Archives for posts with tag: Movie Night

We’re mildly disappointed in “Avengers: Endgame.” At over three hours, the film is a mishmash of numerous superhero Marvel universes. The producers have actually taken out a full-page ad in The Hollywood Reporter tauting the film’s “seamless weaving of several storylines.) And I *like* complex films (and books and stories) with several storylines interwoven.
But A:E presupposes fluency in the *all* the characters and universes brought into play. That’s not us. We’ve seen a number of Marvel movies, but by no means all. And even with fluency, the over-all story is slow, full of unexpected sadness, and laborious, culminating in a violent blow-out battle typical of all Marvel films. Only combining all those characters and universes like a stew made of leftovers.
The result is dissatisfyingly unfocused and diffuse. And they take a full hour to get around to their (plot spoiler alert) time machine! Sheesh. I nail down my time machine on the first page of Chapter 2 of Summer of Love and on the first page of Chapter 1 of The Gilded Age, both of those chapters told from the point-of-view of the respective time travelers.
Mostly for diehard Marvel fans, though reasonably entertaining.
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print.
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.

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Call me a fan girl and an SF geek, but I loved the Marvel Studios film, “Captain Marvel” (CM). This delightful film is the most woman-centric comics piece I’ve seen since “Wonder Woman” with the wonderful Gal Godot, who was born for the part. I truly hope she isn’t typecast for the rest of her career but that’s a risk actors take when they sign up to be a superhero.
While WW has more of an ethereal superhero plot, CM has the most personal storyline I’ve seen in quite a while in a comics film (caveat: I haven’t seen them all, but quite a few), exploring, as its central themes, the empowerment of women, friendship between women, and warm relations between black and white folks. My favorite themes in fiction and my own fiction (especially my novel, Summer of Love). The main character’s personal journey of discovering her true self, discovering her personal empowerment dovetails well with the greater plot.
Brie Larson is terrific as the lead, Carol Danvers. She captures the unruly emotions of her character, is funny, tender, and kick-ass deadly when she needs to be. Samuel Jackson, as Shield Agent Fury, is adorable (if digitally “anti-aged”), and there’s an even more adorable ginger tabby cat (a nod to “Alien”).
The story was created by a woman and a man, the screenplay written by the same woman, the same man, and an additional woman, and the film was directed by the woman story-screenplay writer and the man. No wonder it’s so good. Woman power is bred in its bones.
The screenplay is practically a perfect textbook example of what you should accomplish in your screenplay. (Note: you want to sell your screenplay, not a shooting script, which is a much different entity.) After the first screening, to acquaint me with the content, I sat through a second screening with a stopwatch and a notepad and pencil to take notes. I’m presently working on a screenplay adapting my print story that I sold to a major studio and needed some guidance and inspiration.
The rules about three-act structure aren’t arbitrary; they work to present the viewer (or reader) with a dynamic creation that carries you from start to finish. I’ve observed many effective books and stories that consciously (or unconsciously) follow the three-act structure. When I analyze my own work, stories and books, I see that I’ve consciously (or unconsciously) written often according to that structure.
A bonus: after the usual montage of Marvel Comics heroes, we see a 60-second montage of the cameos of Stan Lee in films, followed by a black page with red lettering THANK YOU STAN, and one final shot of his joyfully smiling face. As a young man, Lee started writing and drawing comic books around World War II. The comics industry had its ups and downs, publishers went out of business, but Lee persisted to create the powerhouse that is today Marvel Studios. His hilarious cameos in the films were always something to anticipate (like spotting Alfred Hitchcock in his movies). Lee died at age 95 last year. Sure enough, Stan makes a cameo in CM but I don’t know if it’s digital or was filmed before he died.
Now then: in Act One we open with Carol, known only as “Vers”, is beset by scattered disturbing dreams that seem to indicate an unknown life she had. This is always a tricky proposition to portray. The viewer has to pay attention, but attention is rewarded throughout the film, as we revisit the dreams—her fragmentary memories of a mysteriously lost life—in Act Two and Act Three and by the end make total sense of them.
Vers finds herself on HALA, the high-tech home planet of the Kree (a nod to “Forbidden Planet” and the high-tech Krell). The high-tech city, with dynamic images scrolling across the sides of buildings, is reminiscent of the futuristic Los Angeles in “Bladerunner.”
She is in training to “become the best she can be,” according to her mentor (played by Jude Law) as soldier in an on-going war fought by the Kree. She reports in to the Supreme Intelligence—an A.I. who rules the Kree and who appears as a woman. Vers’s problem is that she’s too emotional, too ready to laugh.
The Supreme Intelligence tells her “to serve well and with strength,” which is reminiscent of the oath in “Gladiator”, “Strength and honor,” and sure enough in the next scene, the African hunter from “Gladiator” appears as a member of a Kree military team.
She’s sent on a mission with the Kree team, there’s fighting (the writer-director is wise enough not to let any of the fight scenes go on too long—a problem for me in many comics films) with an alien race, the Skroll, whose appearance strongly resembles certain beloved aliens in “Star Trek”.
The Skroll capture Vers and probe her mind—more of those fragmentary memories emerge, including a woman who was once her mentor (the Supreme Intelligence takes the mentor’s appearance) and her best friend, a young black woman training to be a fighter jet pilot with Vers.
Then, at twenty minutes almost to the second, there’s a huge plot point that marks the end of Act One and spins the story around in a totally different direction.
Vers finds herself on C 53, Earth, Los Angeles in 1995. She crashes through the roof of a Blockbuster Video, curiously picks up a video of “The Right Stuff,” blasts off the head of a cardboard Arnold Schwarzenegger display, and searches for communication equipment from a nearby Radio Shack so she can contact her mentor back in the Kree universe. This is a humorous nod to “2001: A Space Odyssey,” with Pan Am as the brand on the space shuttle taking people from Earth to the Moon. The screenwriters of “2001” didn’t know the brand not only wouldn’t last until what was then the far future, Pan Am didn’t last past the 1970s. Blockbuster and Radio Shack, which seemed like indestructible brands in 1995, similarly didn’t last past the 2000s. So we viewers got a laugh out of that.
Enter Shield Agent Fury, Sam Jackson, in a scene reminiscent of “Men in Black”. Complications ensue. Certain personal details about Fury and Vers are skillfully revealed and then pay off a little later in plot points. I love it when writers pay off a setup and I become very annoyed when a setup doesn’t go anywhere.
CM also pokes fun at what appears to us now as clunky computer tech in 1995 (Carol awkwardly pecks with two fingers at a keyboard). There’s a fight between Vers and an alien enemy (the Skroll can shapeshift, taking on the appearance of whomever they see) atop a subway train reminiscent of “Indiana Jones.”
Act Two continues for fifty-five minutes with more complications circling around the storyline. There’s a midpoint at twenty minutes into Act Two. The script doctor, Linda Seger, is a big believer in the midpoint of a screenplay as a restatement of the overall themes. In CM, the two lead characters, seeking Carol’s long-lost best friend, travel in a futuristic jet plane from Los Angeles (L.A.) to Louisiana, (La.) where the friend lives. (“L.A.” to “La”—that’s a nice touch.) Vers is “going home” to her friend who has an appealing and intelligent young daughter, so we get some mother-daughter development. The personal relationships and Carol’s story of personal discovery, her personal empowerment are ramped up.
Then at fifty-five minutes, a HUGE mind-boggling plot point spins the story into a totally different direction, signaling the end of Act Two. I am NOT going to spoil the plot at this point, but my fedora is tipped at the screenwriters for a superb, memorable plot twist.
Act Three then lasts forty minutes, which is a bit long. But because of the HUGE plot twist, the writers have to re-establish certain back-stories and the forward momentum of the overall plot. Be assured the pace never flags. There are more fight scenes with multiple characters (as in all the comics films) and plenty of video-gamish space jets chasing and shooting at each other like in Star Wars. Because of the length, the writers cleverly slip in a hilarious midpoint twenty minutes into Act Three. (Okay, plot spoiler alert: the adorable cat isn’t really a cat.)
The conclusion for Carol, reinforcing her friendship with her best friend and her daughter, and for Agent Fury are fully satisfying (and the cat makes one last adorable cameo) and yet open the door to more of Captain Marvel. Indeed, a coda notes she will continue in “Avengers: Endgame”. We look forward to the film and intend to see it for Tom’s birthday in December, if the film is out on DVD.
With Captain Marvel by itself, though, a great time was had by all. If you don’t catch the film allusions (I probably missed many more), that’s okay. The film stands firmly by itself. Recommended.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. My first story “Arachne”, my first story published in OMNI magazine, appears exclusively there, plus a forthcoming account of how I published my first story in the premiere story venue at the time and the research I did. This review plus other movie reviews, and a couple of recipes with more forthcoming. Give back!
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Movie Night Extravaganza, reviewed in reverse order of when we viewed them. Why? Because I will have more to say about the first film we viewed than the others following.
Masterpiece Theater’s “The Virgin Queen: Elizabeth I” was good for three hours. There were no radical deviations from the history, unlike BBC’s TV series “The Tudors” about Henry VIII and Hilary Mantel’s Booker Prize winning Wolf Hall, which each wildly differ on many points of history and characterizations.
“EI”, the series starts at Elizabeth’s imprisonment in the Tower by her half-sister, Queen Mary, and goes all the way to her death. “Elizabeth” with Cate Blanchett covers that same starting point but only up to her historic announcement about her marriage. (“I am married to England.”)
I didn’t need to know more than that, really, and Blanchett is easier to look at than Anne-Marie Duff. In fact, Blanchett looks remarkably more like the historic person from what I can see on EI’s Wikipedia page. Duff had a huge role, though, and was up to it.
So my history about Elizabeth I is substantially complete.
Minor quibble: throughout the series Duff’s voice sounds like a young woman. Oh, she shouts and rouses the rabble but when she speaks privately she sounds young even when she’s depicted as middle-aged and as very old. Duff, I’m sure, would have been up to the task of modulating her voice to sound old. I suppose that was the director’s decision. Or maybe EI’s voice sounded youthful and melodic even when she was old.
And now I’m giving sixteenth century British history a rest for a while. A long, long while.
Next up: “All Is True” and “Captain Marvel”.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206  and help support me after the Attack. I’ve just posted “Arachne”, my FIRST story published in OMNI magazine, the premiere fiction venue at the time. Upcoming in a few days, a blog about how I got my first story published in OMNI, inspiration, influences, and research, plus the October Writing Tip, how to expand a novelette into a novel.
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We decided to kick back last night with some movies and a pasta dinner.

We saw “Deadpool,” which was an unexpected worldwide hit. This is a Marvel Comix movie that is something of a spoof of Marvel Comix movies. It wasn’t nearly as laden by profanity as the reviews said and not nearly as slapstick. We liked it. There was an unexpectedly serious, sentimental subplot.

Next up was “Stir of Echoes” with Kevin Bacon in the lead. This film was released the same summer as “The Sixth Sense” and also is a supernatural thriller involving the dead. Not quite as compelling as the bigger film, but enjoyable enough if you like that sort of thing.

Finally, since I’ve been writing about Peter Sellers, we saw “The Mouse That Roared.” Tom saw this as a child when it was first released, I’ve never seen it. This is a very gentle comedy with Sellers again playing three roles. The satiric premise is that the smallest country in the world, facing financial problems, declares war on the United States, intending to lose and then collect reparations.

So there you have it. Altogether, a pleasant time was had by all. Today, back to work!

On the last lap of the weekend movie marathon, Tom and I saw “The Congress” and “Predestination,” two films each based on an SF story.

The Congress” was recommended to us by our video rental staffer, who let me have this movie for free since it was my birthday. Plus, she approved of our other selections. She told us this is based on a Stanislaw Lem story. I’m not familiar with the story, which has little or nothing to do with politics. A Facebook Friend of mine kindly posted a Wikipedia link to the story, which you can find by visiting the Timeline on my Facebook Page at http://www.facebook.com/lisa.mason.7393264.

This turned out to be a very strange SFnal film, a large segment of which is animated. Essentially, an actress is offered a lucrative deal to turn her image and gestures into a digital character that the movie producer obtains the perpetual rights to use in any kind of film, in any way. The actress doesn’t approve, but she’s got a young son with a degenerative disease, so she agrees for the money. Some plot twists didn’t make sense, and I recall that the concept of media actors being replaced by digital constructs has been explored in written fiction some years ago (I think Connie Willis wrote a short novel based on this premise). But overall the film is interesting and different and the animation is wonderful.

And finally, “Predestination” is an adaptation of Robert Heinlein’s 1959 classic story “All You Zombies—“, one of my favorite SF stories—hilarious, profound, and mind-blowing all at the same time. I’m not going to give away the plot more than that. The filmmakers did a fabulous job of tackling the story and updating and amplifying it. Highly recommended.

So there you have it, my friends. Now, back to work!

From the author of Summer Of Love, A Time Travel (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo.
Summer of Love, A Time Travel is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Australia.

The Gilded Age, A Time Travel on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords.
The Gilded Age, A Time Travel is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

The Garden of Abracadabra, Volume 1 of the Abracadabra Series, “Fun and enjoyable urban fantasy,” on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords.
The Garden of Abracadabra, Volume 1 of the Abracadabra Series, is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) includes all four books. On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo;
Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

Strange Ladies: 7 Stories, five-star rated, “A fantastic collection,” on Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, Kobo, and Sony.
Strange Ladies: 7 Stories is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

My Charlotte: Patty’s Story on Barnes and Noble, US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Smashwords, Apple, and Kobo;
My Charlotte: Patty’s Story is also on Amazon.com worldwide in France, Germany, Italy, Spain, Brazil, Japan, and Mexico.

Visit me at Lisa Mason’s Official Website for books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable pet pictures, forthcoming projects, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

And on Lisa Mason’s Blog, on my Facebook Author Page, on my Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, and at Science Fiction and Fantasy Writers of America.

If you enjoy a title, please “Like” it, add five stars, write a review on the site where you bought it, Tweet it, blog it, post it,, and share the word with your family and friends.

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Thank you for your readership!

As part of our birthday weekend movie marathon, Tom and I saw “Big Eyes.” This is the story of Margaret Keane, the artist who obsessively painted children with overlarge eyes. Amy Adams is one of my favorite actresses working today and she is pitch-perfect as a Doris Day-style early Sixties woman with a streak of rebellion and an artistic inclination.

We loved the scenes of North Beach in the early 1960s—talk about movie-making on your street, San Franciscans! Those classic cars, wow! Our old friend, the late Enrico Banducci, has a part in the story.

Through a series of misunderstandings leading to a campaign of lies, Walter Keane took credit for Margaret’s work, though in fact he never painted one stroke in his life. The film reveals Walter’s tragic delusion about being an artist and his real genius at marketing and promotion. I’m happy to say Margaret finally received her rightful recognition in the art world’s gentle equivalent of “Gunfight at the OK Corral.”. Cudos to director Tim Burton for telling her story while Margaret is still alive.

The film also addresses—as it must—the question of “What is art?” More specifically, “Is it bad art?” From the North Beach gallerist selling (or not selling) abstracts across the street from the Keane gallery to the outraged New York art critic, Margaret encountered some pretty harsh criticism. With his inimitable logic, Andy Warhol—no stranger to this question—issued this proclamation, “How can it be bad if so many people are buying it?”

Well, yes. Seventeen million dollars’ worth of how-can-it-be-bad in the early 1970s. One could also ask the same question of “Fifty Shades of Grey” or Damian Hirst.

So there you have it, my friends. Even the gatekeepers don’t know what will resonate with large numbers of consumers until something hits big.

From the author of Summer Of Love, A Time Travel (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo.
Summer of Love, A Time Travel is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Australia.

The Gilded Age, A Time Travel on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords.
The Gilded Age, A Time Travel is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

The Garden of Abracadabra, Volume 1 of the Abracadabra Series, “Fun and enjoyable urban fantasy,” on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords.
The Garden of Abracadabra, Volume 1 of the Abracadabra Series, is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) includes all four books. On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo;
Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

Strange Ladies: 7 Stories, five-star rated, “A fantastic collection,” on Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, Kobo, and Sony.
Strange Ladies: 7 Stories is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

My Charlotte: Patty’s Story on Barnes and Noble, US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Smashwords, Apple, and Kobo;
My Charlotte: Patty’s Story is also on Amazon.com worldwide in France, Germany, Italy, Spain, Brazil, Japan, and Mexico.

Visit me at Lisa Mason’s Official Website for books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable pet pictures, forthcoming projects, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

And on Lisa Mason’s Blog, on my Facebook Author Page, on my Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, and at Science Fiction and Fantasy Writers of America.

If you enjoy a title, please “Like” it, add five stars, write a review on the site where you bought it, Tweet it, blog it, post it,, and share the word with your family and friends.

Your participation really matters.
Thank you for your readership!

After two days’ respite from the Winter Solstice Movie MiniFestival, we kicked back on Christmas Eve and Christmas Day with a traditional Christmas dinner and a homemade pumpkin pie and viewed four movies: Radio Free Albemuth, based on a novel by Philip K. Dick; Walking With Dinosaurs, an animated educational BBC production following the life story of Patchi, a young pachyrhinosaurus; A Promise, a historical romance based on the novel Journey Into The Past by Stefan Zweig; and Star Trek: Into Darkness, the new franchise helmed by J.J. Abrams.

From the author of Summer Of Love, A Time Travel (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo.
Summer of Love, A Time Travel is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Australia.

The Gilded Age, A Time Travel on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords.
The Gilded Age, A Time Travel is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

The Garden of Abracadabra, Volume 1 of the Abracadabra Series, “Fun and enjoyable urban fantasy,” on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords.
The Garden of Abracadabra, Volume 1 of the Abracadabra Series, is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) includes all four books. On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo;
Celestial Girl, The Omnibus Edition (A Lily Modjeska Mystery) is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

Strange Ladies: 7 Stories, five-star rated, “A fantastic collection,” on Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, Kobo, and Sony.
Strange Ladies: 7 Stories is also on Amazon.com in France, Germany, Italy, Spain, Brazil, Japan, and India.

My Charlotte: Patty’s Story on Barnes and Noble, US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Smashwords, Apple, and Kobo;
My Charlotte: Patty’s Story is also on Amazon.com worldwide in France, Germany, Italy, Spain, Brazil, Japan, and Mexico.

Visit me at Lisa Mason’s Official Website for books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable pet pictures, forthcoming projects, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

And on Lisa Mason’s Blog, on my Facebook Author Page, on my Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, at Sony, and at Science Fiction and Fantasy Writers of America.

If you enjoy a title, please “Like” it, add five stars, write a review on the site where you bought it, Tweet it, blog it, post it, and share the word with your family and friends.

Your participation really matters.
Thank you for your readership!