenplay on US Kindle, Canada Kindle, UK Kindle, BarnesandNoble, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.

My Charlotte: Patty’s Story on Barnes and Noble, US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Smashwords, Apple, and Kobo. On Kindle in France, Germany, Italy, Spain, Brazil, Japan, Netherlands, and Mexico.

“Illyria, My Love” is on US Kindle, Barnes and Noble, Apple, Kobo, and Smashwords. Also on UK Kindle, Canada Kindle, Australia Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, Mexico Kindle, and India Kindle.

Please visit me at Lisa Mason’s Official Website for all my books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

And on Lisa Mason’s Blog, on my Facebook Author Page, on my Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, and at Science Fiction and Fantasy Writers of America.

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