Archives for category: San Francisco

Petrossian purveys all kinds of caviar, plus smoked salmon and other smoked fish, smoked duck breast, wild boar saucisson, and other exotic meats, blinis and breads, macarons, cookies, and candies, and gift sets for the holidays. Check out Petrossian.com.
Back in the days when now-vegetarian Tom ate a bit of fish, he spurned caviar. “It tastes like bait,” he said.
Because of the fishiness, they want you to put a spoonful of caviar on a dollop of crème fraiche, all of that on a blini or a toast point. Which kind of makes for a . . . glorified tuna salad sandwich.
There, I said it.
Seriously, though, I *like* caviar. When presented with the opportunity, I eat caviar straight up. None of that sissy crème fraiche on a blini stuff.
Some years ago, Avon Books held a party in San Francisco for local authors and other bookish folk. The trade paperbacks of Arachne and Cyberweb were published by AvoNova (the hardcovers were published by William Morrow), so Tom and I got an invite. I met the publishing heavy-weight Carolyn Reidy, who was very gracious, and other New York publishing folk
Avon Books put on quite a grand spread, including caviar. While I was piling cheese and spooning caviar on my paper plate, Charles Brown (I always called the founder and publisher of Locus Magazine “Charles,” not “Charlie” like everybody else did) said, “Every freeloader in town is here.” And he proceeded to fill his plate.
After the party, Charles took Shelly Rae Clift, Tom, and me to a Japanese restaurant down the street and treated us to sushi. There was a center island where the chefs prepared the sushi and loaded each piece on a little boat. The boats traveled on a narrow water channel around the prep island. We diners sat on a bench around water channel and island and plucked the sushi we wanted off the boats as they floated by.
It was a wonderful, memorable night.
Meanwhile, Arachne and Cyberweb are once again available as ebooks and trade paperbacks.
ARACHNE is in print in the U.S. at https://www.amazon.com/dp/198435602X
In the U.K. at https://www.amazon.co.uk/dp/198435602X
In Germany at https://www.amazon.de/dp/198435602X
In France at https://www.amazon.fr/dp/198435602X
In Spain at https://www.amazon.es/dp/198435602X
In Italy at https://www.amazon.it/dp/198435602X
In Japan at https://www.amazon.co.jp/dp/198435602X
Arachne (a Locus Hardover Bestseller) is also an ebook on US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Barnes and Noble, Apple, Kobo, and Smashwords.
On Kindle worldwide in France Kindle, Germany Kindle, Italy Kindle, Netherlands Kindle, Spain Kindle, Mexico Kindle, Brazil Kindle, India Kindle, and Japan Kindle
CYBERWEB is in print in the U.S. at https://www.amazon.com/dp/1984356941

In the U.K. at https://www.amazon.co.uk/dp/1984356941
In Germany at https://www.amazon.de/dp/1984356941
In France at https://www.amazon.fr/dp/1984356941
In Spain at https://www.amazon.es/dp/1984356941
In Italy at https://www.amazon.it/dp/1984356941
In Japan at https://www.amazon.co.jp/dp/1984356941
Cyberweb is an ebook on US Kindle, BarnesandNoble, Apple, Kobo, and Smashwords.
Cyberweb is also on UK Kindle, Canada Kindle, Australia Kindle, Brazil Kindle, France Kindle, Germany Kindle, India Kindle, Italy Kindle, Japan Kindle, Mexico Kindle, Netherlands Kindle, and Spain Kindle.
‘Tis the Season! Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and help me while I recover from the Attack. I’ve got lots of goodies for you—delightful stories, writing tips, book excerpts, movie reviews, recipes, and more. Plus you can send up to 1K words for a critique.
Donate a tip from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

9.18.19.8.BOOKS.2

I cannot tell you how happy I am to have these books back in print, with ebooks for the ebook readers. This represents years—decades—of research and work.
Just nine years ago, this wasn’t possible and, believe me, I looked into it. Nine years ago, you had to invest $ 25,000 per book to produce an independent title.
Now, thanks to Amazon and your own ingenuity, the cost is negligible.
The scheduling freedom, control over your own marketing, and the reaping of the monthly profits is the reason why most traditionally published authors I know publish at least some of their new titles and most of their backlist independently.
First, you need to secure the reversion rights from the original traditional publisher—usually not a problem.
Then you need to master the correct format for a print book (and the correct format for an ebook). You no longer have to know HTML to do this, though; the website these days does the programming for you.
Then you can either go with Amazon’s cover creator function, buy cover art at a website like Dreamstime, or hire a cover artist.
Amazon’s cover creator is useful if you want to be sure your cover meets the specifications—and you don’t care whether your cover is ho-hum.
Buying cover art from a website runs the risk that your book will look exactly like some other author’s. I’ve seen this phenomenon multiple times, including from small publishers who should know better!
Hiring a cover artist may be expensive, but you will be assured of a unique cover for your book.
If you opt for the latter two choices, next you also have to hire a paste-up artist who will know how calculate and lay-out the back cover, the spine, and the front cover.
Fortunately for me, I’m married to an accomplished artist plus an old-fashioned lay-out artist! Hooray for Tom Robinson! (While he was a student at the San Francisco Art Institute, he worked for Francis Ford Coppola’s City Magazine.)
But yes, I pay him. He’s expensive!
Here are the links to the print titles above:
CHROME (“I was enjoying the characters and the story so much that the superb writing simply did its job”) is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print.
Summer of Love
(a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book) is in print as a beautiful quality trade paperback in the U.S., the U.K., France, Germany, Italy, Spain, and Japan.
The Gilded Age (a New York Times Notable Book and New York Public Library Recommended Book) is in print in the U.S., the U.K., in France, in Germany, in Italy, in Spain, and in Japan.
The Garden of Abracadabra
(“Fun and enjoyable Urban Fantasy”) is in print in the U.S., the U.K., Germany, France, Spain, Italy, and Japan.
Cyberweb
(“Some very deep philosophical questions are posed…a very entertaining and thoughtful story.”) is in print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
ARACHNE (“Highly recommended and very memorable.”) is in print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
One Day in the Life of Alexa
(“[An] absorbing read with an appealing narrator and subtly powerful emotional rhythms.”) is in print in the U.S., the U.K., Germany, France, Spain, Italy, and Japan.
Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books) is in Print in the U.S., in the U.K., in Germany, in France, in Spain, in Italy, and in Japan.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies there for you with more on the way.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

4.4.18.ARA.CYBER_.590.KB

I just discovered these two new five-star reviews of CYBERWEB while I was collecting the print links. Sheesh! I need an assistant.
4.0 out of 5 starsDEEPER THAN DEEP
Format: Paperback
On re-reading CYBERWEB a year later, I don’t think my first review does it justice. The writer has peeled off the difference between conscious robots and flesh and blood man. Almost without fanfare the robots are provided with souls. Her mechanical characters are given both consciousness and emotion. Their only difference to man is in their composition. This becomes very clear when the outmoded Spinner character uploads herself into Patina’s flashy, lifeless bodywork.
I MUST NOW RATE THIS BOOK FIVE STARS.
The writer, thus, dives deeply into the unseen world that controls man’s apparent freewill existence. By using mainframes as purposeful beasts, seeking to control fleshy man, some very deep philosophical questions are posed. She leaves it up to the reader to fill in the blanks to this very entertaining and thoughtful story.
THE OLD REVIEW READ:
Mason leads her cyberpunk reader into the arena of sci-fi comics. It’s not possible for humans to grasp the feelings and desires of these robot characters but it’s still a lot of fun to try. She challenges your imagination to follow her characters’ avatars, cones, cubes and three headed chimeras as they flit in and out of cyberspace. But hard questions are run up the flagpole. Can bodiless people exist in this virtual world of telespace? Can a soul exist in a nonorganic body? Should robots be discarded like machines when a new model arrives? Can our culture continue to absorb the changes computer power is unleashing? Is our reality but an extension of the bits composing telespace? Even the questions of what consciousness might consist of and whether it is really an advantage to being born as flesh and blood. She makes no attempt to answer these questions but even considering them makes this book a very creative endeavor. You could certainly invest your time on a much less entertaining story. Also it is short and sweet.
5.0 out of 5 starsInteresting…pretty cool actually…
Format: Paperback
Cyberweb is a pretty nifty cyberpunk novel…lots of interesting ideas…I liked it…
So there you have it, my friends. One reader at a time…..
CYBERWEB is in print in the U.S. at https://www.amazon.com/dp/1984356941
In the U.K. at https://www.amazon.co.uk/dp/1984356941
In Germany at https://www.amazon.de/dp/1984356941
In France at https://www.amazon.fr/dp/1984356941
In Spain at https://www.amazon.es/dp/1984356941
In Italy at https://www.amazon.it/dp/1984356941
In Japan at https://www.amazon.co.jp/dp/1984356941
Cyberweb is an ebook on US Kindle, BarnesandNoble, Apple, Kobo, and Smashwords.
Cyberweb is also on UK Kindle, Canada Kindle, Australia Kindle, Brazil Kindle, France Kindle, Germany Kindle, India Kindle, Italy Kindle, Japan Kindle, Mexico Kindle, Netherlands Kindle, and Spain Kindle.
Join my other patrons on my Patreon page at https://www.patreon.com/bePatron?u=23011206.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

7.9.19.YOSHIO.VASE_NEW

“Yoshio Kobayashi (1951-2019)
Translator, editor, and fan Yoshio Kobayashi, 68, died June 13, 2019 of an ischemic heart attack. Under his pen name Takashi Ogawa he was one of the leading SF translators in Japan, tirelessly promoting SF and bringing works by Greg Bear, Bruce Sterling, Lucius Shepherd, Lewis Shiner, Michael Swanwick, and other major writers to the Japanese audience. He translated for Japanese publishers including Shueisha and Hayakawa, and for the magazine Hayakawa SF. He taught translation for many years in Tokyo and Sapporo, inspiring generations to share his passion, and founded award-winning Japanese fanzine Palantir in 1981.
Kobayashi was also the longtime Japanese agent for Locus, and a devoted friend to the magazine. Born 1951 in Tokyo, he suffered from neurological problems last year, and while he underwent brain surgery in November, his health continued to decline this year. He is survived by wife Mika Kobayashi and their daughter.”
Locus Magazine, The Magazine of the Science Fiction and Fantasy Field
* * *
I hope you’ll notice in the above official obituary that Locus Magazine neglected to mention the many women SFF writers whose work Yoshio also translated. Including me.
I first met Yoshio in 1991, after my first novel ARACHNE sold to Hayakawa and my Asimov stories, “The Oniomancer” and “Guardian” sold to the magazine Hayakawa SF.
He was a pleasant-looking, diminutive Japanese man with genuine warmth, congeniality, and humor. I think Locus Magazine sent him over to my home since Yoshio was an agent for the magazine, visited Charles Brown (the founder of the magazine) often and Charles had gotten news of my sales to the Japanese market.
Yoshio walked into my home, looking curiously around as he always did and carrying a large box made of bamboo.
This he presented to me. I opened the box and found the gorgeous Japanese vase you see above.
Then we sat down at my dining room table and went over the translation questions he had for me. Yoshio loved American slang, especially surfer slang and 1960s hip slang, and earnestly wanted to translate these strange words and their strange meanings into Japanese.
The next time I saw Yoshio, he was doing business at Locus Magazine in the Oakland Hills. Charles Brown called me: Could I drive him and Yoshio on a tour of the hills and then to dinner?
Of course I could.
Tom sat in the passenger seat, Yoshio and Charles sat in the back and we drove up Summit Drive where you can see the whole spectacular panorama of San Francisco Bay, East Bay, San Francisco, the Golden Gate Bridge, the Marin Headlands, and out to the Pacific Ocean. Charles said, “I have been everywhere in the world, but I still come back to the Bay Area and am amazed.”
Then I drove everybody across the San Rafael Bridge to Larkspur Landing in Marin County where we dined at the Marin Brewing Company. I don’t know if the restaurant is still there, but it was a burgers and fries and onion rings kind of place, with an impressive display of the brass beer brewing machinery in the front.
I didn’t like to touch my food with my fingers (still don’t), so I ate my burger and onion rings with a knife and fork. Yoshio observed me doing that, and emulated me. Charles’ memorable quote? “I know how to make onion rings, but if someone else cooks them, I’ll spare myself the work.” A good time was had by all, including Yoshio and me cutting up our burgers and buns with a knife and fork.
The next time I saw Yoshio, he was back in the Bay Area and asking if I could pick up he and a couple of friends and drive them up to the Locus house for a meeting.
Of course I could.
For the rest of the Tribute to Yoshio and all of the posts in the September Tier One creation, join Tier One of my Patreon page at https://www.patreon.com/bePatron?u=23011206.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
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ARACHNE.1.28.18.SMLL

I just discovered these three new reviews on the ARACHNE U.S. print book page. Unlike a lot of authors, I don’t obsessively check my book pages. I’m too busy with other things, like trying to write new material. And trying to stay alive.
Anyhow, I’m of the “a watched pot never boils” school. If as an author you daily check your reviews and book sales, you’re bound to be daily disappointed.
There’s too much in life I’ve got to be sad and angry about. So I pretty much leave those things alone.
However! I was downloading the print links in seven countries for all my print books—here’s how oblivious I am, I didn’t realize that my print books are in all those countries—and I found, to my amazement, these three new reviews of ARACHNE.
And I quote from https://www.amazon.com/dp/198435602X
5.0 out of 5 starsNot just cyberpunk as usual
“This is such an astounding book that I don’t know where to begin praising it. I first discovered ARACHNE back in the mid-90s only because I happened to stumble on the long out-of-print first edition in a used bookstore. I remember reading it with a growing mix of admiration and frustration. My final verdict back then: ARACHNE so completely transcended the normal hardboiled/cyberpunk categories that it was going to have to wait another quarter of a century to be recognized as the groundbreaking book it was. In fact it reminded me of Howard Aiken’s great aphorism about originality: “Don’t worry about people stealing an idea; if it’s original you’ll have to shove it down their throats.” How wonderful then to see ARACHNE back in print! Go forth, gentle reader, and buy a copy of your very own. I can’t promise you’ll like it … but I think the odds are good. Meanwhile I’ve got my fingers crossed that the rest of the SF world is finally catching up to Lisa Mason.”
4.0 out of 5 starsCyberspace Law
“Sarcastic robots, urban aboriginals, genetically-engineered beauty, soul-stealers, registered drugs…Lisa Mason manages to make these ideas and concepts flow in a fast-moving tale filled with action and meaning. Unlike a lot of cyberpunk, the reader doesn’t get bogged down in the technical jargon and slang…she somehow makes it more real. The concept of Artificial Intelligence coveting human consciousness is fascinating. What I really enjoyed was how Mason dealt with the legal ethics of corporate law…from a corporate lawyer’s view. Another great read from Lisa Mason!”
5.0 out of 5 stars Excellent and amazing
“Excellent and amazing. Few novels immerse so radically and easily in such a different reality that has familiar elements spun into future tech, with such style. Great characters, even the ones that are not biological! Highly recommended and very memorable. True to archetypes, too.”
I’ve always believed from the start of my writing career that science fiction, of all the genres including mainstream, had an obligation to present big ideas, a vision of the future, and meaning.
And not read like a book report, as a lot of science fiction does. No wonder people don’t like it! I’ve always believed in a lively tight style and, above all, characters you really want to care about as a reader.
To be honest, I don’t like being a quarter-century ahead of my time, either. (And ARACHNE is still a quarter-century ahead of right Now.) Being too far ahead of one’s time makes it very difficult to make a living as a writer, y’know?
ARACHNE is in print in the U.S. at https://www.amazon.com/dp/198435602X
In the U.K. at https://www.amazon.co.uk/dp/198435602X
In Germany at https://www.amazon.de/dp/198435602X
In France at https://www.amazon.fr/dp/198435602X
In Spain at https://www.amazon.es/dp/198435602X
In Italy at https://www.amazon.it/dp/198435602X
In Japan at https://www.amazon.co.jp/dp/198435602X
Arachne (a Locus Hardover Bestseller) is also an ebook on US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Barnes and Noble, Apple, Kobo, and Smashwords.
On Kindle worldwide in France Kindle, Germany Kindle, Italy Kindle, Netherlands Kindle, Spain Kindle, Mexico Kindle, Brazil Kindle, India Kindle, and Japan Kindle
Help me out on my Patreon page at https://www.patreon.com/bePatron?u=23011206.
In the Introduction, I’ll explain the reason I’ve chosen Patreon (no, not that making a living as a writer and an artist is so difficult, though there’s that).
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

I’m putting the finishing touches on my Patreon Tiers, which I’ll be blogging on WordPress as the autumnal days progress.
Tier One features a Tribute to Yoshio Kobayashi, the beloved Japanese translator of science fiction and fantasy who suddenly and tragically died in May, 2019. I considered him a friend. Tier One also features my original vegetarian recipe for Spicy California Rice and the September movie review, which will probably be a critique of “Can You Ever Forgive Me”? Plus, I’m adding The September Lifestyle Blog to Tier One.
On Tier Two, you’ll find another delightful Lisa Mason story. This one, “Crawl Space”, is an Abracadabra spin-off, with a Foreword introducing the story and an Afterword exploring the extensive research that went into writing a 4,000 word story. Plus, I’m adding The Writing Tip of the Month, analyzing inadvertent repetitions in a manuscript and how you can fix them. You could pay one of the how-to-write venues $4,000 to learn this stuff (and you can pay ME $4,000 if you like), but Tier Two will cost you a mere four bucks.
Your pledge at Tier Three gives you access to all of this material in One and Two, plus the on-going serialization of my acclaimed new novel CHROME. I’ll be adding Chromian blogs about the inspiration, research, and literary backdrop to this Tier.
Finally, your pledge at Tier Four will give you all of the above (at your leisure), plus my on-going memoir Sticks & Stones Will Break My Bones, about the violent criminal Attack against me. The aftermath of the Attack is why I need your help and support at Patreon.
Join my other patrons on my Patreon page at https://www.patreon.com/bePatron?u=23011206.
Donate from your PayPal account to lisasmason@aol.com.
Check out my books and ebooks, which are being updated for 2019.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
Please disregard any ads placed here. They were placed without my permission.

10.29.15.GILDEDAGEBIG

New Review of The Gilded Age at http://sfbookreview.blogspot.com/2017/12/the-gilded-age-by-lisa-mason.html:
“The world of 2495 is at an unsustainable twelve billion population. Zhu Wong is a Daughter of Compassion, a group working to enforce the birth restriction laws. She is in jail awaiting trial when she is recruited by the Luxon Institute for Superluminal Applications (LISA, I love the acronym) to t-port back to 1895 San Francisco. She accepts the deal. Her mission is to find Wing Sing, take her and the aurelia to the mission run by Donaldina Cameron. In 1967 Wing Sing’s daughter will eventually give the brooch to Chiron at the end of his stay in the Summer of Love project.
Zhu finds Wing Sing, but she doesn’t have the aurelia. They are captured by a Chinese gang. Zhu is bought away from them by Jessie, a madam, Wing Sing stuck with the Tong. Zhu does work for Jessie, but is more valuable as a bookkeeper so avoids becoming a prostitute. Daniel Watkins is the son of a real estate magnate coming to San Francisco to collect on debts. He is low on funds and is referred to lodging at Jessie’s where his life becomes entwined with Zhu’s. Somehow Zhu is attracted to this heavy drinking smoker who has distinct views of women. Despite herself and her mission, Zhu cares about Jessie and Daniel.
I loved the character of Zhu. Somehow I wasn’t repulsed by Daniel and Jessie. They are more a product of their environment doing what they can with their sense of right and wrong. Very enjoyable, I read the last two hundred pages straight through. This is definitely a stand alone novel, though Summer of Love is mentioned several times. I’ll have to read that one as a prequel rather than book one.”
And this is from Library Journal:
“The discovery of a golden brooch that should not exist in the 25th century prompts the Luxon Institute to send a young Chinese woman 600 years back in time. She arrives in San Francisco in 1895 to prevent the future from altering the past. This sequel to Summer of Love (LJ 6/15/94), seen through the eyes of an observer from the future, juxtaposes the tempestuous, sprawling milieu of boomtown San Francisco with its shadowy underside of prostitution and decadence. Mason’s graceful prose and her skill in orchestrating a complex and satisfying plot make this a solid purchase for sf collections.
Copyright 1995 Reed Business Information, Inc.
This is from a reader:
https://www.amazon.ca/Golden-Nineties-Lisa-Mason/dp/0553373315
5.0 out of 5 stars Hypnotic Read
By,Robin Booneon Published on Amazon.com|Verified Purchase
“Lisa Mason’s Summer of Love and The Golden Nineties both have this quality – you want to reread them as soon as you’ve read them. Her writing conveys an abiding love of San Francisco, and interesting bits of California history are woven into the storylines. The writing is so compelling that you feel as though time travel were a possibility. I hope she writes more of these San Francisco fantasies!”
And this is from Publisher’s Weekly
https://www.publishersweekly.com/978-0-553-37331-8
“Mason’s sequel to Summer of Love is a delightful expansion of that work and a major step forward for her. The tale centers on Zhu Wong, a Chinese national whose lawyer plea-bargains her release from prison so that Chiron and his companions from the previous novel’s Luxon Institute for Superluminal Applications can transport her 600 years into the past to find a macguffin called the aurelia. Once in San Francisco, 1895, Mason brings the environment and the times to life with her rendering of the city’s activities, especially its corruption. The several historic personages who appear–including Frank Norris, Jack London and Susan B. Anthony–are all given dimensions that reflect the rigor of Mason’s research without leaving the reader overburdened by minutiae. Zhu Wong finds herself embroiled in a world of decadence and prostitution; she sees friends and companions abuse themselves with such things as alcohol, cocaine and corsets. As with Karen Joy Fowler’s Sarah Canary, Mason uses the novel partially to explore the role of women in society. As Zhu grows to understand the hypocrisies of the 1890s, she becomes even less comfortable with the presumptions of her own time. She creates several “closed time loops,” apparent paradoxes that impede her mission–and, perhaps more important, thwart her own desires. Eventually she finds her way out of the time loops and in the process teaches everyone–including herself–a few lessons about life. Her bravura performance with this book should both leave the reader wanting more and solidify her position as one of the most interesting writers in science fiction.
And this just in from an Amazon.com reader
Buy It
By Uke Enthusiast
Format: Kindle Edition|Verified Purchase
“One of my favorite books. I am delighted it is back in print. A thoroughly entertaining time travel story supported by vivid characterizations and settings.”
Book Description: The year is 1895 and immigrants the world over are flocking to California on the transcontinental railroad and on transoceanic steamships. The Zoetrope demonstrates the persistence of vision, patent medicines addict children to morphine, and women are rallying for the vote. In San Francisco, saloons are the booming business, followed by brothels, and the Barbary Coast is a dangerous sink of iniquity. Atop Telegraph Hill bloody jousting tournaments are held and in Chinatown the tongs deal in opium, murder-for-hire, and slave girls.
Zhu Wong, a prisoner in twenty-fifth century China, is given a choice–stand trial for murder or go on a risky time-travel project to the San Francisco of 1895 to rescue a slave girl and take her to safety. Charmed by the city’s opulent glamour, Zhu will discover the city’s darkest secrets. A fervent population control activist in a world of twelve billion people, she will become an indentured servant to the city’s most notorious madam. Fiercely disciplined, she will fall desperately in love with the troubled self-destructive heir to a fading fortune.
And when the careful plans of the Gilded Age Project start unraveling, Zhu will discover that her choices not only affect the future but mean the difference between her own life or death.
“A winning mixture of intelligence and passion.” The New York Times Book Review
“Graceful prose. . . .A complex and satisfying plot.” Library Journal
“Rollicking. . . .Dazzling.” Locus Magazine
“Should both leave the reader wanting more and solidify Mason’s position as one of the most interesting writers in science fiction.” Publisher’s Weekly
The cover, by San Francisco artist Tom Robinson, is styled to look like an 1890s billboard.
The Gilded Age is BACK IN PRINT! Order the beautiful trade paperback in the U.S., in the U.K., in France, in Germany, in Italy, in Spain, and in Japan.
The ebook
is at BarnesandNoble, Apple, Kobo, and Smashwords and on Kindle worldwide at US Kindle, Canada Kindle, UK Kindle, Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
So there you have it, my friends
. Bantam Books, a division of Random House, published this as The Golden Nineties. Yes, I changed the title. I think the new title is better. (Wish I’d thought of it in the first place) This is the Author’s Preferred Print Edition.
Whether you’re a longtime reader or new, I hope you enjoy this classic!
Join my other patrons on my Patreon page and learn the shocking reason I’ve opted for Patreon at https://www.patreon.com/lisamasonfantasyandsciencefictionwriter?alert=2
Donate in my time of need from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
Please disregard any ad you see here. They have been placed without my permission.