ARACHNE, my first novel, is back in print in eight countries and an ebook in eighteen markets worldwide. We’ve updated both editions for 2021 changes.
I can’t think of a better way to begin again than with a new review at the Libreture Website, of ARACHNE. I found this on Twitter at https://twitter.com/libreture/status/1052661778436505603. The reviewer was kind enough to tag me.
“Arachne is a unique entry in the cyberpunk genre. It steps between the dystopia of William Gibson and the otherworldliness of Philip K. Dick.
Full of ‘almost’ body-horror, corporations so mega that they transact court cases in nanoseconds, and AI characters with more spiritualism in their circuits than the humans that inhabit this post Big-One San Francisco.
A must-read for cyberpunk fans!”
https://www.libreture.com/library/kevin/book/arachne/
And this also on Twitter: @nate_smith “I loved Cyberweb 🙂 Do you think you’ll write a sequel, ever? I’m an unabashed Pr. Spinner fanboy.” To which I replied @lisaSmason “Thank you! I appreciate your readership!
Yes, CYBERWEB, Book 2 of the Arachne Trilogy,
is available as an ebook and print book. Coming in 2021, SPYDER, Book 3 of the Arachne Trilogy.
ARACHNE
is my first novel, an expansion of the short story, also titled “Arachne”, which I published in OMNI magazine. The book was published in hard cover by William Morrow, reprinted in trade paperback by Eos and in mass market paperback by AvoNova. The book was also published in Japan by Hayakawa, and the short story was translated and published in various foreign anthologies. ARACHNE debuted in the top ten books on the Locus Hardcover Bestseller list. Here’s the review and the reviewer’s website link. The book links—print and ebook—follow below.
Here’s the book description:
High above the dangerous streets of post-quake San Francisco Island, mechanically modified professionals link minds in a cybernetic telespace to push through big deals and decisions at lightning speed. But unexplained telelink blackouts and bizarre hallucinations have marred mediator Carly Quester’s debut appearance before a computer-generated Venue—forcing her to consider delicate psychic surgery at the hands of a robot therapist, Prober Spinner. And suddenly the ambitious young mediator is at risk in a deadly Artificial Intelligence scheme to steal human souls—because the ghosts of Carly’s unconscious may be a prize well worth killing for.
Find the whole story behind the book and more photos at http://www.lisamason.com/arachne.html
“Powerful . . . Entertaining . . . Imaginative.”
–People Magazine
“In humanity’s daring to enter the cybernetic heaven (and hell) of telespace, Lisa Mason reveals the lineaments of all that is tragic and transcendent in our evolution. Once the journey into this vivid and terrifying future has begun, there is no returning until the infinite has been faced and the last word read.”
–David Zindell, Author of Neverness
“Cybernetics, robotics, the aftermath of San Francisco’s Big Quake II, urban tribalism—Lisa Mason combines them all with such deftness and grace, they form a living world. Mason spins an entertaining tale . . . She allows Carly’s robotic allies a measure of personality and sophistication beyond the stock role of a chirping R2D2 or a blandly sinister Hal . . . Her characters and their world will stay with you long after you’ve finished this fine book.”
–Locus, The Trade Magazine of Science Fiction and Fantasy
“Lisa Mason stakes out, within the cyberpunk sub-genre, a territory all her own.”
–The San Francisco Chronicle
 “Arachne is an impressive debut by a writer gifted with inventiveness, wit, and insight. The characters face choices well worth reading about. This is cyberpunk with a heart.”
–Nancy Kress, Author of Brain Rose
“There is a refreshing amount of energy associated with Lisa Mason’s writing. The good old values are there: fun, excitement, drama—but served up with new and original twists. Lisa Mason is definitely a writer to watch—and to read.”
–Paul Preuss, Author of Venus Prime
“Lisa Mason must be counted among science fiction’s most distinctive voices as we rush toward the new millennium.”
–Ed Bryant
“Mason’s endearing characters and their absorbing adventures will hook even the most jaded SF fan.”
–Booklist
So there you have it, my friends. I’m delighted to announce that Arachne is Back in Print in Eight Countries! Find the beautiful trade paperback in the U.S., in the U.K., in Germany, in France, in Spain, Italy, in Japan and in Australia.
Arachne (a Locus Hardover Bestseller) is also an ebook on US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Apple, Kobo, and Smashwords. On Kindle worldwide in France Kindle, Germany Kindle, Italy Kindle, Netherlands Kindle, Spain Kindle, Mexico Kindle, Brazil Kindle, India Kindle, and Japan Kindle.
Join me on my Patreon page at https://www.patreon.com/bePatron?u=23011206.
Donate a tip to the tip jar at PayPal to http://paypal.me/lisamasonthewriter.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

The CHROME cover, by San Francisco artist Tom Robinson, is comprised of a dozen different elements which Tom carefully researched. We think the imagery looks kind of mid-century. I love the color scheme.
And yes! A Brand-new Reader Review of Chrome, the First One:
“So Walter Mosley reread Animal Farm and The Island of Dr Moreau and says to himself, “Oh, yes indeed, I’ve got a terrific idea for my next best seller.” But! Lisa says, “Hold on, hot stuff. You’re too late. Chrome is already on the streets. Haha!”
Wow! I just tore through Chrome. So much fun. Oh, I guess I should take a time-out to say that it was very well-written too, but I was enjoying the characters and the story so much that the superb writing simply did its job and I had to consciously reflect to notice the excellent and clever construction and reveals. Uh, isn’t that the definition of good writing?
I’m not usually a fan of sequels, but could we please have at least one more romp with Ms Lightfoot and her sidekick Terralina?”
—Featured Review, Publishers Weekly
“Mason entertains and elicits fascinating questions about human nature in this fast-paced, action-packed science fiction adventure….The colorful cast raises the question of which ancestry is more savage: that of animals or humans? (CHROME reads) like a cinematic sibling of The Island of Doctor Moreau. Readers ….will be hooked.”
Amazing Stories Online
“An excellent semi-noir full-on SF work by a terrific author, Lisa Mason. . . .a science-fiction homage, in part, to the noir books and movies of the forties and fifties, only brought forth into a future time a quarter-millennium from now. . .  a fully-realized society.”
Yes, I’m working next on CHROME COBRA and a third book to round out a trilogy, plus a prequel novella. LIBERATION DAY, which will explore the mysteries of the events leading up to freeing of the Blends from their cages.
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print. New! Now in print in Australia.
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.
ODDITIES: 22 Stories is on Kindle worldwide, including in the US
, in the UK, Canada, Australia, France, Italy, Spain, Germany, in the Netherlands, Mexico, Brazil, India, and Japan.
ODDITIES: 22 Stories is in Print as a beautiful trade paperback in the US
, in the UK, Canada, France, Italy, Germany, Spain, and Japan. New! Now in print at Australia
Donate at paypal at http://paypal.me/lisamasonthewriter
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

 

 

Here You Enter
Yesterday, Tomorrow & Fantasy
When I was mulling over stories to publish in my second collection, I noticed the stories fell into historical, futuristic, and fantasy categories.
ODDITIES: 22 Stories includes those previously published in Omni Magazine, Asimov’s Science Fiction Magazine, The Magazine of Fantasy and Science Fiction, Full Spectrum 5, The Shimmering Door, Peter S. Beagle’s Immortal Unicorn, David Copperfield’s Tales of the Impossible, Not One of Us Fiction and Poetry Journal, and Daily Science Fiction, plus six new stories.
“I find myself constantly surprised by the breadth of styles, places, and characters in this collection. ….sometimes you want to be surprised; and that’s what Ms. Mason delivers in this collection…. Like Ray Bradbury’s short stories, these never fail to surprise you with little sparkles and occasional rockets going off and spreading happy fireworks in your brain!”
Amazing Stories Online Review Part I https://amazingstories.com/2020/09/new-book-review-lisa-masons-oddities-part-1/
Amazing Stories Online Review Part II
https://amazingstories.com/2020/10/lisa-masons-oddities-review-part-ii/
ODDITIES: 22 Stories is on Kindle worldwide including in the US, in the UK, Canada, Australia, France, Italy, Spain, Germany, in the Netherlands, Mexico, Brazil, India, and Japan.
ODDITIES: 22 Stories is in Print as a beautiful trade paperback in the US
, in the UK, Canada, France, Italy, Germany, Spain, Japan, and in Australia.
Donate at paypal at http://paypal.me/lisamasonthewriter
Visit me at www.lisamason.com updated for 2021 for all my books, ebooks, stories, and screenplays, beautiful covers, reviews, interviews, blogs, round tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
Please disregard any ad you see here. They have been placed without my permission.

 

 

New Review of The Gilded Age at http://sfbookreview.blogspot.com/2017/12/the-gilded-age-by-lisa-mason.html:
“The world of 2495 is at an unsustainable twelve billion population. Zhu Wong is a Daughter of Compassion, a group working to enforce the birth restriction laws. She is in jail awaiting trial when she is recruited by the Luxon Institute for Superluminal Applications (LISA, I love the acronym) to t-port back to 1895 San Francisco. She accepts the deal. Her mission is to find Wing Sing, take her and the aurelia to the mission run by Donaldina Cameron. In 1967 Wing Sing’s daughter will eventually give the brooch to Chiron at the end of his stay in the Summer of Love project.
Zhu finds Wing Sing, but she doesn’t have the aurelia. They are captured by a Chinese gang. Zhu is bought away from them by Jessie, a madam, Wing Sing stuck with the Tong. Zhu does work for Jessie, but is more valuable as a bookkeeper so avoids becoming a prostitute. Daniel Watkins is the son of a real estate magnate coming to San Francisco to collect on debts. He is low on funds and is referred to lodging at Jessie’s where his life becomes entwined with Zhu’s. Somehow Zhu is attracted to this heavy drinking smoker who has distinct views of women. Despite herself and her mission, Zhu cares about Jessie and Daniel.
I loved the character of Zhu. Somehow I wasn’t repulsed by Daniel and Jessie. They are more a product of their environment doing what they can with their sense of right and wrong. Very enjoyable, I read the last two hundred pages straight through. This is definitely a stand alone novel, though Summer of Love is mentioned several times. I’ll have to read that one as a prequel rather than book one.”
And this is from Library Journal:
“The discovery of a golden brooch that should not exist in the 25th century prompts the Luxon Institute to send a young Chinese woman 600 years back in time. She arrives in San Francisco in 1895 to prevent the future from altering the past. This sequel to Summer of Love (LJ 6/15/94), seen through the eyes of an observer from the future, juxtaposes the tempestuous, sprawling milieu of boomtown San Francisco with its shadowy underside of prostitution and decadence. Mason’s graceful prose and her skill in orchestrating a complex and satisfying plot make this a solid purchase for sf collections.
Copyright 1995 Reed Business Information, Inc.
This is from a reader:
https://www.amazon.ca/Golden-Nineties-Lisa-Mason/dp/0553373315
5.0 out of 5 stars Hypnotic Read
By,Robin Booneon Published on Amazon.com|Verified Purchase
“Lisa Mason’s Summer of Love and The Golden Nineties both have this quality – you want to reread them as soon as you’ve read them. Her writing conveys an abiding love of San Francisco, and interesting bits of California history are woven into the storylines. The writing is so compelling that you feel as though time travel were a possibility. I hope she writes more of these San Francisco fantasies!”
And this is from Publisher’s Weekly
https://www.publishersweekly.com/978-0-553-37331-8
“Mason’s sequel to Summer of Love is a delightful expansion of that work and a major step forward for her. The tale centers on Zhu Wong, a Chinese national whose lawyer plea-bargains her release from prison so that Chiron and his companions from the previous novel’s Luxon Institute for Superluminal Applications can transport her 600 years into the past to find a macguffin called the aurelia. Once in San Francisco, 1895, Mason brings the environment and the times to life with her rendering of the city’s activities, especially its corruption. The several historic personages who appear–including Frank Norris, Jack London and Susan B. Anthony–are all given dimensions that reflect the rigor of Mason’s research without leaving the reader overburdened by minutiae. Zhu Wong finds herself embroiled in a world of decadence and prostitution; she sees friends and companions abuse themselves with such things as alcohol, cocaine and corsets. As with Karen Joy Fowler’s Sarah Canary, Mason uses the novel partially to explore the role of women in society. As Zhu grows to understand the hypocrisies of the 1890s, she becomes even less comfortable with the presumptions of her own time. She creates several “closed time loops,” apparent paradoxes that impede her mission–and, perhaps more important, thwart her own desires. Eventually she finds her way out of the time loops and in the process teaches everyone–including herself–a few lessons about life. Her bravura performance with this book should both leave the reader wanting more and solidify her position as one of the most interesting writers in science fiction.
And this just in from an Amazon.com reader
Buy It
By Uke Enthusiast
Format: Kindle Edition|Verified Purchase
“One of my favorite books. I am delighted it is back in print. A thoroughly entertaining time travel story supported by vivid characterizations and settings.”
Book Description
: The year is 1895 and immigrants the world over are flocking to California on the transcontinental railroad and on transoceanic steamships. The Zoetrope demonstrates the persistence of vision, patent medicines addict children to morphine, and women are rallying for the vote. In San Francisco, saloons are the booming business, followed by brothels, and the Barbary Coast is a dangerous sink of iniquity. Atop Telegraph Hill bloody jousting tournaments are held and in Chinatown the tongs deal in opium, murder-for-hire, and slave girls.
Zhu Wong, a prisoner in twenty-fifth century China, is given a choice–stand trial for murder or go on a risky time-travel project to the San Francisco of 1895 to rescue a slave girl and take her to safety. Charmed by the city’s opulent glamour, Zhu will discover the city’s darkest secrets. A fervent population control activist in a world of twelve billion people, she will become an indentured servant to the city’s most notorious madam. Fiercely disciplined, she will fall desperately in love with the troubled self-destructive heir to a fading fortune.
And when the careful plans of the Gilded Age Project start unraveling, Zhu will discover that her choices not only affect the future but mean the difference between her own life or death.
“A winning mixture of intelligence and passion.” The New York Times Book Review
“Graceful prose. . . .A complex and satisfying plot.” Library Journal
“Rollicking. . . .Dazzling.” Locus Magazine
“Should both leave the reader wanting more and solidify Mason’s position as one of the most interesting writers in science fiction.” Publisher’s Weekly
The cover, by San Francisco artist Tom Robinson, is styled to look like an 1890s billboard.
The Gilded Age is BACK IN PRINT! Order the beautiful trade paperback in the U.S., in the U.K., in France, in Germany, in Italy, in Spain, in Japan, and nowin Australia.
The ebook
is at BarnesandNoble, Apple, Kobo, and Smashwords and on Kindle worldwide at US Kindle, Canada Kindle, UK Kindle, Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
So there you have it, my friends
. Bantam Books, a division of Random House, published this as The Golden Nineties. Yes, I changed the title. I think the new title is better. (Wish I’d thought of it in the first place) This is the Author’s Preferred Print Edition.
Whether you’re a longtime reader or new, I hope you enjoy this classic!
Join my other patrons on my Patreon page at https://www.patreon.com/lisamasonfantasyandsciencefictionwriter?alert=2 I’ve got delightful new stories and previously published stories, writing tips, book excerpts, movie recommendations, and more exclusively for patrons.
Donate a tip to the tip jar from your PayPal account to http://paypal.me/lisamasonthewriter.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
Please disregard any ad you see here. They have been placed without my permission.

“Clock’s Ticking” by Rachel Syme is a review in The New Yorker July 5, 2021 issue of “The Deadline Effect’ a book by magazine editor Christopher Cox. But the article is as much about Syme as about the book.
The Cox book is about the editor’s efforts to persuade writers to meet their necessary deadlines to publish the magazine on time.
And that’s good—reminding the tardy writer that many other people down the line—the copyeditors, the proofreaders, the publishers, the readers—are depending on YOU to turn in the work.
Part of the article is about Syme’s own difficulty in meeting her deadlines as a independent journalist. There are some journalists, she writes, who sensibly budget their time researching, writing, and editing and there are some—like her—who wait till the last minute and panic—often writing inaccuracies, incompleteness, and bad prose.
I’ll leave you to read the short article, if you’re interested, but my own take on deadlines: I’m good to go on copyediting and proofreading—I always meet my deadlines for those tasks—but  I’ll never write creative content on a deadline EVER again. Something about a deadline stops my creative flow dead—even if I have a proposal, even if I have an outline. Nope. The creative work has to be DONE before I can commit to a publishing deadline.
Do you have trouble with deadlines?
https://www.newyorker.com/magazine/2021/07/05/what-deadlines-do-to-lifetimes
ODDITIES: 22 Stories is on Kindle worldwide, including in the US, in the UK, Canada, Australia, France, Italy, Spain, Germany, in the Netherlands, Mexico, Brazil, India, and Japan.
ODDITIES: 22 Stories is in Print as a beautiful trade paperback in the US
, in the UK, Canada, France, Italy, Germany, Spain, and Japan. New! Now in print at Australia
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print. New! Now in Print in Australia
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.
Visit me at http://www.lisamason.com for all my books, ebooks, stories, interviews, round tables, cute pet pictures, the bespoke artwork and studio jewelry of Tom Robinson, forthcoming works, and more!

I’m so thrilled this book is back in print! And as timely as ever!
What readers say:
5.0 out of 5 stars I dig this book!
Reviewed in the United States on March 11, 2020
Summer of Love is a beautiful work of literature encapsulated within the science-fiction genre. It invites you on an emotionally jostling roller coaster ride.
Lisa Mason is a prolific author who weaves a time-travel story that delves into many underlying themes at a micro and macro level during the famous “Summer of Love” pandemic in Haight Ashbury, San Francisco, in 1967.
The author also descends underneath the epidermis of the street’s kaleidoscopic and “groovy” ambiance to reveal what is and what is not through each character’s eyes — and whether or not we can rely on hope to wake us up the next morning.
I felt the characters (even the secondary ones), the moments, the sights, the sounds and the smells of the time. As if I myself was time traveling. I found myself not only reading but tasting each word; sometimes going back to read a sentence, a paragraph or a page again.
This is a novel I will not hesitate to recommend. https://www.amazon.com/dp/1548106119
“This book was so true to life that I felt like I was there. I recommend it to anyone.”
“More than a great science-fiction, a great novel as well.”
“My favourite SF book of all time, beautiful, cynical and completely involving….Unmissable!”
2018 review of SUMMER OF LOVE at http://sfbookreview.blogspot.com/2018/02/summer-of-love-by-lisa-mason.html
”Ever since the Save Betty project completed there has been degradation in the archives. The Luxon Institute for Superluminal Applications (LISA, still love that acronym) has determined that San Francisco in 1967 is a hot dim spot. They commission the Summer of Love project. Twenty-one year old Chiron Cat’s Eye in Draco will t-port from 2467 to the summer of love where he is to find the Axis, a teenage girl from the Midwest will have important descendants, and protect her through the summer. This Susan Stein takes an alias, so Chiron has only probabilities to know if he finds the right girl.
In 1967 Susan receives a postcard from Nance, aka Penny Lane, who is in San Francisco. Her parents find the postcard, tear it up and burn it. She runs away that night and takes the name Starbright. She arrives hoping to see Penny Lane, but instead meets up with Stan the Man, manager of the Double Boogie band. She is invited to live with them in a house that is a constant party. She loves it, but a week later Stan hooks up with someone new. She meets Ruby again and Ruby takes her in. That first night Chiron saw an eye symbol by Ruby’s shop, decided to hang around there and Ruby let him sleep on the couch. He’s not sure that Starbright is the Axis, but there is a high probability. 
Without being preachy major themes in the book include the environment, population control, women’s rights, and addiction. These were put into the setting of real life 1967. Street names referenced in the book exist and the Grateful Dead did have a concert there on August 22. I enjoyed the story without any nostalgic feeling, other than references to old Star Trek episodes and other SF works.
I really enjoyed the book. It was excellent and the first chapter or two set up encounters throughout the rest of the book. I loved all three of the main characters, Starbright, Chiron and Ruby.” By John Loyd
Book Description:
The year is 1967 and something new is sweeping across America: good vibes, bad vibes, psychedelic music, psychedelic drugs, anti-war protests, racial tension, free love, bikers, dropouts, flower children. An age of innocence, a time of danger. The Summer of Love.
San Francisco is the Summer of Love, where runaway flower children flock to join the hip elite and squares cruise the streets to view the human zoo.
Lost in these strange and wondrous days, teenager Susan Bell, alias Starbright, has run away from the straight suburbs of Cleveland to find her troubled best friend. Her path will cross with Chiron Cat’s Eye in Draco, a strange and beautiful young man who has journeyed farther than she could ever imagine.
With the help of Ruby A. Maverick, a wise and feisty half-black, half-white hip entrepreneur, Susan and Chi discover a love that spans five centuries. But can they save the world from demons threatening to destroy all space and time?
A harrowing coming of age. A friendship ending in tragedy. A terrifying far future. A love spanning five centuries. And a gritty portrait of a unique time in American history.
The cover, hand-drawn by Tom Robinson, is styled to look like a 1960s psychedelic poster.
What the professional book reviewers say:
“Captures the moment perfectly and offers a tantalizing glimpse of its wonderful and terrible consequences.” The San Francisco Chronicle
“A fine novel packed with vivid detail, colorful characters, and genuine insight.” The Washington Post Book World
“Remarkable. . . .the intellect on display within these psychedelically packaged pages is clear-sighted, witty, and wise.” Locus Magazine
“Mason has an astonishing gift. Her chief characters almost walk off the page. And the story is as significant as anyone could wish. This book will surely be on the prize ballots.” Analog
“A priority purchase.” Library Journal
5 stars From the Readers
Calling All Fans
Amazon Verified Purchase
‘Summer of Love is an important American literary contribution that may very well have a strong and viable fan base. Where are you? Join us!
This novel is loads of fun to read. The majority of the characters are hippies from the 1960s who meet a stranger from the future who’s looking to save his world. This fellow, Chiron, needs to find a troubled adolescent teen named Susan (a.k.a. Starbright) for a very compelling reason. The book has a great deal to offer: swift action, lovable characters, spiritual insight, and well-chosen primary documents such as essays, poems, and news articles which round out the reader’s understanding of the worldview of the novel.
I think Summer of Love has excellent potential for a wider audience. I hope it continues to enjoy a healthy amount of sales in the used books market on this site. I wish even more for it to be in wider circulation. Some books talk about the sixties. This novel IS the sixties, thanks to the spirit and scholarship of its author. And, as one reader aptly put it, ‘the sci-fi stuff is just plain off the hook.’ Get a copy. Most people who have read it seem to respect it and enjoy it every bit as much as I do.”
New Reader Review! “Just checked to see if this book was on Kindle. It has been many years since I’ve read it but I remember it as one of my very favorite books. Time to go back and re-read it!”
New Reader Review
Kent Peterson
5.0 out of 5 stars A Fine Story
10 February 2015 – Published on Amazon.com
Verified Purchase
Summer of Love, A Time Travel is a fine story. Lisa Mason takes three interesting characters, a time traveller from a future 500 years hence, a 14-year-old midwestern runaway flower child, and hip shopkeeper and places them all in the fascinating place and time that was San Francisco’s Summer of Love, 1967.
Mason has certainly done her homework. You can almost smell the pot and patchouli, see the painted faces and hear the sounds of Janis and the Grateful Dead as Chi, Starbright and Ruby fight to hold on to what really matters at a time when everything seems possible and even the smallest things can have huge consequences.
The time travel plot is nicely (if a bit predictably) done and the glimpses from Chi’s future world are fascinating, frightening and ultimately hopeful. Starbright is 100 percent convincing as a confused, loyal, idealistic, moody teenager who really could hold the key to what is to come. And Ruby Maverick, the shopkeeper who reluctantly gives the two young strangers shelter and strength in a strange and wondrous time is strong and smart and the kind of friend you’d want holding your hand or watching your back when the trip starts going strange.
Summer of Love, A Time Travel is not a rose-colored look backwards. It’s is a kaleidoscopic look at a time of both darkness and light, of confusion and clarity. It’s scary and beautiful, a strange trip where maybe all you need is a little love and some flowers in your hair.
New Reader Review
Eos
5.0 out of 5 starsTime travel done right
20 August 2017 – Published on Amazon.com
Verified Purchase
This is a longtime favorite novel. Mason’s time travel tale is fascinating as both a tale of the future and of the past. I am delighted it is now available as a Kindle edition as my paperback copy is long past its prime.
New Reader Review
paula ferre
5.0 out of 5 stars… the last 20 years – it is such a great story.
26 September 2016
Verified Purchase
I’ve read this book 3 or 4 times in the last 20 years – it is such a great story.
Find the PRINT BOOK in the U.S., U.K.,  France, Germany, Italy, Spain, Japan, and  Australia.
The ebook is on US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
So there you have it, my friends. Whether you’re a longtime reader or new to the book, I hope you enjoy this classic.
Join my other patrons on my Patreon page at https://www.patreon.com/bePatron?u=23011206. I’m offering brand-new and previously published delightful stories, book excerpts, writing tips, movie reviews, and more!
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, beautiful covers, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

The September 6, 2021 issue is the Annual Food and Drink at The New Yorker. There’s a hilarious cover on the magazine, called “Food For Thought”. In the issue are plenty of reprints: a reprint of the cartoon of the cat and dog sitting at a bar, discussing their food preferences. I described the cartoon on Facebook and got plenty of posts from cat parents who saw their cats eating dog food, especially dog biscuits. There’s a one-page monograph from Nora Ephron, “The Sandwich,” about a Los Angeles deli that serves the perfect pastrami (steamed three hours) on seeded bread (deli-cooked).
There’s a story, “Grub”, about people in the first world who eat bugs—plenty of people in the third world do—and how plenty of people won’t, even though eating bugs is easier on the world ecosystem (crickets, which have good protein, don’t require rainforests to be cut down). People in France used to consider lobster to be “bugs” and they wouldn’t eat them. Now lobster is a gourmet treat in France. Husband Tom calls my beloved shrimp “sea bugs”. I don’t like to think about that when I’m eating shrimp.
Have you ever eaten bugs? I never have, but Husband Tom has. He tasted grasshoppers from France (of all places!) in a jar (they were like bacon, only different, he recalls) and once ate red ants (they were spicy, he recalls).
Ewwww!
Then there’s “Hell’s Kitchen”, by Antony Bourdain. Clearly a reprint since Bourdain is dead, by suicide. (I guess some people can’t handle fame, money, handsomeness, and something they love to do. Tragic.)
Bourdain writes about one eighteen-hour day in a frantic day in the chef’s life of Les Halles, a high-end French restaurant on Park Avenue South.
Bourdain has to plan the specials for the busy lunch and for the busier dinner hour, shop for food at the wholesale markets, wrestle an entire dead pig into the freezer, manage the various specialty cooks and the waiters, prepare orders as the bills come in, and, in all of this, swearing, swallowing aspirin, swallowing alcohol, and burning his hands.
I read and loved Bourdain’s “Kitchen Confidential” book (he took lots of drugs in those accounts, too). His advice, among other tidbits, is to eat at restaurants on Thursdays—that’s when the restaurants order fresh food for the weekend. And don’t eat at restaurants on Sunday—that’s when restaurants concoct “specials” (like a seafood omelet) for the weekend’s leftovers.
The issue is Recommended. https://www.newyorker.com/magazine/2021/09/06
ODDITIES: 22 Stories is on Kindle worldwide, including in the US
, in the UK, Canada, Australia, France, Italy, Spain, Germany, in the Netherlands, Mexico, Brazil, India, and Japan.
ODDITIES: 22 Stories is in Print as a beautiful trade paperback in the US
, in the UK, Canada, France, Italy, Germany, Spain, and Japan. New! Now in print at Australia
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print. New! Now in Print in Australia
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.
Visit me at http://www.lisamason.com for all my books, ebooks, stories, interviews, round tables, cute pet pictures, the bespoke artwork and studio jewelry of Tom Robinson, forthcoming works, and more!

“The Big Reveal,” by Louis Menand in the July 5, 2021 issue of The New Yorker is about William Sidney Porter—a.k.a. O Henry—one of the most successful short story writers of all time. Identified as a New York City writer, Porter was in fact born in North Carolina (with mid-1800s Southerner’s attitudes to match) and moved as a young man to Texas. There, he started a weekly magazine called The Rolling Stone for his cartoons and humorous verses, but the magazine was not financially successful. He took a job as a teller at the First National Bank of Austin. A federal bank examiner found a shortage of $5,000 and accused Porter of embezzlement.
Several twists and turns took place after the indictment, which I shall refer you to the article to read, after which Porter was sentenced to five years in prison.
In prison, he wrote fourteen short stories, avidly listening the life stories of his fellow inmates. He was released early for good behavior, and headed to New York City, where he’d never been before. There, he wrote a story a week for The Sunday World, producing sixty-six stories in a year.
He listened to people, took people’s stories, and concocted plots with the trademark “O Henry” twists at the end. He started his method when he was in prison and continued it all his short life. He loved hanging out in bars in NYC, meeting people and hearing their stories. He identified with the “common man,” sold four million of his books in the U.S., and one-and-a-half million books in the Soviet Union.
Despite his publishing success, Porter lived a hand-to-mouth life as a writer. He generously gave money to people who asked him for it. He died of liver disease at age forty-seven.
Porter lived in “the golden age of the short story,” writing alongside short story writers like Edgar Allen Poe, Anton Chekov, Arthur Conan Doyle, Rudyard Kipling, Ernest Hemingway, among others.
Edgar Allen Poe says something fascinating about the short story and the short story’s writer’s obligations—but I won’t reproduce the quotation here. I’ll leave you to read the article.
Recommended for fans of O. Henry, readers of short stories, and anyone interested in the twists and turns of a creative writer’s life.
Here’s the link https://www.newyorker.com/magazine/2021/07/05/are-all-short-stories-o-henry-stories
ODDITIES: 22 Stories is on Kindle worldwide, including in the US, in the UK, Canada, Australia, France, Italy, Spain, Germany, in the Netherlands, Mexico, Brazil, India, and Japan.
ODDITIES: 22 Stories is in Print as a beautiful trade paperback in the US
, in the UK, Canada, France, Italy, Germany, Spain, and Japan. New! Now in print at Australia
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print. New! Now in Print in Australia
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.
Visit me at http://www.lisamason.com for all my books, ebooks, stories, interviews, round tables, cute pet pictures, the bespoke artwork and studio jewelry of Tom Robinson, forthcoming works, and more!

The October 4, 2021 issue of The New Yorker published nine (magazine) pages of the author Patricia Highsmith’s diary—“A Straight Line in the Darkness”. This reproduction of the diary begins in 1948 when Highsmith was age twenty-seven. At the end of her life, in 1995 at the age of seventy-four, she had written some eight thousand pages of her diary and published twenty-two novels.
Does anyone here keep a diary? I tried years ago, and diary-writing seemed to deplete me of energy of the story writing and novel writing. So I couldn’t keep it up. I tried to keep a dream diary, too. Now I take brief notes of my dreams in my daily planner.
Highsmith’s diary will be published in November, 2021. I don’t know the genesis of the publication. Did Highsmith instruct her heirs to publish the diary or instruct her literary agent? Or did someone just find the 8,000 pages and decide to publish them (which has happened to other authors including, I believe, Philip Roth)?
I just don’t know. Clearly, she meant to keep the diary secret during her long life.
Some entries are written in French or German and have been translated for publication. But most entries are in English. There’s some beautiful writing in there, more beautiful than her published work that I’ve read. In fairness to her, I haven’t read many of her novels.
What explodes out of the diary is her enormous energy and tumultuous engagement with the world. She met a British writer while at a writers’ retreat and became his on-and-off lover, at one point agreeing to marry him only to break it off because she “could not be he wanted.”
In 1950, Alfred Hitchcock paid Highsmith $7,500 for the rights to her first novel, “Strangers on a Train”. In 1950, this was a quite a lot money—the price of a nice house in some regions of the country or a professional’s yearly wage. The film was released in 1951 and, in my movie guide at least, is considered one of Hitchcock’s finest. (I confess I haven’t seen it—I’ll scour my library’s movie selection next time.)
(For comparison, for my 7,000 word short story in OMNI magazine, I was paid for an option of mid-five-figures for four years, then an outright sale of mid-six figures. So, in total, that would be the price of a house in some regions of the country—but barely so, in outlying parts of California.)
Two other films based on Highsmith’s work are “The Talented Mr. Ripley” (based on the novel of the same name) and “Carol” (based on the novel “The Price of Salt” published under a pseudonym in 1952.) Highsmith’s very supportive literary agent and New York editor didn’t want her to get a nonbinary reputation in the 1950s.
Recommended for anyone who is interested in a writer’s life, readers and fans of Patricia Highsmith, and anyone who is interested in the turmoil of a nonbinary life at the midcentury.
https://www.newyorker.com/magazine/2021/10/04/a-portrait-of-the-writer-as-a-young-woman
ODDITIES: 22 Stories is on Kindle worldwide, including in the US, in the UK, Canada, Australia, France, Italy, Spain, Germany, in the Netherlands, Mexico, Brazil, India, and Japan.
ODDITIES: 22 Stories is in Print as a beautiful trade paperback in the US
, in the UK, Canada, France, Italy, Germany, Spain, and Japan. New! Now in print at Australia
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print. New! Now in Print in Australia
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.
Visit me at http://www.lisamason.com for all my books, ebooks, stories, interviews, round tables, cute pet pictures, the bespoke artwork and studio jewelry of Tom Robinson, forthcoming works, and more!

lisamasontheauthor

“Vanishing Act” by Alex Ross is a concise history, with house photographs, of the Austrian-born architect Richard Neutra, the pioneer of the Southern California modern architecture in the 1930s. The article appears in the September 27, 2021 issue of The New Yorker.
Neutra’s benchmark was floor-to-ceiling windows and mirrored sliding doors to dissolve boundary between the abundant greenery of Los Angeles and the interior of the house. Like Frank Loyd Wright, he favored flat roofs and minimalist exteriors He sited most of his houses where the residents could enjoy a glorious view.
The architect, as a man, was far different than his calm architecture. He’s been described as pompous and overbearing, barging into his clients’ houses without warning to show his new clients and his entourage his finished work.
The article describes the friendship and then the bitter falling-out of Neutra and Schindler, five years Neutra’s senior. They were acquaintances…

View original post 363 more words