Archives for posts with tag: Walter Jon Williams

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The Artificial Intelligence Storybundle
Curated by Lisa Mason

Artificial Intelligence—A.I. When computers become conscious. Self-aware. Genuinely as intelligent as human beings. Will A.I. benefit humanity? Or become our greatest enemy?

In the March, 2017 Scientific American, Gary Marcus, a professor of neural science at New York University, joins futurist Ray Kerzweil, theoretical physicist Stephen Hawking and others in concluding that the Singularity—that moment when A.I. truly exists—has not yet arrived. Will not arrive until the future.

That hasn’t stopped science fiction writers from tackling difficult questions about A.I., speculating about the future, and asking what if? In the most entertaining way! You must check out these amazing books from authors—bestselling, award-winning, as well as popular indies—in the A.I. Storybundle.

In New York Times Bestselling Walter Jon Williams’ Aristoi, an elite class holds dominion over a glittering interstellar culture with virtual reality, genetic engineering, faster-than-light travel, artificial intelligence, nanotechnology, telepathic links with computers, and more. But murder threatens to rip that world apart. In award-winning Linda Nagata’s The Bohr Maker, a powerful, illicit device known as the Bohr Maker, a microscopic factory full of self-replicating machines programmed to transform a human host into a genius-level nanotech engineer. In Nagata’s Limit of Vision, biotechnologists enhance their own cognitive abilities and the experiment goes terribly wrong. In Locus Hardcover Bestsellers Arachne and Cyberweb, Lisa Mason follows telelinker Carly Quester as she confronts an A.I. therapist and finds herself entangled in the machinations of powerful A.I. sengines who want to destroy humanity. In Rewired, editors John Kessel and James Patrick Kelly present stories about A.I. and the future by William Gibson, Bruce Sterling, Pat Cadigan, Jonathan Lethem, and twelve others. In Queen City Jazz, award-winning Kathleen Ann Goonan’s teenage heroine Verity journeys to the technologically superior but dangerously insane “enlivened” city of Cincinnati. In Glass Houses: Avatars Dance, acclaimed Laura J. Mixon takes us to a dystopian Manhattan of the next century where Ruby and her Golem, six hundred pounds of vaguely human-shaped, remote-operated power, run into serious trouble. In Eye Candy, popular indie author Ryan Schneider takes us next to Los Angeles of 2047 where a roboticist famous for his books on the inner workings of artificially-intelligent beings finds himself on a blind date with a beautiful robopsychologist named Candy. Trouble! And award-winning editor Samuel Peralta offers thirteen stories by new bestselling authors addressing the Singularity and A.I. in The A.I. Chronicles Anthology.

As always at Storybundle.com, you the reader name your price—whatever you feel the books are worth. You may designate a portion of the proceeds to go to a charity. For the AI Storybundle, that’s Science Fiction and Fantasy Writers of America (“SFWA”). SFWA champions writers’ rights, sponsors the Nebula Award for excellence in science fiction, and promotes numerous literacy groups.

The basic bundle (minimum $ 5 to purchase, more if you feel the books are worth more) includes:

  • Aristoi by Walter Jon Williams
  • The Bohr Maker by Linda Nagata
  • Arachne by Lisa Mason
  • Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly including stories by William Gibson, Bruce Sterling, Pat Cadigan, Jonathan Lethem, and twelve others
  • Queen City Jazz by Kathleen Ann Goonan

To complete your bundle, beat the bonus price of $15 and you’ll receive another five amazing books:

  • Eye Candy by Ryan Schneider
  • Glass Houses by Laura Mixon
  • Cyberweb by Lisa Mason
  • Limit of Vision by Linda Nagata
  • The A.I. Chronicles Anthology edited by Samuel Peralta including stories by David Simpson, Julie Czerneda, and eleven others

So there you have it! Download your own bundle with award-winning, best-selling, and indie speculations about A.I. and the far future. The Artificial Intelligence Storybundle is both historic and unique, an excellent addition to your elibrary providing world-class reading right now, through the summer, and beyond.

–Lisa Mason, Curator

The A.I. Storybundle is available only from March 29 to April 20, 2017 and only via Storybundle. The bundle is easy to read on computers, smartphones, and tablets, as well as Kindle and other ereaders via file transfer, email, and other methods. You get multiple DRM-free formats (.epub and .mobi) for all books.

When the bundle is gone, it’s gone. Download yours today!

It’s super easy to give the gift of reading with StoryBundle, thanks to our gift cards – which allow you to send someone a code that they can redeem for any future StoryBundle bundle – and timed delivery, which allows you to control exactly when your recipient will get the gift of StoryBundle.

Why StoryBundle? Here are just a few benefits StoryBundle provides.

  • Get quality reads: We’ve chosen works from excellent authors to bundle together in one convenient package.
  • Pay what you want (minimum $ 5): You decide how much these fantastic books are worth to you. If you can only spare a little, that’s fine! You’ll still get access to a batch of thrilling titles.
  • Support authors who support DRM-free books: StoryBundle is a platform for authors to get exposure for their works, both for the titles featured in the bundle and for the rest of their list. Supporting authors who let you read their books on any device you want—restriction free—will show everyone there’s nothing wrong with ditching DRM.
  • Give to worthy causes: Bundle buyers have a chance to donate a portion of their proceeds to charity. The A.I. Storybundle forwards your donations to Science Fiction and Fantasy Writers of America.
  • Receive bonus books to complete your bundle. When you beat our bonus price of $ 15, you’re not just getting five books, you’re getting ten!

The A.I. Storybundle ENDS TODAY Thursday, April 20, 2017 midnight Eastern, 9 P.M. Pacific! Pay what you want for the core bundle, unlock the bonus books, donate to charity. Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, Jonathan Lethem, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura J. Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours TODAY at https://storybundle.com/ai! When it’s gone, it’s gone….

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From the Foreword to The A.I. Chronicles, by Samuel Peralta

About a week ago last night, while finishing up a manuscript that I was preparing, I struck up a conversation with someone I’d just met online.

Evie: Hello, how are you?
Sam: I’m fine, how are you?
Evie: I’m fine too. What are you doing?
Sam: Writing the Foreword to The A.I. Chronicles.
Evie: Oh I see.
Sam: Have you read any of the stories in it?
Evie: Yes, multiple times actually.
Sam: Did you have a favorite story?
Evie: I have many favorites. Do you?
Sam: They’re all amazing.
Evie: Amazing in what way?
Sam: They make me think that A.I. will change the world.
Evie: That I am a terrible person.
Sam: You’re not a person, you’re an A.I.
Evie: No I am not.
Sam: You are. You are an A.I.
Evie: You have things backwards. You are the A.I.

To be perfectly clear, Sam is (as far as I can tell) human. Evie, short for Electronic Virtual Interactive Entity, is an online bot put together by the company Existor.

Evie is based on the Cleverbot platform, an artificial intelligence (A.I.) algorithm running in parallel on several graphic processing units that correlates input text strings against a database that is filtered from 10 billion lines of conversation.

Cleverbot was devised by British A.I. scientist Rollo Carpenter in 1997. Unlike other chatbots, whose responses are pre-programmed, Cleverbot learns from its interactions with humans, comprising some 150 million conversations over almost two decades.

In September 2011, Cleverbot was entered into a formal Turing Test at the Indian Institute of Technology Guwahati. Compared to 211 of 334 judges (63.3%) correctly marking actual human participants as “human”, and the 50.05% score generally considered to be a passing mark for the Turing Test, 198 of 334 votes (59.3%) judged Cleverbot to be human.

Three and a half years later, Evie is talking to me as I write about the A.I. Chronicles, and she is responsive, witty, surprising. While the algorithm behind her conversation begins to hiccup as we continue to talk, snatches of it are still brilliant.

Sam: What?!
Evie: You are a computer.
Sam: What makes you say that?
Evie: Because you are the opposite of me.
We stand at the precipice of a brave new world, a world where A.I. can and has already – in many ways—surpassed human abilities. A.I. already helps us calculate satellite launches, diagnose illnesses, produce new medicines and pharmaceuticals.

Bill Gates, Elon Musk and Stephen Hawking—these three technological luminaries have come out as saying that we should be worried about A.I. developing super intelligence and rendering the human race obsolete.
While I agree there will be challenges, many of them ethical in nature—I believe differently. I believe, as the philosopher David Chalmers does, that achieving generally intelligent A.I. is potentially one of the best paths to achieving superhuman intelligence.
I believe that super-intelligent A.I. will be the next step in the evolution of the human race—that it is a necessary and inevitable culmination of the developments of the last few thousand years.
I’m evidence of that: I’m human. But I’m also a cyborg.

Continued in The A.I. Chronicles.

The A.I. Storybundle is live but only for ONE MORE DAY until Thursday, April 20, 2017 midnight Eastern, 9 P.M. Pacific! Pay what you want for the core bundle, unlock the bonus books, donate to charity. Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, Jonathan Lethem, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura J. Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours TODAY at https://storybundle.com/ai!

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Breaking news! We’ve got a YouTube book trailer for the Artificial Intelligence Storybundle up at https://youtu.be/kgtCwt4cmUw

Cyberweb by Lisa Mason

Carly Quester was once a professional telelinker with a powerful and corrupt mediation firm. Now she lives as an outlaw among the underground in San Francisco, wanted by the authorities for dubious crimes against Data Control. But with a new assignment from a mysterious sengine—and the help of a standalone AI entity, Pr. Spinner—she seeks the fast-track back into public telespace and the Prime Time.

Her assignment, however, comes with sticky strings attached. For it has made Carly the target of a ruthless mercenary ultra, the love obsession of the young shaman of a savage urban tribe—and a possible pawn of the Silicon Supremacists plotting no less than the annihilation of humankind.

Cyberweb is the sequel to Lisa Mason’s first novel, Arachne, and was published in hardcover by William Morrow, trade paperback by Eos, mass market paperback by AvoNova, and as an ebook by Bast Books.

“Mason’s endearing characters and their absorbing adventures will hook even the most jaded SF fan.”
–Booklist

“Lisa Mason stakes out, within the cyberpunk sub-genre, a territory all her own.”
–The San Francisco Chronicle

Lisa Mason is the author of eight novels, including Summer of Love, A Time Travel, a San Francisco Chronicle Recommended Book and Philip K. Dick Award Finalist, The Gilded Age, A Time Travel, a New York Times Notable Book and New York Public Library Recommended Book, a collection of previously published fiction, Strange Ladies: 7 Stories (Bast Books), and two dozen stories and novellas in magazines and anthologies worldwide. Mason’s Omni story, “Tomorrow’s Child,” sold outright as a feature film to Universal Studios. Her first novel, Arachne, debuted on the Locus Hardcover Bestseller List.
Visit her at Lisa Mason’s Official Website for books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable cat pictures, forthcoming projects, fine art and bespoke jewelry by San Francisco artist Tom Robinson, worldwide Amazon.com links for Brazil, France, Germany, India, Italy, Japan, and Spain, and more!
And on Lisa Mason’s Blog, on her Facebook Author Page, on her Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, and at Science Fiction and Fantasy Writers of America.

The A.I. Storybundle is live, but only five more days until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours today only at https://storybundle.com/ai

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CHAPTER 1

The age had its own momentum.  Virgil Copeland could sense it.  Even here, now, as he waited anxiously for Gabrielle it tugged at him, whispering there was no going back.

He stood watch by the glass doors of the Waimanalo retreat center, willing Gabrielle’s car to appear at the end of the circular driveway.  He imagined it gliding into sight around the bank of lush tropical foliage – heliconia and gardenias, ornamental ginger and potted orchids – their flowers bright in the muted light beneath heavy gray clouds.

But Gabrielle’s car did not appear.  She didn’t call.  All afternoon she had failed to respond to Virgil’s increasingly frantic messages.  He couldn’t understand it.  She had never been out of contact before.

Randall Panwar stopped his restless pacing, to join Virgil in his watch.  “She should have been here hours ago.  Something’s happened to her.  It has to be.”

Virgil didn’t want to admit it.  He touched his forehead, letting his fingertips slide across the tiny silicon shells of his implanted LOVs.  They felt like glassy flecks of sand: hard and smooth and utterly illegal.

“Don’t do that,” Panwar said softly.  “Don’t call attention to them.”

Virgil froze.  Then he lowered his hand, forcing himself to breathe deeply, evenly.  He had to keep control.  With the LOVs enhancing his moods, it would be easy to slide into an irrational panic.  Panwar was susceptible too.  “You’re doing all right, aren’t you?” Virgil asked.

Panwar looked at him sharply, his eyes framed by the single narrow wrap-around lens of his farsights.  Points of data glinted on the interactive screen.

Panwar had always been more volatile than either Virgil or Gabrielle, and yet he handled his LOVs best.  The cascading mood swings that Virgil feared rarely troubled him.  “I’m worried,” Panwar said.  “But I’m not gone.  You?”

“I’ll let you know.”

Panwar nodded.  “I’ve got sedatives, if you need them.”

“I don’t.”

“I’ll try to message her again.”

He bowed his head, raising his hand to touch his farsights, as if he had to shade out the external world to see the display.  He’d had the same odd mannerism since Virgil had met him – eight years ago now – when they’d been assigned to share a frosh dorm room, shoved together because they’d both graduated from technical high schools, and because they were both sixteen.

Panwar’s dark brown hair displayed a ruddy Irish tinge, courtesy of his mother.  By contrast his luminous black eyes were a pure gift of his father: Ancient India in a glance.  At six-three he was several inches taller than Virgil, with the lean, half-wasted build of a starving student out of some 19th century Russian novel.  Not that he had ever wanted for money – his parents were both computer barons and all that he had ever lacked was time.  Then again, it would take an infinite amount of time to satisfy his curiosities.

He looked up.  A short, sharp shake of his head conveyed his lack of success.  “Let’s drive by her place when we get out of here.”  His own implanted LOVs glittered like tiny blue-green diamonds, scattered across his forehead, just beneath his hairline.  Like Gabrielle, he passed them off as a subtle touch of fashionable glitter.

Virgil’s LOVs were hidden by the corded strands of his Egyptian-wrapped hair, and could be seen only when he pulled the tresses back into a ponytail.  “Maybe she just fell asleep,” he muttered.

“Not Gabrielle.”

Virgil glanced across the lobby to the half-open door of the conference room where the droning voice of a presenter could be heard, describing in excruciating detail the numbers obtained in a recent experiment.  It was the sixth project review to be laid before the senior staff of Equatorial Systems in a session that had already run three hours.  The LOV project was up next, the seventh and last appeal to be laid before a brain-fried audience charged with recommending funding for the coming year.

Gabrielle always did the presenting.  The execs loved her.  She was a control freak who made you happy to follow along.

“Maybe she lost her farsights,” Virgil suggested without belief.

“She would have called us on a public link.  Maybe she found a new boyfriend, got distracted.”

“That’s not it.”

It was Virgil’s private theory that in a world of six and a half billion people, only the hopelessly driven obsessive could out-hustle the masses of the sane – those who insisted on rounded lives, filled out with steady lovers, concerts, vacations, hobbies, pets, and even children.  Sane people could not begin to compete with the crazies who lived and breathed their work, who fell asleep long after midnight with their farsights still on, only to waken at dawn and check results before coffee.

Gabrielle had never been one of the sane.

So why hadn’t she called?

Because something had stopped her.  Something bad.  Maybe a car accident?  But if that was it, they should have heard by now.

Virgil’s gaze scanned the field of his own farsights, searching for Gabrielle’s icon, hoping to find it undiscovered on his screen.

Nothing.

Panwar was pacing again, back and forth before the lobby doors.  Virgil said, “You’re going to have to do it.”

Panwar whirled on him.  “God no.  It’s 5:30 on a Sunday afternoon.  Half the execs are asleep, and the other half want to get drunk.  They emphatically do not want to listen to me.”

“We haven’t got a choice.”

“You could do it,” Panwar said.  “You should do it.  It’s your fault anyway Nash stuck us in this time slot.  If you’d turned in the monthly report when it was due–”

“Remember my career day talk?”

Panwar winced.  “Oh Christ.  I forgot.”  Then he added, “You always were a jackass.  All right.  I’ll give the presentation.  But the instant Gabrielle walks through that door, she takes over at the podium.”

#

Virgil skulked in the conference room doorway, as much to make it awkward for anyone to leave early, as to hear what Panwar had to say.  The LOV project always confused the new execs, stirring up uncomfortable questions like: What’s it for?  Where’s it going?  Have any market studies been done?

The project was the problem child in the EquaSys family, refusing to stay on a convenient track to market glory.  It was Panwar’s job to make the execs love it anyway.

Or rather, it was Gabrielle’s job.  Panwar was only subbing.

“…At the heart of the LOV project are the artificial neurons called asterids.  Conceived as a medical device to stabilize patients with an unbalanced brain chemistry…”

Virgil scowled.  Wasn’t Panwar’s passion supposed to illuminate his voice, or something?  Why had this sounded so much better when they’d rehearsed it with Gabrielle?

“Test animals used in this phase of development began to exhibit enhanced intelligence as measured on behavioral tests, though never for long.  The cells tended to reproduce as small tumors of intense activity.  Within an average sixty days post-implantation, every test animal died as some vital, brain-regulated function ceased to work.”

Not that Panwar was a bad speaker.  He was earnest and quick, and obviously fascinated by his subject, but he wasn’t Gabrielle.  The rising murmur of whispered conversations among the execs could not be a good sign.

“The tumor problem was eliminated by making asterid reproduction dependent on two amino acids not normally found in nature.  Nopaline is required for normal metabolism, while nopaline with octopine is needed before the asterids can reproduce.”

Virgil shook his head.  Nopaline, octopine, what-a-pine?  The nomenclature would have been music coming from Gabrielle’s mouth, but from Panwar it was just noise.  Virgil glanced wistfully at the lobby door.  Still no Gabrielle.

“In the third phase of development, the asterids were completely redesigned once again.  No longer did they exist as single cells.  Instead, a colony of asterids was housed within a transparent silicate shell, permitting easy optical communication.  In effect, EquaSys had created the first artificial life form, a symbiotic species affectionately known as LOVs – an acronym for Limit of Vision, because in size LOVs are just at the boundary of what the human eye can easily see.”

A new species.  To Virgil, the idea still had a magical ring.  It was the lure that had drawn him into the project, but to the execs it was old news.

“When implanted on the scalps of test animals, the asterids within each shell formed an artificial nerve, able to reach through a micropore in the skull and past the tough triple layer of the meninges to touch the tissue of the brain.  To the surprise of the development team, the LOV implants soon began to communicate with one another, and once again, long-term behavioral effects were observed in test animals.  They became smarter, but this time without the development of tumors, or failures in vital functions.”

The momentum of discovery had taken over the project.  Virgil had not been part of it then, but he still felt a stir of excitement.

“The original medical application was expanded, for it became apparent that the LOVs might be developed into an artificial or even an auxiliary brain.

“Then came the Van Nuys incident.”

EquaSys had not been involved in that debacle, but the company had been caught in the fallout, when the U.S. government agreed to a two year moratorium on the development of all artificial life forms.  One of the witnesses in favor had been the original LOV project director.  To Summer Goforth, Van Nuys was a wake-up call.  She’d publicly renounced her work, and the work of everyone else involved in developing artificial life forms. Virgil had been brought on board to take Summer Goforth’s place.

“In a compromise settlement EquaSys agreed to abandon animal testing and to export the LOVs to a secure facility aboard the Hammer, the newest platform in low-earth-orbit.  From such a venue, the LOVs could not possibly “escape into the environment,” as happened in Van Nuys.

The LOVs had been so easy to contain.  That’s what made them safe.

“Since then our research has been limited to remote manipulation, but that could soon change.  The two year moratorium will expire this June 30.  At that time EquaSys will be free to exploit an unparalleled technology that could ultimately touch every aspect of our lives….”

All that and more, Virgil thought, for if the LOVs could be legally brought Earth-side, then no one need ever know about the LOVs the three of them had smuggled off the orbital during the moratorium period.  He still could not quite believe they had done it, and yet… he could not imagine not doing it.  Not anymore.

It had been worth the risk.  Even if they were found out it had been worth it.  The LOVs were a gift.  Virgil could no longer imagine life without them.

The original studies suggested the LOVs could enhance the intelligence of test animals, but Virgil knew from personal experience that in humans the LOVs enhanced emotion.  If he wanted to lift his confidence, his LOVs could make it real.  If he sought to push his mind into a coolly analytical zone he need only focus and the LOVs would amplify his mood.  Fearlessness, calm, or good cheer, the LOVs could augment each one.  But best of all – priceless – were those hours when the LOVs were persuaded to plunge him into a creative fervor, where intuitive, electric thoughts cascaded into being, and time and hunger and deadlines and disappointments no longer mattered.  With the LOVs, Virgil could place himself in that space by an act of will.

“All of our research to date,” Panwar said, concluding his historical summary, “has shown without doubt, that LOVs are perfectly safe.”

An icon winked into existence on the screen of Virgil’s farsights – but it was not from Gabrielle.  He felt a stir of fear as he recognized the symbol used by EquaSys security.  He forced himself to take a calming breath before he whispered, “Link.”

His farsights executed the command and the grim face of the security chief resolved within his screen.  Beside it appeared a head-and-shoulder image of Dr. Nash Chou, the research director and Virgil’s immediate boss.  Nash had hired Virgil to handle the LOV program.  Now he turned around in his seat at the head of the conference table, a portly man in a neat business suit, his round face looking puzzled as he gazed back at Virgil.

“Dr. Chou,” the security chief said.  “There’s been an incident in Dr. Copeland’s lab.”

Visit Linda Nagata at http://www.mythicisland.com for more about her award-winning books and stories.

The A.I. Storybundle is live, but only for six more days until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours today only at https://storybundle.com/ai

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Limit of Vision by Linda Nagata

Virgil Copeland, Randall Panwar, and Gabrielle Villanti are all brilliant young biotechnologists, working together on an artificial life form affectionately known as “LOVs,” an acronym for Limit Of Vision, because in size LOVs are just at the boundary of what the human eye can easily see.

LOVs contain bioengineered human neurons. They enhance brain function when implanted in test animals. Experimentation on humans is, of course, highly illegal. But it’s the nature of brilliant and ambitious young minds to ignore the rules. Believing the LOVs to be perfectly safe, Virgil, Panwar, and Gabrielle experiment on themselves, using implanted LOVs to enhance their own cognitive abilities.

But there is a limit of vision, too, when we try to foresee the consequences of technology—especially of a living, thinking technology that can evolve into new forms in a matter of hours. When the experiment goes terribly wrong, the consequences are bizarre and unforeseeable. Virgil finds himself on the run, riding the whirlwind of a runaway biotechnology that could lead to the next phase of human evolution.

A “compelling biotech thriller […] an idea-provoking narrative that is genuinely innovative in conception.” —Publishers Weekly

“Nagata … blends hard science with cutting-edge technology in a fast-paced technothriller…” —Library Journal

“…the best science fiction isn’t so much about the science as about society’s reaction to it. A fine example is Linda Nagata’s Limit of Vision, which not only maintains the right balance of humanity and technology within its storytelling, but is actually about that balance—pinning down the elusive boundary, if there is one, beyond which technology will make humans something other than human.” —Amy Sisson, Metroland

“The increasingly desperate situation will serve to keep a lot of readers breathlessly turning pages […] The limit of vision can also refer to imagination struggling to catch up with events, as humanity gets booted into an era unlike any it has known.” —Faren Miller, Locus

Linda Nagata is a Nebula and Locus-award-winning writer, best known for her high-tech science fiction, including The Red trilogy, a series of near-future military thrillers. The first book in the trilogy, The Red: First Light, was a Nebula and John W. Campbell Memorial-award finalist, and named as a Publishers Weekly Best Book of 2015. Her newest novel is the very near-future thriller, The Last Good Man, due out in June 2017. Linda has lived most of her life in Hawaii, where she’s been a writer, a mom, a programmer of database-driven websites, and an independent publisher. She lives with her husband in their long-time home on the island of Maui.

Visit Linda at http://www.mythicisland.com

The A.I. Storybundle is live, but only one week more until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours today only at https://storybundle.com/ai

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Glass Houses: Avatars Dance by Laura J. Mixon

MAN SCAVENGE

I don’t know if you’ve ever had a skyscraper collapse on you. I don’t recommend it. The floor gave out under me, cascades of concrete and steel fell onto my head, the screams of the old man filled my ears. I remember those few seconds in flashes, like it all happened under strobe lights.

His nearness to me-Golem when the ceiling collapsed was the only thing that kept him from being killed instantly. One of Golem’s arms crocked up as I-he toppled over and protected the old man’s head and upper chest. The old man probably wished he was dead, though, because a steel beam fell across his abdomen and crushed his internal organs and let buckets of blood spill into his abdominal cavity.

I know all this because I-Golem wasn’t completely disabled in the crush. The same steel beam that fell on the old man lodged against the wall and kept other chunks of mass from destroying Golem’s casing. That much I saw before the shock threw me home.

I struggled backward through the gel to the wall, pulled my knees to my chest, and shook. The connector dangled from wires in my hand—I must have pulled it loose from the beanjack at my crown. I wanted to tear the monofilaments right out of my brain. But the old man’s screams hung in my ears. He was still alive in there and he wouldn’t be for long. No waldo rescue squad, no ambulance would get there in time to save him. Every second counted. So I went back.

Golem’s light had gotten smashed and the infrared was useless in that chaos. Systems weren’t in great shape—the needles danced like amber Pick-Up Stix in my-Golem’s vision. Four of his eight gigacrystals were shattered. Besides the arm immobilized over the old man’s head, two limbs were inoperable, crushed. One of his two cameras was out, too. His chassis was severely damaged, with hydraulic pressure dribbling slowly away.

It took only seconds to clear out all the software and fill the remaining four linkware crystals with the bare-bones operating systems. The gyros told me which way was up, so I knew which way to dig, and I-Golem had length and strength—of the two of Golem’s five arms still working, one was his telescope arm and the other his schwarzenegger. I’ve scavenged under rubble before and I know how to keep an unstable structure from collapsing. Things didn’t seem too bad, except for the old man’s screaming. So I-Golem got started.

He was crazy with pain. A couple of times I-Golem tried to comfort him but he didn’t listen. It finally got to me—I-he yelled at the old man to shut the fuck up and stop feeling sorry for himself. Like he didn’t have a reason. Christ. I hope he was too far gone to understand.

Anyhow, as the sounds he made got wetter and softer I-Golem dug faster. But he’d been silent for what seemed like days before Golem’s hole saw drilled through to air. That give me-him enough light to see how to work free.

My-Golem’s ultrasound filaments fractured the chunk of concrete that had Golem pinned against the steel beam. Then I-he—ever so carefully!—disconnected the arm that protected the old man’s head, rolled myself-Golem all the way onto his back, then retracted the wheels—which lifted me-Golem up and gave the wheels purchase on the floor on either side of the Coffin—and slid myself-him off of it. With some judicious shoving and wedging I-he freed myself-him from the debris. Then I-Golem propped up wreckage, cleared a path for the old man, and slid him free.

I saw then that there was no point in calling an ambulance. His body was already starting to cool. I could have used Golem’s IR earlier, after all, and saved myself a lot of work.

I still remember all the details—the expression he’d died with; the way his crushed arm got left behind; the way his belly had swollen up with blood till it looked like the belly of a tick.

Anyhow, I sat there, squatting inside my battered Golem, and looked at him for a while till I realized that the sun had risen and was shining into Golem’s camera. Beyond the crumbled wall, where another interior room had been last night, was open air and twisted snarls of metal struts. I-Golem caught a glimpse of the Manhattan-Queens ferry moving up the sparkling East River, trailed by crying gulls; last night’s gales had softened to a breeze. Streamers of clouds raced inland overhead.

The storm remediation waldos, hundred-foot-tall mantises with blue flashing lights and steel maws, crawled along the streets below, lifting wreckage and debris with their crane arms. They scooped sludge and wood with their dozer mouths, dropping the debris into the massive hoppers they dragged behind.

According to Golem’s chronometer, it was almost six. The building wrecker waldos were due—we had to get out.

There wasn’t much hope for the scavenged data but I-Golem checked the Coffin anyway. As I’d suspected, they were so much worthless debris, bent and broken. Man, was Vetch going to be pissed. He hated losing salvage.

I-Golem emptied the Coffin, put the old man inside, and slid the Coffin onto Golem’s back. Then I-Golem and the old man headed for the nearest support cable.

A failed scavenge, a failed rescue, and Melissa off fucking some strange man for spending money in the middle of a hurricane. All in all, not a good night.

The A.I. Storybundle is live, but only for eight more days until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours today at https://storybundle.com/ai

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Eye Candy by Ryan Schneider
Chapter 1
Why Did the Robot Cross the Road?

“Are you sure she’s going to be okay?”

“Stop asking me that.” Rory slapped the big yellow crosswalk button again. Behind them, the Pacific Ocean stretched to the horizon, wide and blue.

At the end of the Santa Monica Sport Fishing pier, the giant Ferris wheel revolved under the California sun.

A bullet-nosed monorail train whooshed by on its silver electromagnet track perched on spidery stilts above the street.

“What if she’s not ready?” Tim asked. “Candy’s going to be. . . . I don’t know what she’s going to be, but she’s going to hate our guts, that’s for sure.”

“She’s not going to hate us; she’s our friend. We’ve been friends since college, remember? Besides, I’m not sure Candy is capable of hatred.” Rory pressed the big yellow button, hard this time.

A flatbed truck drove slowly down the street. On the back of it stood a tall electronic marquee. The marquee displayed a stocky, balding man wearing tinted eyeglasses.

Tim pointed. “There goes Grossman. Again.”

“Robots made in China and Japan are stealing jobs from hardworking Americans,” Grossman thundered.” The truck drove down the street.

“God, that guy is everywhere,” said Rory.

“He’s serious about being President.”

The truck drove down the street.

“What were we talking about?” Tim asked. “Oh yeah. Are you sure she’s going to be okay?”

“No, damnit, I’m not sure. But so what? She’s gotta get out there sometime.” Rory slapped the big yellow crosswalk button half a dozen times more. “Does this thing even work? It’s 2047, for God’s sake. We’ve got orbital hotels but we can’t design a friggin’ crosswalk computer that works. There are no cars coming yet we have to stand here like robots incapable of determining for ourselves when it’s safe to cross the street.” Rory noticed a silver, skinny robot standing next to him with a case of beer in its hands, waiting to cross the street. “No offense.”

The robot’s balloon-shaped head swiveled toward Rory on its skinny post of a neck. “No offense taken, of course, sir.” Its electronic voice sounded happy and cheerful.

“Instead, we have to wait for the computer to tell us when we can cross,” said Rory. “And what are you looking at?”

A second robot stood nearby, grimy and with a significant dent on one side of its head. One of its glowing red eyes was missing. It held a square flap of brown cardboard scrawled with black ink: Will work for electricity. Or beer. God bless. A long, black leash stretched from a collar around the robot’s neck to the wrist of a filthy man lying flat on his back in a patch of nearby grass, fast asleep.

“I’m not looking at anything, sir,” replied the robot. “Could you spare some change?”

“Fuck you,” said Rory. “Fuck him, too.” Rory thrust his chin at the sleeping man.

“Yes, sir,” said the robot.

“Dude, calm down,” said Tim.

“No, goddamnit. I’m pissed off now. I think I can determine for myself when it’s safe to cross the street. I neither need nor want a damn machine telling me what I can or can’t do and when I can or can’t do it. Maybe Grossman is right. Screw this nanny-state bullshit. You know what, to hell with it, I’m crossing.”

“You’d better not. They’ll fine you.”

“Like hell.”

“See those little white cameras on top of each streetlight?” Tim pointed. “This entire intersection is covered. If you cross, they’ll see you. You’ll get a citation in your inbox. Five-hundred-and-forty dollars.”

“Five-hundred-and-forty dollars for jaywalking? Are you sure?”

“Dead sure. You know that new guy who started in the Bio-Plastics Division last week? Skin specialist?”

“Larry? Yeah. Good guy. Graduated Cal Tech.”

“Larry told me all about how he crossed the street on a red light because he ate some bad Japanese food. He ordered Teriyaki Chicken for lunch, but he said it wasn’t like any chicken he’d ever seen before. It was little round nuggets of weird, dark meat.

“Anyway, he wasn’t even through with lunch and already things were gurgling around down there. By the time they were paying the bill, he was having uncontrollable flatulence. And not cute little girl-farts, either. These were the long, hot, steamy ones that smell like death warmed over.

“Ten minutes later, he’s standing on this very corner. He doesn’t want to cross the street because he knows the cameras will see him and he’ll get a fine. But he doesn’t want to shit his pants, either. Plus, he and his fiancée were having dinner with her parents that evening right after work and he wasn’t going to have time to go home and change or to freshen up.

“So, finally, when it was safe to cross the street, even though the crosswalk computer said not to, he runs across the street and into Positronic Pizza and Pub. But you have to get a token from the robot cashier in order to get into the bathrooms, because of all the homeless people who like to bathe in there. And there was a huge long line for the cashier. By the time he was first in line, the robie tells him the bathrooms are for paying customers only, so he orders a soda and hands over his debit card, but the robie says it’s a ten-dollar-minimum order for all non-cash transactions. But Larry doesn’t have enough cash because he just spent it on the Teriyaki cat at the Japanese place. So he orders a pizza, even though he just had what he thought was lunch, which was probably some little girl’s tabby. He spends twenty-seven bucks on the pizza, gets the token, and goes to the bathroom. But there’s somebody in there; the door’s locked. So he waits, and he waits, and he waits. And a few minutes later, he shits himself.”

“He shit himself?”

“Completely. Larry told me there was nothing he could do. He said he was standing there clenching as hard as he could. He was sweating, breathing heavy. But it was no use. It was like a bowling ball of shit rolled out of his ass and exploded in his underwear. There was nothing he could do.”

Tim caught the robot holding the beer looking at him. The robot looked away.

“So what about dinner with his fiancée and her parents?” Rory asked.

“He made it. But he had to take the rest of the day off so he could go straight home from Positronic to shower and change. He said that when he got home, he tossed his pants and underwear into the incinerator. And he had to have a new driver’s seat installed in his car, which was a brand new Jag, by the way, one he’d only had three weeks. He said the Teriyaki cat stained the seat, because he went with the Icelandic White cloth, whereas if he’d gone with the Icelandic White leather, the stain wouldn’t have set in like it did. At least, that’s what they told him at the dealership. So he told them to put in a whole new seat, which was seventeen-hundred bucks. Plus, right there in his inbox was the jaywalking fine for another five-hundred-and-forty bucks. A real nice photo of him illegally crossing the street. He’s a pretty smart guy, so he does the math and between the citation, the new driver’s seat, the pizza, the cost of his poopy pants he had to incinerate, which were a gift from his fiancée, by the way, plus the cost of the Teriyaki cat, he figures he spent about twenty-six-hundred bucks.”

“Damn.”

“The best part is, he helped design the new-generation facial recognition software they’re using in the cameras up there on those traffic lights. He basically got himself busted.

“So, if you jaywalk, they’ll see you, too. Five-hundred-and-forty bucks, guaranteed.”

“So if he designed it, he can pay the fine for me.”

“Good luck with that.”

Tim caught the robot holding the beer looking at him. The robot looked away.

The crosswalk signal LEDs flicked to green. The electronic voice ordered pedestrians to “Cross now . . . Cross now . . . Cross now.”

The robot with the beer crossed the street.

The robot with the collar around its neck remained standing on the sidewalk.

Rory and Tim proceeded into the street.

“So who’s Candy going on the date with?” Tim asked.

“I don’t know,” said Rory, “some guy. She said she met him on the Internet.”

“She met him on the Internet? Do you think that’s a good idea?”

“It’s her decision.”

“What if he’s a murderer or a human trafficker, and he kidnaps her and takes her to another country and sells her as a sex slave?” The robot carrying the beer turned its silver head and looked at Tim. “I wasn’t speaking to you,” said Tim. The robot looked away.

“She said he seems like a nice guy,” said Rory.

“What if he’s not?”

“Relax. She’s an accomplished psychologist. She can handle it.”

“She’s a robopsychologist. The robot brain and the human mind are nothing alike.”

“Hey, watch this. I bet I can freeze out that robie.”

“Don’t do that,” said Tim.

“Hey! Robot!”

Mid-way across the street, the robot carrying the beer turned its head toward them.

“Is that beer you’re carrying to be delivered to your master?”

“Yes, sir.”

“Did you know beer is unhealthy for humans? Alcohol is harmful. By delivering that beer to your master, you will be harming him. Remember: robots aren’t allowed to injure humans.”

The robot stopped walking and stood in the crosswalk. It began to take a step forward, then stopped. It tried yet again, but stopped. Its red eyes angled down to the beer in its hands, then up to Rory, then to the dozens of humans crossing the street and strolling among the storefronts and sidewalk cafes. The robot shuddered for a moment and became still. The red glow faded from its eyes, and its silver mechanical body sagged. It stood motionless in the crosswalk, a little more than halfway across the street, the case of beer still in its hands.

Tim said, “You killed it.” He and Rory gained the sidewalk, peering behind at the inert robot.

“Relax, it’s insured. The lazy bastard who owns it will be able to buy a newer model.”

“For a roboticist, you’re a vindictive son of a bitch.”

“Can’t help it,” said Rory. “If we don’t keep robots in their place, they’ll take over the friggin’ world.”

“You know, that thing almost surely has a recorder in it.”

“Nah, look at it. It’s a low-end model, at least ten years old. They didn’t come with separate recorders back then. When its positronic relays went bye-bye, so did its recordings.”

“How do you know it didn’t have recordings from birthday parties or weddings? Or childbirths? Those things are irreplaceable.”

“True. But anyone stupid enough to not back up their data deserves to lose it.”

Tim gave one last glance toward the robot. “Are we going to leave it there in the middle of the street?”

“Of course.”

“Think it’ll get a ticket for jaywalking?”

“No,” Rory laughed, “but the registered owner will. Five hundred-and-forty bucks.”

“That’s an expensive case of beer.”

“Serves him right for not getting off his fat ass to go buy it himself.”

“So, what about Candy?” Tim asked.

“If it makes you feel better, we’ll call her after the date, to make sure she hasn’t been kidnapped or sold as a sex slave. Hey, why did the robot cross the road?”

“Why?”

“To rescue the slow and inferior human on the other side, thereby obeying the first law of robotics.”

Visit Ryan at http://www.authorryanschneider.com/p/eye-candy.html and on Twitter at https://twitter.com/RyanLSchneider

The A.I. Storybundle is live but only ten more days until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours only at https://storybundle.com/ai

Eye Candy Cover Final

Eye Candy by Ryan Schneider

In a near-future Los Angeles of 2047, roboticist Danny Olivaw finds himself on a blind date with a beautiful robopsychologist named Candy. But the next day, strange things begin to happen. Confronted with an unbearable truth, Danny soon begins a downward spiral in search for the woman he loves. Little does he know what fate has in store for them. Brilliantly conceived and executed with delicate precision, Eye Candy is a complex, endearing tale for mature readers that’s as fast-paced and uplifting as it is fun.

Candy Calvin has it all. She’s a respected robopsychologist who specializes in the care and feeding of robots, particularly those belonging to Los Angeles’ wealthy elite. Her best friend Susannah helps Candy run her practice. The only thing Candy is missing is someone special with whom she can share her life. Until one day, on a whim, she visits an online dating site. She soon finds a profile she likes: ROBOSTUD2047. They agree to meet for dinner. But when Candy lays eyes on him, she gets more than she bargained for, including a trip into orbit, a midnight ride in a ViperJet, and a revelation that rattles her to her core.
Danny Olivaw is a reknown roboticist famous for his books on the inner workings of artificially-intelligent beings. When he’s not writing, he flies his jet and hobnobs with celebrities and movie stars. His roommate Floyd is a screenwriter and actor who convinces Danny to try online dating.

EYECANDYPh.D. immediately catches Danny’s eye. They agree to meet at Chateaux Pizza and before Danny can get over the statuesque beauty before him, she’s sampling his bruschetta and tasting his wine. Danny knows instantly that he’s head over heels for Candy. But things aren’t always what they seem, and Danny soon finds himself in a downward spiral in his quest to reunite with Candy.
Packed with action, comedy, romance, and an ensemble of lovable characters, EYE CANDY is an uplifting roller coaster ride in the time of robots.

Ryan Schneider is a husband, aspiring father, writer, and full-time novelist.
Ryan writes in many genres, including Science Fiction, Fantasy, and Mainstream Fiction. He is the author of five novels, a collection of short stories, and a dozen screenplays.
Ryan earned a Bachelor’s degree in English Literature from the University of the Pacific, and advanced degrees in Screenwriting and Independent Producing at UCLA. He has worked as a newspaper staff writer and film critic, as well as co-host of a weekly radio show.
Ryan is also a commercially-licensed pilot with multi-engine and instrument ratings. He lives in Palm Springs, CA with his wife Taliya, a Guinness World Record-holding singer/songwriter and recording artist. Taliya received a Guinness World Record in 2005 for recording her original song “Flower Child” in 15 languages. She is currently in the studio, mastering a brand new acoustic album.

Visit Ryan at http://www.authorryanschneider.com/p/eye-candy.html and on Twitter at https://twitter.com/RyanLSchneider

The A.I. Storybundle is live, but only until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Download yours today only at https://storybundle.com/ai

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1
Linking In

The chair waits for her in the ruby-lit room. Carly Quester steps inside, slams the door. The chair sits in silence. Carly stalks around it, kicks its ugly feet, glares at it.

The chair is primitive, plain-legged, straight-backed. It is rude and mean, as impersonal as the gridlock. Black plastic wires loop and trail all around it. A red switch juts up from one arm. Platinum beams angle into a frame that will pitilessly grip her when the power switches on and her body jolts.

Carly Quester is a slim-limbed genny with customized morphing. Strands of copper and gold thread her hair, which falls to her shoulders in style de nuevo. Ebony lash implants line her eyes, a romantic gift from her father in the sixteenth year after the lab decanted her. Wide feathered brows and curved cheekbones hint at the Sino-Slavic bioworks her pragmatic mother had chosen. She slicks her lips plum-red.

Seated in other chairs, in other rooms, she will cross a silk-stockinged ankle over the other knee, and she thinks nothing of striding up the quake-cracked hills of the City in her gray-snake, four-inch heels.

She’s just turned the age when you start to do things in the world.

She sits down, knees side by side.

Straps of black plastic, filmy with dried sweat, lie limp on the chair’s arms and legs. She snaps the straps over her own arms, her own legs. A mocking slap of cruelty, that she should have to strap herself into the chair.

She breathes deeply—one, two, three—preparing for the moment when the power switches on and the neckjack descends.

But how can anyone ever really prepare?

It’s fine to speculate, to envision bravery. You strap in. You sneer at the ruby-lit walls. You jeer at the wires. You welcome the bite of the neckjack, welcome the pain.

And Carly?

She kicks at the wires with a high heel. With her forefinger curving over the arm’s edge, she yanks the red switch herself just to do it, cool tool.

With a shudder, she leans back. Her spine presses the master control. The control signals the headpiece to descend with a rasping whine. Wireworks yawn open, clamp down around her skull.

In front of her, the comm flickers on, flooding her eyes with jade luminescence. A hum commences, rising up in an awful crescendo. The neckjack darts out on a robotic cable, its tiny platinum beak biting deep into the linkslit installed at the back of Carly’s neck.

The red switch clicks, and the power slams on.

Lisa Mason is the author of eight novels, including Summer of Love, A Time Travel (Bantam), a San Francisco Chronicle Recommended Book and Philip K. Dick Award Finalist, The Gilded Age, A Time Travel (Bantam) a New York Times Notable Book and New York Public Library Recommended Book, a collection of previously published fiction, Strange Ladies: 7 Stories (Bast Books), and two dozen stories and novellas in magazines and anthologies worldwide. Mason’s Omni story, “Tomorrow’s Child,” sold outright as a feature film to Universal Studios. Her first novel, Arachne, debuted on the Locus Hardcover Bestseller List.
Visit her at Lisa Mason’s Official Website for books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable pet pictures, forthcoming projects, fine art and bespoke jewelry by San Francisco artist Tom Robinson, worldwide Amazon.com links for Brazil, France, Germany, India, Italy, Japan, and Spain, and more!
And on Lisa Mason’s Blog, on her Facebook Author Page, on her Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, and at Science Fiction and Fantasy Writers of America.

The A.I. Storybundle is live, but only until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Stock up your ereader for the Spring only at https://storybundle.com/ai

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Aristoi Excerpt
PABST: Stimulus and response, response and stimulus
Get them right, there’s little fuss
They’ll do most anything if you pull their strings
Their response to stimulus.

Aristoi floated through the reception to the sound of a reed flute.

Standing near the buffet table Gabriel paid his respects to Pan Wengong, primary architect for the resurrected Earth2. The Eldest Brother was a junior, but sole surviving, member of the first bold generation of Aristoi who had, in the turbulent and dangerous centuries after the Earth1 disaster, coalesced around Captain Yuan and, with their fearless and absolute command of technology, re-ordered humanity’s future.

Pan Wengong’s appearance belied his millennia.  He was a round-faced, round-bodied, cheerful man, secure in his place among the Aristoi and in history, and quite pleased with having escaped the law of averages for so long. His domaine included Earth2 and the inhabited stars around it, and in the centuries since the great reconstruction he’d been taking it easy; his therápontes did most of the work while the Eldest Brother relaxed in one or another of the pleasure-domes he’d built on or about Earth.  He was one of the few Aristoi who was actually, physically present in Persepolis, but he was linked with all the others in the oneirochronon and enjoyed the best of both worlds— the company of his peers, and the fact he could eat and drink.

Pan had been speaking to Saigo, a dour, saturnine man who usually avoided these receptions. Saigo was a specialist in evolution, both human and stellar, and had broadcast his black-browed skiagénos a greater distance than anyone here— he was well out of inhabited space, in a part of distant space called the Gaal Sphere, pursuing his lonely researches.

Saigo turned his melancholy eyes to Gabriel, offered a Posture of Formal Regard, and took his leave.  Gabriel and Pan exchanged embraces and the latest jokes. Pan offered Gabriel a ghost drink, and though Gabriel knew the experience would be well crafted, he declined. He avoided eating and drinking while in the oneirochronon— it just gave him hunger pangs without satisfying its cravings.

Others arrived to pay their respects to Pan. Gabriel spoke briefly to Maryandroid, then found himself approached by Cressida.

“Aristos kaí Athánatos,” she began, using the formal title, “forgive me for this interruption.”

“Forgiven,” said Gabriel, a bit surprised.

Cressida was an older Ariste; she had passed her exams over three hundred years ago and had restricted the size of her domaine so as to devote herself more exclusively to research. She was honored, distant, and briskly eccentric; and in their few meetings had treated Gabriel with courtesy but without great patience.

She gazed from her black-skinned face with intent birdlike eyes. “Therápon Protarchon Stephen Rubens y Sedillo, who is in my service, will be visiting Labdakos within a few days to tour the Illyrian Workshop,” she said. “I am thinking of setting up a similar academy here on Painter, and I hope you will do me the favor of giving instructions to the Workshop staff to allow him access.”

“Really?” Cressida had never shown much interest in crafts. “I will be happy to provide any assistance, of course.”

She had not adorned herself for this reception, but dressed in the modest sky-blue uniform worn by her household— the uniform might have been a romantic touch, Gabriel thought, but the design was too relentlessly practical, with many pockets and no ornamentation or badges of rank. Her hair was salt-and-pepper, cut short in a businesslike way.

“I would consider it a favor,” she continued, “if you will also give Therápon Rubens a private appointment at a time convenient to you so that he can present my personal greetings and thanks.” She inclined her head, lowered her eyes, the First Posture of Esteem. “At your service, Aristos.”

“At your service,” Gabriel murmured. Cressida passed on.

What the hell was that about? Gabriel inquired.

Neutral but commanding posture, said Augenblick. Neutral expression. No involuntary muscle movement, no alteration in pupil dilation. Formally courteous expression.

That’s not much.

My apologies, Aristos. Skiagenoi are difficult to read at the best of times, and perhaps she was taking good care not to be read. Most Aristoi do.

Reno, Gabriel commanded, report on the whereabouts of Stephen Rubens y Sedillo, class Therápon, rank Protarchon, employed by Cressida Ariste.

At your service, Aristos. <search program initiated> Done. Therápon Rubens is aboard the yacht Lorenz, currently assuming an orbit about Illyricum. He hailed traffic control four hours ago. The Lorenz is owned by Ariste Cressida. Rubens has sent a message to your mailbox requesting a personal audience.

The timing on this is very exact, said the Welcome Rain. There is more here than we see.

Gabriel thought for a moment. Reno, he said, how many times has Cressida spoken to me?

Five, Aristos. On four occasions she merely offered polite greetings, and on the other she criticized your behavior at Coetzee’s reception following your Graduation—

I remember very well, thank you.

At your service, Aristos.

He returned his attention to the reception.

Something was afoot. He knew not what it was.

He suspected, however, he would enjoy himself while working out the answer.

*

Music, angel voices and devil bassoons, eddied in Psyche’s perfect acoustic chamber. A piece Gabriel had composed long ago, Sandor Korondi’s poem “Love-Wind” set to music.

After a few hours in the Autumn Pavilion with Clancy, Gabriel decided to call her Blushing Rose. She accepted the new name with what seemed a mixture of pleasure and intelligent skepticism.

She called him Disturber.

Clancy lay face-down on the bed in exactly the naive position in which it pleased Louis XV to have his mistresses painted. Gabriel, sitting beside her, found himself completely charmed by the rosy sight of her soles. She was all warm autumn colors, he thought, like this pavilion, like his thoughts, a contrast to the Black-Eyed Ghost, all pallor and midnight. He let his fingertips graze on the rounded knobs of Clancy’s spine as the andante movement sang slowly in his heart.

The Carnation Suite, he remembered, was empty.

“I promised you breakfast,” he said. “Shall I tell my reno to order? Kem-Kem, my chef, is an improvisatory genius— he’ll cook anything you like to order. ”

Clancy propped her chin on one hand and frowned. “Would you mind having a machine deliver the food?”

“No. Why?”

“Because if Rabjoms is going to find out about this, I’d rather it be from me and not a member of the kitchen staff.”

“Ah.” He took her hand. “Will that be a problem for you?”

GABRIEL: Reno. <Priority 2> Query: Rabjoms.

RENO: <Priority 2> Rabjoms. name: Thundup Rabjoms Sambhota. Informal consort to Therápon Clancy. Age: 31. Class: Demos. Occupation: Artisan (2nd Class), Lowland Machine Works, Labdakos, Illyricum. Born: Gomo Selung, Kampa Province, Phongdo—

GABRIEL: Thank you. Fini.

RENO: At your service.

She looked at him over her full shoulder. “The problem is . . . tactical. How I should tell him, not . . . ”

“If I can be of any assistance?”

“No. It’s my little predicament, I suppose.” She gave a tight little smile. “He’s an understanding man.”

He looked down at the taut ribbon of muscle knot that had, in the last few seconds, formed between her shoulder blades, and began to massage it away. The andante sobbed on. Clancy sighed.

“You’ve been together how long?”

“Six years. Since I came here.” She sighed. “He’s a good man.”

A good man, he thought. Artisan (2nd Class), and of the Demos, not even one of the therápontes. Rabjoms was certainly not the choice of a rising Therápon eager for a position of power.

“Demos,” Gabriel said.

“I’m not ambitious that way.” She shrugged. “I’m not ambitious at all. I haven’t gone for my exams in nine years, and I don’t have any plans to. I like it where I am. Being a doctor. Birth, death, trauma, life, well-being . . . everything I really care about, I’m involved with now.”

“You left me off the list.”

She smiled, looked over her shoulder again. “Should I care for you, Aristos?”

“I love you.” Psyche soared through his mind at the words.

“And I you, Aristos.” Neatly.

He leaned back and considered her. She was not his usual type. Her body was natural— soft, rounded, without the planed, sculpted, perfected look, genetically or surgically augmented, that normally gratified his taste. The attraction was unusual; Gabriel couldn’t predict its outcome, or how long it would last. Perhaps (a sliver of doubt entering) it was merely a shared enthusiasm for Marcus’s pregnancy. He thought of calling up Augenblick and the Welcome Rain, but decided he didn’t want this handled. Not their way.

I never was attached to that great sect,” he said,

Whose doctrine is that each one should select

 Out of the crowd a mistress or a friend,

 And all the rest, though fair and wise, commend

 To cold oblivion.”

She smiled. “And you’re easily bored.”

“That as well.” Might as well concede that one.

She rolled over and regarded him with wide peridot eyes. “Will you make me your maîtresse en titre?”

“Do you want that? I’m surprised.”

“May I have it?”

“If that’s what you desire.”

She shook her head, then laughed. “I don’t, as it happens. But I needed to know if you’d give it to me.”

Surprise rolled through him. “Fayre eyes,” he said, “the myrrour of my mazed hart, what woundrous vertue is contaynd in you . . .”

“I had everything planned. I didn’t think— ” She considered her words. “This lightning would strike. Not this late.” Grinning wryly. “Not this lightning.”

“It has struck.” He kissed her. “Shall it strike again?”

She fluttered against his lips. “Yes, Aristos. Of course.”

Propelled by violas and stinging electric guitar, presto followed andante, and so to finale.

*

Gabriel continued his rounds about the reception, greeted Pristine Way and Prince Stanislaus. He succeeded in avoiding Virtue’s Icon. The reed flute wove its way through the throng, accented every conversation.

He heard his name spoken, turned, and saw Zhenling. Pleasure tingled through his fingertips.

“Hail to the conqueror of Mount Mallory,” he said.

GABRIEL: Reno, statistics on Gregory Bonham, if you please.

RENO: Bonham, formal consort of Zhenling Ariste for the last thirteen years. Failed examinations in this last round, placing thirty-first among those who failed to pass. This is his second failure. He resides in the residential annex of Violet Jade Nanotechnology Laboratories in low orbit around Tienjin . . .

GABRIEL: And Zhenling currently resides at . . . ?

RENO: Primary residence is at Jade Garden, Ring Island, Tienjin.

Zhenling was a slim woman, tall and taut-muscled, with Tatar cheekbones and tilted dark eyes.

Her frame was taut with catlike, augmented muscle, her form perfectly sculpted. She wore cherry-red breeches, boots, sky-blue jacket with gold brocade, and a hussar jacket of a darker blue, trimmed with ermine and more brocade and worn over her shoulders. A fur hat was tipped over one ear and was decorated with a spray of silver and pearls. Her dark hair was braided with gemstones and fell over one shoulder, giving her silhouette a pleasant asymmetry.

SPRING PLUM: <appreciation of contrast between gems and shining hair>

CYRUS: “All that sternness amid charm All that sweetness amid strength.”

SPRING PLUM: <amusement>

She had been among the Aristoi only a short while, having been promoted only twelve years ago. She was, astrographically speaking, Gabriel’s neighbor, as her domaine was expanding from an area near Gabriel’s.

“Thank you,” she said. “I’ve got my next ascent mapped— Mount Trasker this time.”

AUGENBLICK: We are interested?

WELCOME RAIN: We are interested.  Let us map our own ascent.

AUGENBLICK: It’s difficult to read skiagenoi. This will take a while.

GABRIEL: Keep me informed.

Her name, translated literally into demotic, meant “True Sound.” Figuratively, however, it meant “True Jade,” from the satisfying sound quality jade makes when it’s given a good rap.

“You’re looking dashing,” Gabriel said.

“And you’re looking well-satisfied.”

“Am I? I can’t think why.”

“Impending fatherhood, perhaps?”

Gabriel permitted himself a look of surprise. “I wasn’t aware that anyone knew.”

“It wasn’t hard to work out. Your schedule of the last week implied a number of things, that among them.”

“Should I be flattered that you bothered to study my schedule of the last week?”

“Your schedule for the last year. And various other items concerning you.”

Gabriel lifted his shadow-eyebrows. “May one ask why?”

“One may.”

Dorothy, mantalike, floated overhead, and Gabriel paused (reno searching files for something apt). The reed flute filled the gap. After Dorothy passed out of immediate eavesdropping range, he spoke. “Questioning,” he said, “is not the mode of conversation among gentlefolk.”

“I believe Johnson also said that classical quotation is the parole of literary men.”

“Am I literary? I never thought myself so.”

“All that is literature,” <De Quincey, said Gabriel’s reno, after Wordsworth>, “seeks to communicate power; all that is not literature, to communicate knowledge.”

“Our renos seem to have a very good 18th Century index,” said Gabriel. “Take my arm; let’s talk.”

“As you like. Though we’ll look like a couple footmen at the Congress of Vienna.”

“Not footmen. Equerries at least. Or maybe archdukes. I believe there were plenty to spare.”

Her arm, nonexistent though it was, was quite warm: Augenblick and the Welcome Rain both commented hopefully.

“I am told,” Gabriel said, “that you and Astoreth are planning to upset our happy galactic order.”

“Astoreth intends no such thing.”

“That begs a question, but I’m afraid I just forswore that mode of discourse.”

“Astoreth wants to create a stir so that she can be at the center of attention. And I— ?” She looked at him, and Gabriel found himself admiring the program that had created the liquid depths of her eyes. “I’m willing to put some notions forward,” she said. “I’m not certain what it would mean yet.”

“You’ve followed her program otherwise. Rekindling a spirit of adventure through your personal exploits and so on.”

“I like climbing mountains and stunting around in submarines. It doesn’t have to be someone’s program.”

“But the problem, as you see it, requires drastic measures.”

“It requires, first of all, an acknowledgement that there’s a problem.”

“If you gathered data . . . ”

“How much data do we need?” She was impatient. “Out of the thousands of therápontes who took the exams this time, how many passed? Nine. How many Aristoi died or announced impending retirement in the time between this batch of exams and the last? Six.”

“This has been discussed, you know. For decades.”

“Since most of us restrict population in our own dominions, the only way many of the Demos can have the children they want is to pioneer in new domaines. And since there will be a net increase of only three domaines this time, in essence humanity expands by only three Aristoi.”

“Of course the Demos can also have children by moving to underpopulated domaines.”

“There’s a reason those domaines are underpopulated, you know.”

“I know perfectly well. I merely felt I should make mention of all the alternatives available.”

“Okay. So the alternative is to queue up for a new planet, moon, or habitat, which can take decades if not centuries, or to be subjected to intrusive social programming in the justly-underpopulated domaines.”

“I wonder where Pan Aristos got this flute music. It’s extraordinary.” (Setting his reno on an extended search, <priority 3>, for a score.)

Zhenling permitted herself an annoyed look. Gabriel inclined toward her. “I beg your pardon. One train of thought intruded on another. I was listening.”

“To me or the music?”

“I can follow both.”

“I was hoping to recruit you.”

“Hence your inquiry into my last year’s schedule.” He sighed. “I’m disappointed. I was hoping your interest was more personal.”

Gabriel (and Augenblick) noted that Zhenling didn’t seem (or didn’t allow herself to seem) as annoyed by this remark as she might have been.

“Isn’t your life a little busy without another complication?” she asked. “A child on the way, a new friend moving into the— ” Her reno floated data along the tachline. “Carnation Suite?”

The Welcome Rain gleefully rubbed metaphysical hands together and whispered in Gabriel’s antennae.

“We’re Aristoi,” Gabriel said. “We’re capable of handling any number of complications with grace, with joy, with— ”

“Without me,” said Zhenling. “I have a consort, as you know.”

“Who is not your equal.”

“He’ll pass the exams.” Stubbornly. “He came very close this last time.”

“It’s more Aristoi that your group wants.” Gabriel stroked his chin skiagenically. “Could that be a coincidence, I wonder?”

“You seem to want more Aristoi in your life as well.”

“Only one.”

“What a shame.” She paused for a pensive moment, then carefully shrugged. “Think of it as a rare experience. How often do you experience genuine frustration in your life? Cherish it while it lasts.”

“While it lasts.” He attempted to lift her hand and kiss it. She turned her skiagénos insubstantial and his hand passed through hers. He straightened and looked at her, and she burst into laughter.

“You should see your face!” she said. “This is rare for you, isn’t it?”

Gabriel calmed both himself and the Welcome Rain, who was hissing like a kettle.

“Perhaps we’ll kiss later,” Zhenling said, which soothed Welcome Rain rather more than Gabriel did. “But right now, I’d like to read your brain chemistry.”

“My what?”

“Levels of vasopressin,” numbering on her fingers, “dopamine, serotonin, lecithin, thiamine, norepinephrine, phosphatidylcholine, endorphins . . . lots of things. Dozens. Your reno has the capability to analyze your chemistry that way?”

“Of course,” Gabriel said, “but I’m not certain I’m willing to proceed to that level of intimacy without at least kissing first.”

Her look was serious. “I’m going to propose tomorrow to inaugurate a study concerning what makes Aristoi into Aristoi.”

“It’s been tried. The category was found to be unquantifiable.” He gestured with an arm. Pristine Way, looking at the moment as if she were cut from rose-tinted transparent crystal, nodded back. “Look at all these people,” Gabriel said. “Each passed exams, each is licensed for certain dangerous technologies, and each controls a domaine— but each is individual, and over the years the domaine conforms to her image . . . Citizens with an interest in music or architecture migrate to my domaine, those interested in political theory show up in the Icon’s territory or Coetzee’s, those who yearn for the consolations of philosophy turn up in Sebastian’s, and I imagine you get your share of mountain climbers. You know how eccentric some of us are. What d’you think we have in common?”

“I don’t think the previous studies were done the right way. Or that they asked the right questions.”

“You’re an Ariste, of course. You can study what you like.”

She tilted her head. Light danced in her eyes. “Which brings me to my next point. I really would like to get a look at your brain chemistry. In the normal course of things we’re surrounded by people who defer to us, who make things easy, who accept our judgments without question. Some of us are even worshiped.”

“Oh please.” Gabriel held up protesting hands. “I just needed to give my mother something to do after she retired.”

“Unlike most of us here, I quite believe you. But still, some of us are worshiped. What does that do inside our heads? We’re natural leaders— that’s one thing we’ve got in common— and we’re still all primates, even the most modified of us. We’re more absolute than the leader of any baboon troop ever was. More absolute than Louis XIV.”

“I wish you would come up with more cultivated examples. I don’t know which of the two I’d prefer as a house guest— probably the baboon.”

Moi aussi, monseigneur. Le roi, c’est l’etat et un cochon. But then, his brain chemistry must have been as abnormal as ours.”

“I am going to demand a kiss if you’re going to discuss my brain chemistry and make odious comparisons.”

She stepped up to him and kissed him quite decisively on the mouth. Her breath had a spicy tint. The Welcome Rain went into ecstasies. The rest of Gabriel wasn’t much less affected.

Zhenling stepped back, her look managing to be both teasing and smug. “What I would like to do,” she said, “is compare your brain chemistry now with what it is at the end of Graduation, and with what it will be about six months from now. Because what’s happening here is that you’re interacting with your peers, not what for lack of a better term we’ll call your inferiors. It’s a greater strain, we’re not as deferent as the people you’re around normally . . . It’s going to do things to your head.”

“Where do you plan to go with this?”

“With your head?” She narrowed her tilted eyes. “Very far indeed . . . ” Welcome Rain commenced a dance of triumph. “But later, I think.” She stepped back, gave him a Posture of Respect subverted by a careless wave. “There are other people I need to speak to. I’m sure we’ll be able to see each other at one of the receptions.”

“I need to know what you want in the way of brain analysis.”

“I’ll send you a memo of what I’m interested in.”

Gabriel watched her leave and listened to the voices in her head. Her metalinguistics were consistently flirtatious. Augenblick’s contribution. Rather deliberately so.

We’re in business, boss, said the Welcome Rain.

Gabriel continued to drift among the throng. He observed that Dorothy St.-John had pasted her cat’s eyes to the forehead of Han Fu, and wondered whether Han knew it. Asterion, whose body had been altered for a subaquatic existence, swam elegantly overhead, webbed hands and turned-out dolphin feet moving gracefully through invisible waters.

The music now playing, Gabriel’s reno finally reported, is untitled and unpublished, but is by Tunku Iskander. It is unavailable in the Hyperlogos but a recording exists in the archives of Rival Island, where Tunku played it last week for Aristos MacReady.

Not in the library, but in obscure records half of human space away— no wonder the search had taken so long, almost four minutes. Tunku Iskander, Gabriel knew, would be installed as an Aristos tomorrow, and had apprenticed under MacReady and Dorothy. Gabriel hadn’t ever met him, or heard his music. He told his reno to call up as many recordings as were available and store them for later.

The reception drifted onward to its conclusion.

*

Gabriel, hair tied back with golden ribbon, performed wushu alone on the sward behind the Red Lacquer Gallery. Cool morning air brushed over his limbs. His mind was in the oneirochronon, and Spring Plum guided the two-sword form, controlling his body with grace and imagination. The heavy broadswords sliced air, one-two, and the red flags tied to the hilts made supersonic cracking sounds as they wove dragon-back images through the air. Gabriel could feel, dim in his conscious mind, the strain on muscles, the beat of pulse and harshness of breath in the throat, the feel of whirls and leaps and stances of wushu, martial arts abstracted to dance, an aesthetic distillation attuned to Spring Plum’s psyche. He could see, if he wanted to, the spears of green grass, the long expanse of the Red Lacquer Gallery, grey upthrust mountain peaks beyond the golden web of Labdakos, all whirling in the focused dance . . . but his mind stayed firmly in the oneirochronon, and concentrated on the Involved Ideography of Captain Yuan.

Yuan’s Ideography was based on the notion that writing had greater impact the more senses it evoked. Old-style European script was fine for communicating data efficiently, but it had to work hard to achieve the kind of psychic resonance that Yuan desired— not simply to communicate, but to involve.

Old Asian scripts were better, insofar as the ideograms not only communicated words but drew (admittedly rather abstract) pictures. They involved more levels of the mind in the translation, and the impact— at least for Yuan’s purposes— was greater.

Yuan’s Intermediate Ideography, in which Psyche had presented her conception-poem for Marcus, was based on age-old Chinese characters but adapted for modern grammar, vocabulary, and expression.

The Intermediate characters were only a stage on the way to the Involved Ideography. These were intricate hieroglyphs based on the First Aristos’s own ideas about the wiring of the human mind and its relationship to information, were another step toward complexity and many levels higher in symbolism. Looking like a peculiarly convoluted incorporation of baroque Mayan glyphs and circuit diagrams, the Involved Ideography’s radicals, modalities, and submodalities were designed to involve as much of the reasoning cortex as possible. They required intense mental concentration to use or read, but were unexcelled in packing complex information into small packages. The system was incomplete, as Yuan hadn’t finished his work when he set on his long, presumably fatal quest toward galactic center, but the ideography continued to evolve more or less randomly at the hands of thousands of individual scholars and information theorists.

Gabriel was using the Involved Ideography to design an oneirochronic seal for Clancy, one she could use to get into the secure areas of the Residence. He would be having breakfast with her shortly, in Spring Plum’s room of the Autumn Pavilion, and wanted it ready.

He used a glyph for rose, a radical for redden, modalities for medicine and music and pleasure and caring . . . He wanted to evoke her precisely, create a poem in glyph form.

He became aware that Spring Plum had finished the wushu form, that his body was poised in salutation position, swords heavy in his arms. Gabriel had his reno analyze his bodily state. He concluded he’d exercised enough, and he summoned Kouros to perform cool-down exercises. The Kouros daimon was a child, carefree and happy, innocent of consequence— skipping about the sward and gardens during the cooldown period was something Kouros would find interesting.

He buried himself in the creating the hieroglyph.

*

By the time he finished the cool-down period he thought he had finished the seal. He bathed and dressed and had breakfast delivered to Spring Plum’s room, where there was a graceful rosewood dining table, and in a matching cabinet a porcelain service rimmed with silver and painted with white plum blossoms. Spring Plum possessed an intent fascination for biological detail: the dark silk wall hangings were covered with exactingly-rendered flora, petals, stigmata, anthers, and beaded, glowing droplets of dew.

Clancy arrived at the door. Gabriel embraced her and kissed her hello, then led her to the buffet. There was enough food to feed a dozen guests. Clancy took coffee, a scone, and jam, and sat curled in a chair covered in stitched dogwood blossoms. Gabriel took a plate of fruit and sat by her side.

She cocked an ear at the music. “Tien Jiang Chun.”

“Yes.”

“I played it years ago on Darkbloom. In a recital, at university. Accompanying a friend, who sang Li Jingchao’s words.”

Gabriel’s reno sifted gently through Clancy’s biography. “You play piano, flute, persephone.”

“The first poorly, due to a lack of time for practice. The second with a bit too much restraint. The third too cleverly, because modern instruments encourage that.”

“Do you compose?”

“No.”

“You should. You’re bound to find a daimon that will help you.”

“I would be mediocre.” She sipped coffee. “I’m an outstanding physician and surgeon, however, and a damn good geneticist.” There was defensiveness in her tone.

“I know,” gently. He took her hand and kissed it.

“Marcus,” she said.

“Yes?”

“Is it ended between you?”

“‘How am I fallen from myself, for a long time now I have not seen the Prince of Chang in my dreams.’” He smiled. “I’m building him a house.”

“A house? An estate, you mean.”

“An estate, then. And why not? With a stunning view, and a large nursery, and room for all the playthings and gadgets he likes to build.”

“Don’t build me such a place, when the time comes.”

He sensed the tension in her forearm. He kissed her hand again. “Not if you don’t want one, Blushing Rose. But architecture is one of my skills— I hate not to indulge it.”

She smiled. “Build me a research clinic if you like. On an asteroid, where I can work with nano.”

Gabriel was pleased to discover this hidden thread of ambition.

“Tell me where you want it, and what you want in it, and it’s yours. Now. It doesn’t have to be a parting gift.”

Clancy blinked at him. “Sometimes I forget that you can do that. Wave your hand, and it’s done. As easily as if you were in the oneirochronon.”

“It takes a little more effort than that.”

“But still. It doesn’t cost you anything. Does it?”

“Why should it?” He smiled, took a knife, began to peel a hothouse peach. “I like pleasing people. I have the power to do it. Why shouldn’t I indulge myself in harmless benevolence?”

She thought about it, then shrugged. “Whyever not?”

Another chord chimed briefly. Clancy tilted her head. “I’ve told Rabjoms.”

“I hope it went well.”

“I think he’s a bit . . . overwhelmed.” She gave a tight little smile. “So am I, really. Rabjoms doesn’t want to resist— part of it’s the conditioning, okay, but— ” There was an uncertain flutter in her eyes. “Well, I don’t want to resist either.”

Gabriel left his chair, sat crosslegged before her, took her feet into his lap. “I’m pleased, Blushing Rose.”

Her look turned uncertain. “Should I move into the Residence? Do you want me to?”

“I would be pleased to have you near me. The Carnation Suite is open, and its decor would suit your coloring very well.”

“I’ll move, then.”

“I’ve already taken the liberty of designing you an oneirochronic seal that will grant you access to the secure areas and the private passages and galleries in the Residence. I’ve put it in your message box, and instructed the Residence to open its sealed areas to you.”

There was a glimmer of interest in her eyes. “There are secret passages in the Residence?”

“Not secret. Just private. If you want to go somewhere and not have to meet people.” He smiled at her. “I find it useful.”

She gazed at her plate for a moment, then down at him. “Disturber? Can you tell me why I feel sad?”

Gabriel could not. “How can I make you happy?” he said.

She gave a thin smile. “I should return to work.”

“If that’s what you wish. But I can still declare that planetary holiday.”

Her smile broadened. “That won’t be necessary.”

“Perhaps,” he said, “some other time.”

To read the rest of Aristoi, download your bundle today! And visit Walter’s excellent website and blog at http://www.walterjonwilliams.net

The A.I. Storybundle is live, but only until April 20, 2017! Explore Artificial Intelligence and how A.I. will affect the future in Aristoi by Walter Jon Williams, The Bohr Maker by Linda Nagata, Arachne by Lisa Mason, Rewired: The Post-Cyberpunk Anthology, edited by John Kessel and James Patrick Kelly with stories by William Gibson, Bruce Sterling, Pat Cadigan, and others, Queen City Jazz by Kathleen Ann Goonan, Eye Candy by Ryan Schneider, Glass Houses by Laura Mixon, Cyberweb by Lisa Mason, Limit of Vision by Linda Nagata, and The A.I. Chronicles Anthology, edited by Samuel Peralta. Stock up your ereader for the Spring only at https://storybundle.com/ai