Archives for posts with tag: About Editing

10.18.17.TGOA.BOOKS

You could pay $4K for some “legendary” how-to-write racket. Or you could pick up writing tips from an author who has been publishing stories and books since 1987 (that would be me). You could pay ME $4K, too, but you don’t have to. You could join my Patreon page at https://www.patreon.com/lisamasonfantasyandsciencefictionwriter?alert=2.
It turns out that writing can be a tricky business. You wouldn’t think so, in these days of push-button churning out of words and push-button editing.
But perhaps it’s trickier than ever, now that we are wedded to a keyboard and not writing by hand in pen or pencil on recycled trees, otherwise known as paper.
Some writers—Jennifer Egan springs to mind—claim they write first drafts by hand, then transfer the words to a computer. I have been known to apply this technique myself, especially with stories. But also with key parts of novel.
Others swear by read-throughs, which is always a good idea since then you can hear the sound of the language. When you are speaking spontaneously—not a rehearsed speech—you seldom think about your word choices. The words just flow. But when you write for publication, suddenly word choices become significant. And oddly, sometimes difficult to control.
You want to have a Voice. You want to have a distinctive sound in your written work. See? That was a repetition—“You want to”. A deliberate repetition.
I’m talking about inadvertent, unconscious repetitions of words, usually distinctive words beyond the usual “but” and “and” that are only too easy to write. Those repetitions detract from the bold, precise language you want to use.
A writer in a workshop I once participated in called it “writer’s echolalia.”
I see inadvertent repetitions frequently in published fiction. These are words that have been through several pairs of professional eyes—the writer herself, an editor, a copy editor, and a proofreader.
But even a team of the pros often can’t catch it.
The longer the manuscript, the more difficult it is to catch this stuff. It’s only when you boil things down for print publication, are down to the wire, need to blow through 130,000 words in a few days, not a few years—when you see those clean, shiny proofs ready to go off to the printer—that you can spot writer’s echolalia.
Sometimes.
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Had extensive paper-and-pencil notes for a new story, which I prefer to do before sitting down at the computer. But I wanted to mull over the idea and plot a bit more, so lay down in bed with a pad of paper and a pencil. I played with the idea of switching the protagonist from male to female and bingo! Now I think have the story. The plot beats are mostly the same, but the context is WAY different.
Also playing with changing the antagonist in a second story from male to female. The protag remains male. Interesting possibilities.
Yet a third story has been in progress for a long time. I know what I want to say, have outlined the plot several times, but the work is still frustrating me. An editor I have in mind for the story likes over-the-top stories, often horror stories. So if I take the story in that direction, and if she doesn’t acquire it (I’ve sold to her before but she’s very particular) I wonder if I’ll be able to sell it anywhere else.
Very likely the story will be seen on my Patreon page, which is quickly becoming a viable option.
Join me on my Patreon page at https://www.patreon.com/bePatron?u=23011206.
Donate from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

The Bantam classic is back, revised and re-edited. Summer Of Love, A Time Travel, a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book.

Twenty five-star Amazon reader reviews
“This book was so true to life that I felt like I was there. I recommend it to anyone.”
“More than a great science-fiction, a great novel as well.”

I’m sensitive to the fact that the original Bantam edition was not as crafted as I hoped it would be when I was a young writer fifteen years ago. That’s why when, given the opportunity to prepare the title as an ebook, I re-keyed in the entire book and cut over 20,000 words of youthful excess.

I’ve become a much better writer after fifteen years of professional publishing, and I think the voice, the pacing, the clarity of the story, and the focus of the relationships in Summer of Love, A Time Travel are better now.

Most of my longtime readers love the new edition. “Thank you for taking the time,” one reader wrote, while another said, “You’ve crafted a fresh new voice. Thank you.”

Some of my longtime readers don’t love the new edition. Along with the youthful excess, I removed some substantive issues that I thought slowed the pace and revised others for clarity. One reader on Amazon said, “The author has changed an amazing book into a novella.” Ahem. The ebook is 110,000 words, not exactly a novella.

I’m glad if you, as a young writer, were totally brilliant with your first pieces, but it has taken the fullness of time for me to achieve a level of quality I’m satisfied with. And I’m not alone. Plenty of other published authors are revising previous titles in this wondrous new age of ebooks and print-on-demand.

So there you have it, my friends. You can’t please everyone, so you’ve got to please yourself.

Summer Of Love, A Time Travel is on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, Kobo, and Sony.

The year is 1967 and something new is sweeping across America: good vibes, bad vibes, psychedelic music, psychedelic drugs, anti-war protests, racial tension, free love, bikers, dropouts, flower children. An age of innocence, a time of danger. The Summer of Love.

San Francisco is the Summer of Love, where runaway flower children flock to join the hip elite and squares cruise the streets to view the human zoo.

Lost in these strange and wondrous days, teenager Susan Bell, alias Starbright, has run away from the straight suburbs of Cleveland to find her troubled best friend. Her path will cross with Chiron Cat’s Eye in Draco, a strange and beautiful young man who has journeyed farther than she could ever imagine.

With the help of Ruby A. Maverick, a feisty half-black, half-white hip merchant, Susan and Chi discover a love that spans five centuries. But can they save the world from demons threatening to destroy all space and time?

A harrowing coming of age. A friendship ending in tragedy. A terrifying far future. A love spanning five centuries. And a gritty portrait of a unique time in American history.

What the professional book reviewers have to say:

“Captures the moment perfectly and offers a tantalizing glimpse of its wonderful and terrible consequences.” San Francisco Chronicle

“A fine novel packed with vivid detail, colorful characters, and genuine insight.” Washington Post Book World

“Remarkable. . . .the intellect on display within these psychedelically packaged pages is clear-sighted, witty, and wise.” Locus Magazine

“Mason has an astonishing gift. Her chief characters almost walk off the page. And the story is as significant as anyone could wish. This book will surely be on the prize ballots.” Analog

“A priority purchase.” Library Journal

5 stars
Calling All Fans
Amazon Verified Purchase
‘Summer of Love is an important American literary contribution that may very well have a strong and viable fan base. Where are you? Join us!
This novel is loads of fun to read. The majority of the characters are hippies from the 1960s who meet a stranger from the future who’s looking to save his world. This fellow, Chiron, needs to find a troubled adolescent teen named Susan (a.k.a. Starbright) for a very compelling reason. The book has a great deal to offer: swift action, lovable characters, spiritual insight, and well-chosen primary documents such as essays, poems, and news articles which round out the reader’s understanding of the worldview of the novel.
I think Summer of Love has excellent potential for a wider audience. I hope it continues to enjoy a healthy amount of sales in the used books market on this site. I wish even more for it to be in wider circulation. Some books talk about the sixties. This novel IS the sixties, thanks to the spirit and scholarship of its author. And, as one reader aptly put it, ‘the sci-fi stuff is just plain off the hook.’ Get a copy. Most people who have read it seem to respect it and enjoy it every bit as much as I do.’

From the author of The Gilded Age, A Time Travel on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, Sony, and Smashwords;

The Garden of Abracadabra, Volume 1 of the Abracadabra Series, is on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, Sony, and Smashwords;

Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) on Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, Kobo, and Sony;

Strange Ladies: 7 Stories on Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, Kobo, and Sony;

SHAKEN on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, Sony, and Smashwords; and

Tomorrow’s Child on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, Sony, and Smashwords.

Of The Gilded Age, the New York Times Book Review said, “A winning mixture of intelligence and passion.”

For urban fantasy, science fiction, fantasy, romantic suspense, humor, and a screenplay, visit the Virtual Bookstore! All Lisa Mason Titles, All Links, All Readers, Worldwide. NYT Notable Book Author https://lisamasontheauthor.com/2013/08/31/virtual-bookstore-fantasy-science-fiction-urban-fantasy-romantic-suspense-literary-screenplay-sfwapro/

Visit me at Lisa Mason’s Official Website for books, ebooks, stories, and screenplays, forthcoming projects and more. And on my Facebook Author Page, on Amazon, on my Facebook Profile Page, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, and at Science Fiction and Fantasy Writers of America.

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