Archives for posts with tag: Lisa Mason Movie Critic

If you haven’t seen “Sideways,” a small independent film from long-ago 2004, and if you’re seeking an escape from our present troubled times with a funny, intelligent, sometimes risqué, sometimes bittersweet story that holds up well in 2020, stream or rent a DVD of “Sideways”
Yes, it’s pretty much of a guy film, but women play a significant part. I empathized completely with the male point-of-view protagonist, thanks to actor Paul Giamatti’s gentle, ironic, but compelling depiction of Miles Raymond.
Miles is a wistful English teacher, reading aloud poignant book passages to his students. A lot of reviews have called him “a failed writer”, but he is trying to sell his first novel and encounters difficulties on the road to publication. His literary agent calls him with another rejection and regretfully says, “This is a great book that has yet to find a publisher.” That’s NOT a failed writer. That’s a writer who is struggling against the publishing meltdown in 2000 and who has not yet learned of the incredible self-publishing opportunities that suddenly appeared in 2010. If anything, Miles finds himself in the black hole of publishing in the early 2000s.
A running joke is that readers, editors, and even the literary agent don’t understand the end of his book. Miles nods in weary resignation every time someone says that to him, including at the end of the film. Every red-blooded writer I know (including me) would yank out the manuscript and see how he or she could FIX it.
But Miles’ evolution as a writer is beyond the scope of this film. Indeed, he’s divorced, depressed, and in his forties with few prospects ahead of him. At one point he says to his friend, Jack Cole, that at his age, the only way women will be interested in him is if he has money, and he doesn’t. A cynical view of women, but there you have it. That’s Miles’ attitude.
Jack Cole is an actor semi-famous for his role on a bygone popular daytime soap, and Miles’ friend and former college roommate. The film pokes gentle fun at the foibles of acting fame (like “Once Upon in Hollywood” reviewed in March 2020). A handsome guy, Jack is soon to be married into a wealthy real estate family and Miles takes him on a bachelor vacation to the Santa Barbara wine country for relaxation and good food and wine. Miles, to his consternation, soon discovers that Jack is on the prowl for a last fling before he settles into married life.
***
For rest of this review of “Sideways”, please join friends, readers, and fans, on my Patreon page at https://www.patreon.com/bePatron?u=23011206 and help me after the Attack. I’ve posted delightful new stories and previously published stories, writing tips, book excerpts, movie reviews, and more exclusively for my heroic patrons! I’m even offering a critique of your writing sample per each submission.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, beautiful covers, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

4.22.17.SOLATTCOVER.BIG

I’m so thrilled this book is back in print! And as timely as ever! Bast Books has reported that the print book and the ebook sold in the U.S., the U.K., France, and Germany last month.
What readers say:
5.0 out of 5 stars I dig this book!
Reviewed in the United States on March 11, 2020
Summer of Love is a beautiful work of literature encapsulated within the science-fiction genre. It invites you on an emotionally jostling roller coaster ride.
Lisa Mason is a prolific author who weaves a time-travel story that delves into many underlying themes at a micro and macro level during the famous “Summer of Love” pandemic in Haight Ashbury, San Francisco, in 1967.
The author also descends underneath the epidermis of the street’s kaleidoscopic and “groovy” ambiance to reveal what is and what is not through each character’s eyes — and whether or not we can rely on hope to wake us up the next morning.
I felt the characters (even the secondary ones), the moments, the sights, the sounds and the smells of the time. As if I myself was time traveling. I found myself not only reading but tasting each word; sometimes going back to read a sentence, a paragraph or a page again.
This is a novel I will not hesitate to recommend. https://www.amazon.com/dp/1548106119
“This book was so true to life that I felt like I was there. I recommend it to anyone.”
“More than a great science-fiction, a great novel as well.”
“My favourite SF book of all time, beautiful, cynical and completely involving….Unmissable!”
Brand-new 2018 review of SUMMER OF LOVE at http://sfbookreview.blogspot.com/2018/02/summer-of-love-by-lisa-mason.html
”Ever since the Save Betty project completed there has been degradation in the archives. The Luxon Institute for Superluminal Applications (LISA, still love that acronym) has determined that San Francisco in 1967 is a hot dim spot. They commission the Summer of Love project. Twenty-one year old Chiron Cat’s Eye in Draco will t-port from 2467 to the summer of love where he is to find the Axis, a teenage girl from the Midwest will have important descendants, and protect her through the summer. This Susan Stein takes an alias, so Chiron has only probabilities to know if he finds the right girl.
In 1967 Susan receives a postcard from Nance, aka Penny Lane, who is in San Francisco. Her parents find the postcard, tear it up and burn it. She runs away that night and takes the name Starbright. She arrives hoping to see Penny Lane, but instead meets up with Stan the Man, manager of the Double Boogie band. She is invited to live with them in a house that is a constant party. She loves it, but a week later Stan hooks up with someone new. She meets Ruby again and Ruby takes her in. That first night Chiron saw an eye symbol by Ruby’s shop, decided to hang around there and Ruby let him sleep on the couch. He’s not sure that Starbright is the Axis, but there is a high probability.
Without being preachy major themes in the book include the environment, population control, women’s rights, and addiction. These were put into the setting of real life 1967. Street names referenced in the book exist and the Grateful Dead did have a concert there on August 22. I enjoyed the story without any nostalgic feeling, other than references to old Star Trek episodes and other SF works.
I really enjoyed the book. It was excellent and the first chapter or two set up encounters throughout the rest of the book. I loved all three of the main characters, Starbright, Chiron and Ruby.” By John Loyd
Book Description: The year is 1967 and something new is sweeping across America: good vibes, bad vibes, psychedelic music, psychedelic drugs, anti-war protests, racial tension, free love, bikers, dropouts, flower children. An age of innocence, a time of danger. The Summer of Love.
San Francisco is the Summer of Love, where runaway flower children flock to join the hip elite and squares cruise the streets to view the human zoo.
Lost in these strange and wondrous days, teenager Susan Bell, alias Starbright, has run away from the straight suburbs of Cleveland to find her troubled best friend. Her path will cross with Chiron Cat’s Eye in Draco, a strange and beautiful young man who has journeyed farther than she could ever imagine.
With the help of Ruby A. Maverick, a wise and feisty half-black, half-white hip entrepreneur, Susan and Chi discover a love that spans five centuries. But can they save the world from demons threatening to destroy all space and time?
A harrowing coming of age. A friendship ending in tragedy. A terrifying far future. A love spanning five centuries. And a gritty portrait of a unique time in American history.
The cover, hand-drawn by Tom Robinson, is styled to look like a 1960s psychedelic poster.
What the professional book reviewers say:
“Captures the moment perfectly and offers a tantalizing glimpse of its wonderful and terrible consequences.” The San Francisco Chronicle
“A fine novel packed with vivid detail, colorful characters, and genuine insight.” The Washington Post Book World
“Remarkable. . . .the intellect on display within these psychedelically packaged pages is clear-sighted, witty, and wise.” Locus Magazine
“Mason has an astonishing gift. Her chief characters almost walk off the page. And the story is as significant as anyone could wish. This book will surely be on the prize ballots.” Analog
“A priority purchase.” Library Journal
5 stars From the Readers
Calling All Fans
Amazon Verified Purchase
‘Summer of Love is an important American literary contribution that may very well have a strong and viable fan base. Where are you? Join us!
This novel is loads of fun to read. The majority of the characters are hippies from the 1960s who meet a stranger from the future who’s looking to save his world. This fellow, Chiron, needs to find a troubled adolescent teen named Susan (a.k.a. Starbright) for a very compelling reason. The book has a great deal to offer: swift action, lovable characters, spiritual insight, and well-chosen primary documents such as essays, poems, and news articles which round out the reader’s understanding of the worldview of the novel.
I think Summer of Love has excellent potential for a wider audience. I hope it continues to enjoy a healthy amount of sales in the used books market on this site. I wish even more for it to be in wider circulation. Some books talk about the sixties. This novel IS the sixties, thanks to the spirit and scholarship of its author. And, as one reader aptly put it, ‘the sci-fi stuff is just plain off the hook.’ Get a copy. Most people who have read it seem to respect it and enjoy it every bit as much as I do.”
New Reader Review! “Just checked to see if this book was on Kindle. It has been many years since I’ve read it but I remember it as one of my very favorite books. Time to go back and re-read it!”
New Reader Review
Kent Peterson
5.0 out of 5 stars A Fine Story
10 February 2015 – Published on Amazon.com
Verified Purchase
Summer of Love, A Time Travel is a fine story. Lisa Mason takes three interesting characters, a time traveller from a future 500 years hence, a 14-year-old midwestern runaway flower child, and hip shopkeeper and places them all in the fascinating place and time that was San Francisco’s Summer of Love, 1967.
Mason has certainly done her homework. You can almost smell the pot and patchouli, see the painted faces and hear the sounds of Janis and the Grateful Dead as Chi, Starbright and Ruby fight to hold on to what really matters at a time when everything seems possible and even the smallest things can have huge consequences.
The time travel plot is nicely (if a bit predictably) done and the glimpses from Chi’s future world are fascinating, frightening and ultimately hopeful. Starbright is 100 percent convincing as a confused, loyal, idealistic, moody teenager who really could hold the key to what is to come. And Ruby Maverick, the shopkeeper who reluctantly gives the two young strangers shelter and strength in a strange and wondrous time is strong and smart and the kind of friend you’d want holding your hand or watching your back when the trip starts going strange.
Summer of Love, A Time Travel is not a rose-colored look backwards. It’s is a kaleidoscopic look at a time of both darkness and light, of confusion and clarity. It’s scary and beautiful, a strange trip where maybe all you need is a little love and some flowers in your hair.
New Reader Review
Eos
5.0 out of 5 starsTime travel done right
20 August 2017 – Published on Amazon.com
Verified Purchase
This is a longtime favorite novel. Mason’s time travel tale is fascinating as both a tale of the future and of the past. I am delighted it is now available as a Kindle edition as my paperback copy is long past its prime.
New Reader Review
paula ferre
5.0 out of 5 stars… the last 20 years – it is such a great story.
26 September 2016
Verified Purchase
I’ve read this book 3 or 4 times in the last 20 years – it is such a great story.
Find the PRINT BOOK in the U.S., U.K.,  France, Germany, Italy, Spain, and Japan.
The ebook is on US Kindle, Canada Kindle, UK Kindle, BarnesandNoble, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
So there you have it, my friends. Whether you’re a longtime reader or new to the book, I hope you enjoy this classic.
Join my other patrons on my Patreon page at https://www.patreon.com/bePatron?u=23011206. I’m offering brand-new and previously published delightful stories, book excerpts, writing tips, movie reviews, and more!
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, beautiful covers, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

 

TRArt1BIG

East Bay folks (people living in Oakland, Berkeley, and Piedmont), here are five restaurants we really like. They all deliver or you can pick up yourself. Support them! Selfishly, I don’t want them going out of business!
China Garlic on Piedmont Avenue. The best Chinese food I’ve ever had. Shrimp dishes for me, veggie dishes for Tom (and various meat dishes—chicken and pork). The vegetarian egg rolls are so delicious, Tom wants three orders of those the next time we order—which could be this weekend! We live about two miles from the place; the food was delivered, steaming hot, in less than twenty minutes. They also deliver as far as Berkeley.
Miss Saigon on Grand Avenue in Oakland. We’ve been ordering from them for years. They have noodle and rice dishes, shrimp and vegetarian (and various meats—chicken and pork). Their vegetarian egg rolls are so delicious, we already place three orders. They come with a special Vietnamese dipping sauce and fresh mint leaves. They also have a fryer, offer fresh fried fish and fried shrimp. I can live without candy, cookies, cakes, and pies, but every now and then I get a hankering for fried fish.
Barney’s on Piedmont Avenue. This started out as an award-winning beef burger place. Now they also offer turkey burgers, salmon burgers, and vegetarian garden burgers, and whole wheat buns. Their big claim to fame, though, is their fried mushroom and zucchini bowl, their curly French fries, and especially their onion rings. I can live without sweets (see above), but there’s nothing like an expertly cooked onion ring! I think they deliver via Grubhub, we just pick up.
Round Table Pizza on Grand Avenue. Round Table used to be a cheap, undistinguished pizza place. They recently mailed me a coupon. They’re not cheap anymore (no pizza place is) and they’re not low quality. They offer two vegetarian pizzas, one with spicy tomato sauce, one with garlic sauce, and different vegetable toppings, so they’re two distinct pizzas. They deliver throughout the East Bay, but we picked up. It was some of the best pizza I’ve ever had.
And Los Canteros also on Grand Avenue. We love Mexican food–once again fish for me, vegetarian for Tom–and this is some of the best Mexican food ever. They have a salmon dinner and a spicy shrimp dinner for me, which come with a very good green salad–and rice and beans and corn tortillas all of which I give to Tom. Their burritos are enormous (with several options for the kind of tortilla you want, sauce, guacamole, type of beans, cheese), and their veggie-and-cheese quesadilla is wonderful. Our neighborhood Big Market makes the best guacamole I’ve ever tasted, so we usually get a carton of that there, but the restaurant has good guac, too.
Post your favorite local restaurants that deliver here!
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 help me while I recover from the Attack. I’ve posted brand-new stories and previously published stories, book excerpts, writing tips, an offer to edit your writing sample per submission, and more exclusively for my patrons. You can also make a one-time pledge.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, beautiful covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

From the author of Summer of Love (a Philip K. Dick Award Finalist and San Francisco Chronicle Recommended Book). On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. BACK IN PRINT! Find the beautiful trade paperback at https://www.amazon.com/Summer-Love-Travel-Lisa-Mason/dp/1548106119/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/summer-of-love-a-time-travel-lisa-mason/1104160569.
The Gilded Age (a New York Times Notable Book and New York Public Library Recommended Book). On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. BACK IN PRINT! Find the beautiful trade paperback at https://www.amazon.com/Gilded-Age-Time-Travel/dp/1975853172/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/the-gilded-age-a-time-travel-lisa-mason/1106038566.
The Garden of Abracadabra (“Fun and enjoyable urban fantasy . . . I want to read more!) On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. NOW IN PRINT! Find the beautiful trade paperback at https://www.amazon.com/dp/1978148291/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/the-garden-of-abracadabra-lisa-mason/1108093507
Arachne (a Locus Hardover Bestseller) is an ebook on US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Barnes and Noble, Apple, Kobo, and Smashwords. On Kindle worldwide in France Kindle, Germany Kindle, Italy Kindle, Netherlands Kindle, Spain Kindle, Mexico Kindle, Brazil Kindle, India Kindle, and Japan Kindle. Back in Print! Find the beautiful trade paperback at https://www.amazon.com/dp/198435602X or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/arachne-lisa-mason/1000035633.
Cyberweb (sequel to Arachne) is on US Kindle, BarnesandNoble, Apple, Kobo, and Smashwords. Also Kindle worldwide on UK Kindle, Canada Kindle, Australia Kindle, Brazil Kindle, France Kindle, Germany Kindle, India Kindle, Italy Kindle, Japan Kindle, Mexico Kindle, Netherlands Kindle, and Spain Kindle. Back in Print at https://www.amazon.com/dp/1984356941 or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/cyberweb-lisa-mason/1001932064
Strange Ladies: 7 Stories (“A must-read collection—The San Francisco Review of Books). On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle world wide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. NOW IN PRINT at https://www.amazon.com/Strange-Ladies-Stories-Lisa-Mason/dp/1981104380/ or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/strange-ladies-lisa-mason/1115861322.
One Day in the Life of Alexa (“Five stars! An appealing narrator and subtly powerful emotional rhythms”). On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. Order the beautiful trade paperback NOW IN PRINT at https://www.amazon.com/One-Life-Alexa-Lisa-Mason/dp/1546783091 or IN PRINT at Barnes and Noble at https://www.barnesandnoble.com/w/one-day-in-the-life-of-alexa-lisa-mason/1126431598.
Celestial Girl, The Omnibus Edition, A Lily Modjeska Mystery (Five stars) On Nook, US Kindle, Canada Kindle, UK Kindle, Smashwords, Apple, and Kobo. On Kindle worldwide in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands. SOON IN PRINT!
Shaken (in Asimov’s Science Fiction Magazine) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
Hummers (in Fifth Annual Year’s Best Fantasy and Horror) On BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.
Daughter of the Tao (in Peter S. Beagle’s Immortal Unicorn) on US Kindle, Canada Kindle, UK Kindle, BarnesandNoble, Apple, Kobo, and Smashwords. Also on Kindle in AustraliaFrance, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
Every Mystery Unexplained (in David Copperfield’s Tales of the Impossible) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.
Tomorrow’s Child (In Active Development at Universal Pictures) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, India, Mexico, and Netherlands.
The Sixty-third Anniversary of Hysteria (in Full Spectrum 5) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.
U F uh-O (Five Stars!) on BarnesandNoble, US Kindle, Canada Kindle, UK Kindle, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.
Tesla, A Screenplay on US Kindle, Canada Kindle, UK Kindle, BarnesandNoble, Apple, Kobo, and Smashwords. Also on Kindle in Australia, France, Germany, Italy, Spain, Brazil, Japan, Mexico, Netherlands, and India.
My Charlotte: Patty’s Story on Barnes and Noble, US Kindle, UK Kindle, Canada Kindle, Australia Kindle, Smashwords, Apple, and Kobo. On Kindle in France, Germany, Italy, Spain, Brazil, Japan, Netherlands, and Mexico.
“Illyria, My Love” is on US Kindle, Barnes and Noble, Apple, Kobo, and Smashwords. Also on UK Kindle, Canada Kindle, Australia Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, Mexico Kindle, and India Kindle.
Please visit me at Lisa Mason’s Official Website for all my books, ebooks, stories, and screenplays, reviews, interviews, and blogs, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!
And on Lisa Mason’s Blog, on my Facebook Author Page, on my Facebook Profile Page, on Amazon, on Goodreads, on LinkedIn, on Twitter at @lisaSmason, at Smashwords, at Apple, at Kobo, and at Science Fiction and Fantasy Writers of America.
If you would like to receive Lisa Mason’s quarterly newsletter, New Book News, please respond by email to lisasmason@aol.com, enter “Add Me” on the subject line, and it shall be done. You may unsubscribe at any time.
If you enjoy a title, please “Like” it, add five stars, WRITE A REVIEW on the site where you bought it, Tweet it, blog it, post it, and share the word with your family and friends.
Your participation really matters.
Thank you for your readership!

TRArt1BIG

Beginning, middle, and end.
The three act structure.
Sounds simple?
It should be. Storytellers sitting around a campfire in a prehistoric cave followed this natural progression of a story. You, the writer, should too. You, the reader or viewer, should look for that. If you’re having problems liking a film, story, or book, the first suspect is a writer who doesn’t understand three-act structure and doesn’t shape her/his material to follow it.
This is why Quentin Tarantino’s film, “Pulp Fiction,” profane and violent and experimentally plotted as it is, works. Even though plots are left in mid-stream to be finished later and a number of “chapters” are labeled, the film rigorously follows three-act structure.
And this is why Quentin Tarantino’s latest film, “Once Upon a Time….in Hollywood,” is in my opinion a failure. Aside from the fact that the film leads the viewer on a manipulative mind-tease about the real-life horrific, brutal, senseless murders of Sharon Tate, her unborn baby, and six other people (and the many other objections I have), first and foremost, it is a meandering mess.
This is why “Captain Marvel,” which I analyzed in detail here and on my Patreon page, earned worldwide box office of over a billion dollars. Because the screenwriter rigorously followed the three-act structure, even with a complex plot with a lot science fictional material happening, plus a moving personal story.
Beginning, middle, and end.
Many storytellers do this naturally, but if you’re struggling with a piece, look first to this problem.
Sounds simple, but what do I mean, exactly?
Many how-to-write experts will tell you to start with “an inciting incident.” An action-packed opening that draws the reader in, wanting to know more.
That’s good advice, as far as it goes. Five bad beginnings, as I saw in a recent how-to-write article, are (1) having your character dreaming some action sequence and then waking up to find, well, it was all a dream, (2) a description of the weather, (3) a description of an impossibly gorgeous character, (4) having your impossibly gorgeous character look at herself or himself in a mirror (5) having a character furiously being chased through a woods, precariously climbing a mountain, or whatever.
In good hands, any of these may work (Gone With The Wind springs to mind, “Scarlett O’Hara was not beautiful, but men seldom noticed that” and then Mitchell goes on for the first entire page to describe Scarlett’s looks), but you don’t want to tempt fate.
But wait, isn’t the inciting incident supposed to be exciting?
In a writing workshop I attended years ago, the teacher read the action-packed opening scene of a mountaineer scaling a treacherous mountain, slipping, falling, continuing to climb. The problem? It was boring! Boring because we readers didn’t connect with the character.
I’ve seen this same problem in many, many YA books.
Whatever ordeal or ordinary situation you put your character through in the inciting incident, you must make the character believable and sympathetic. You must connect the reader to the character in an emotional way so that the reader cares what happens next—to the character, first most, not necessarily the plot.
Even in a prologue—like in Water for Elephants by Sarah Gruen—that skips ahead to a later point in the plot, you must connect to the characters to the reader in a sympathetic way.
I’ve often told writers seeking advice, you have no plot without character.
But the beginning is just that—a set up of characters, time, place, and yes the initial glimmerings of a plot.
The beginning should take up about a quarter of your screenplay, story, or novel during which you should plant plot points of what is to come later. I always admire a good setup and good plot points that are then later “paid off.”
You reach the end of Act One, and initiate Act Two with a surprising plot twist that sends the action spinning in an unexpected direction. Take all your characters set up in Act One and send them on a quest, into a war zone, into betrayal by a lover, into a problematic marriage, into capture by hostile aliens.
The choice is yours, but make it a doozy.
To read the rest of the February Writing Tip, about Act Two and Act Three, friends, readers, and fans, please join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and help me after the Attack. I’ve posted delightful new stories and previously published stories, writing tips, book excerpts, movie reviews, original healthy recipes and health tips, and more exclusively for my heroic patrons! I’m offering a critique of your writing sample on Tier Five.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

 

I wrote a brief review on Facebook immediately after Tom and I viewed the movie. This was in December, 2019. I kind of enjoyed the movie, but didn’t want to see it again, and sent it back to Netflix. I gave it a passing grade—not the “loved it” best movie of the year, as so many viewers have.
Now, as of late January 2020, this movie gotten a glowing review by a long-time movie critic at The New Yorker, won the Golden Globe Award (in various categories), the SAG awards in various categories, and is slated to win Oscars (again, in various categories). The “various categories” include really important ones like “Best Picture,” “Best Actor,” “Best Supporting Actor,” and “Best Screenplay.”
But I’ve since read other critics’ thoughts, read the reactions of people I respect on Facebook, thought more about what I viewed (as I said above, we only saw the film once, not multiple times, as at least one laudatory critic has recommended), and I have more to say.
Ir’s bunk.
To see why I object so strenuously to this movie, please join my Patreon page at https://www.patreon.com/bePatron?u=23011206. Friends, readers, and fans, help me after the Attack. I’ve posted delightful new stories and previously published stories, writing tips, book excerpts, movie reviews, original healthy recipes and health tips, and more exclusively for my heroic patrons! I’m offering a critique of your writing sample per submission.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

Last week, the city informed us that a construction crew would be working on the street outside our home to install a new sewer device to the existing pipes. (It’s an old street.) The crew would start banging and jack-hammering early in the morning.
That night, before I went to bed, I inserted my ear plugs. I have these soft foam ear plugs. You kind of squish them in your fingers, shove the narrowed point into your ear canal, and allow the foam to expand. Tom uses hard plastic ear plugs (very effective), which I can’t bring myself to insert in my ear.
I hate anything inserted in my ear, especially something hard like a hard plastic ear plug or, maybe some day, a hearing aid.
I’m of the age (over forty) when vendors of products that are supposed to appeal to, or be required by people who are getting on in years send all kinds of advertisements by snail mail or email. One of those products is hearing aids. I also see ads in Via, the magazine published by the AAA Auto Club, which I belong to, and Popular Science, which Tom gets at our library, and even Scientific American, which our neighbor gives us when he’s done reading. Do print magazines assume that their readership is comprised mostly of people who are getting on in years and might consider hearing aids? It would seem so.
Before Christmas of last year, I received one snail mail, a large fancy embossed envelope, which offered me a free Christmas ham if I would come into the conference room of a local hotel, get a free hearing test, and listen to a pitch for their hearing aids.
Aside from the fact that I don’t eat ham, I was not enticed by the prospect of a free hearing test. A test is an ordeal designed to prove you’re inadequate. When I was a child, I always hated hearing tests. You listened to a soft tone and told the tester whether you could hear it. Or not.
Today, my hearing isn’t worse than two or three decades ago. My hearing is just as bad as it always was.
When I was a child, I suffered recurring severe earaches. I have a vivid memory of lying in bed and reaching my forefinger in my ear, finding the canal crusty with the medicinal drops my mother was administering to me. The memory makes me shudder.
When I was a child, I also hated—HATED—milk, butter, cheese, anything dairy. The conventional wisdom was—and it still probably is—that children need to drink milk to build strong bones and teeth. That was the health gospel.
My mother strived mightily to get me to drink milk, flavoring the loathsome greasy liquid with chocolate powder or strawberry powder, pouring it in my cereal, cooking with it. As soon as I was old enough to sneak downstairs to the kitchen before my parents woke up, I rinsed my cereal bowl in milk, deposited a few flakes of cereal in there, and placed the bowl in the sink. Same for my milk glass. My mother was annoyed that I didn’t wash my breakfast dishes, but it was a ploy on my part. A fake-out.
Decades later, I discovered from a book called Mad Cowboy about the cattle-raising industry, that earaches (among other ailments) in young children are a symptom of dairy intolerance.
Today we know that various vegetables, beans, fish, whole grains, and calcium-fortified juices provide more than enough calcium to build strong bones in children and adults without dairy.
When I became a vegetarian in college, I developed a taste for cheese and yogurt. That was before there were the wonderful vegetarian meat- substitutes, like Morningstar Farms products, that we have today. Before I learned to cook vegetables and vegetarian dishes. Cheese, yogurt, and soybeans were all we vegetarians had for protein and calcium. But I never drank milk, not even fat-free milk.
And my hearing? From my twenties on, I’ve always found it difficult to sit across the table from a companion in a café or restaurant and hear what he or she is saying, especially when there’s background noise. In rooms with high ceilings, like cafés and restaurants, grocery stores, and offices, I have to ask, “Say that again?” I have trouble understanding people with heavy accents, any kind of accent. It’s embarrassing. I know I get a blank look on my face and the speaker thinks I’m dense.
Sometimes I have to listen carefully to the dialog in movies, especially when the movie has too-loud background music or noise. But in the quiet of our living room, I have no trouble hearing my husband when we have a conversation. And I have no trouble hearing Athena when she meows, asking me for something to eat.
So if you meet me in a restaurant, café, convention, or party, don’t be shy. Lean close and shout in my ear.
The noise in the street last week from the city construction crew wasn’t bad at all. Or maybe my foam ear plugs worked better than I’d hoped. The crew did a great job of installing a high-tech grate that they can remove for maintenance. Hooray for the city.
So how about you? Do you have a hearing impediment? Do you wear hearing aids? How do you like (or dislike) them?
Friends, readers, and fans, please join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and help me after the Attack. I’ve posted delightful new stories and previously published stories, writing tips, book excerpts, movie reviews, original healthy recipes and health tips, and more exclusively for my heroic patrons! I’m even offering a critique of your writing sample per each submission.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

CHROME.MED.295.KB

Here’s Steve Fahnestalk (with 19,000 subscribers):
“Next month, January 2020, will be my seventh consecutive year of writing for Amazing Stories® online! I hope you’ve enjoyed my writing as much as I have enjoyed being a part of Steve Davidson’s reboot of this famous magazine, and I hope to be able to do this for a long time to come. For my last column of the 2010s (and 2019 in particular), I’ve chosen to review two very good genre works, one an excellent magazine, and the other an excellent semi-noir full-on SF work by a terrific author I’ve reviewed before, and (as the cover above says, a New York Times notable author). I’m talking about Lisa Mason’s new novel Chrome, first.
I hesitate to characterize it, because it’s so much more than a short description can convey, but in my mind it stands out as a science-fiction homage, in part, to the noir books and movies of the forties and fifties, only brought forth into a future time a quarter-millennium from now. There’s no world-weary Robert Mitchum-type ‘tec as a protagonist; rather, our hero is a beautiful half-human, half puma thief named Luna Lightfoot, who makes her main living as what we might call a video star. Millions of people back on Earth pay for the privilege of watching her at home while she eats, sleeps, and carries out her home life for their voyeuristic pleasure. She also hangs out with the rich and famous.
Luna lives on an artificial planetoid, called Chrome, at one of Earth’s LaGrange points, put there 250 years ago by one of Earth’s wealthiest and greediest corporations, the Emirk group. (If you want to know where Emirk came from, the name refers to a tributary of one of Earth’s big rivers, according to the author. When you get to that part, you’ll understand.) Back in our time (and this is true), a Chinese scientist claims to have gene-edited a couple of children using the CRISPR method, which is sort of like gene cut-and-pasting. Scientists around the world—and, finally, this own government—decried the use of CRISPR on humans. However, in this book, Emirk started experimenting (at first, openly, but then, thanks to public and governmental outcries, covertly) with “improving” the human genome by adding genes from practically every oxygen-breathing species of animal on the planet. Spending billions to build Chrome, Emirk’s experiments were moved there and continued. Human subjects were given or sold by outlaw governments and factions to Emirk’s scientists; and now there exists a whole society of human/animal interbreeds, called “blends,” on Chrome. Humans can not live there anymore, thanks to a plague that killed off (and continues to kill off) any unmodified humans, yet Emirk still owns Chrome, and figures it owns all the inhabitants too.
Luna attends a party given by Bunny Hedgway, one of Chrome’s glitterati in order to steal an artifact from Bunny’s treasure room, but while she was engaged in this theft, witnessed the murder of Chrome’s prima ballerina, an ostrich Blend named Zena Kinski, by an unidentified Blend who was wearing a wolf costume, but who may not have been a wolf. Because she was witnessed on the roof of Bunny’s place at the time of the murder, Luna needs to clear herself and find out who the Blend is who actually killed Zena. In the process, Luna finds herself becoming familiar with Chrome’s criminal underworld, and gains enemies as well as new friends and allies. One of those is the tortoise Blend Terralina Rustabrin, who is about to be bond-mated to a Prince of tortoise Blends. (Blends are not legally humans; therefore, cannot marry, according to Emirk Corporation. So “bond-mating” is their substitute.) Although Terralina’s eyesight is poor, she happens to be close to several significant happenings related to the murder, and actually saw Luna come down off Bunny’s roof.
In this book, Lisa has created a world and a society that mirrors our own in many respects; although we have no (to the best of my knowledge) actual Blends on Earth, corporations and governments on this planet are actively trying to (and in some cases have succeeded) treat humans as if they were Blends, or property. And you can just bet that these kinds of experiments will happen somewhere on Earth if they aren’t already happening. Like what happens to most enslaved people everywhere, many Blends are rich or getting rich by actively helping Emirk subjugate their fellow blends. There are Blend geniuses, one of whom created the “Tatts,” a type of tattoo that acts as a communications device, archival device, amanuensis (a blend of Alexa and Google in some ways) and other things. It’s a fully-realized society that takes some of the attributes of the animal parts of Blends and applies what those traits might mean to humans who have them.
And as for the noir mystery part; whether Luna solves her own problem (of being a suspect and a fugitive from the killer(s)), you’ll just have to read the book to find out. I really appreciate the fact that the ending is not a “pat ending. I suspect Lisa may someday turn out a sequel to Chrome. Anyway, I liked this book and recommend it; it’s available in Kindle format in most countries.”
Here’s the Amazing Stories link so you can see the beauteous photo of me holding an issue of The Magazine of Science Fiction and Fantasy in which I’d published a story a little while ago. Not the F&SF issue in the Amazing Stories review, though Steve Fahnestalk compared a theme in one of the stories in the November-December issue to my theme in CHROME. https://www.amazingstories.com/2019/12/my-last-column-lisa-masons-chrome-and-fsf-nov-dec-2019/
The CHROME cover, by San Francisco artist Tom Robinson, is comprised of a dozen different elements which Tom carefully researched. We think the imagery looks kind of mid-century. I love the color scheme.
And yes! A Brand-new Reader Review of Chrome, You’ll find it on Amazon:
So Walter Mosley reread Animal Farm and The Island of Dr Moreau and says to himself, “Oh, yes indeed, I’ve got a terrific idea for my next best seller.” But! Lisa says, “Hold on, hot stuff. You’re too late. Chrome is already on the streets. Haha!”
Wow! I just tore through Chrome. So much fun. Oh, I guess I should take a time-out to say that it was very well-written too, but I was enjoying the characters and the story so much that the superb writing simply did its job and I had to consciously reflect to notice the excellent and clever construction and reveals. Uh, isn’t that the definition of good writing?
I’m not usually a fan of sequels, but could we please have at least one more romp with Ms Lightfoot and her sidekick Terralina?”

Yes, I’m working next on a second CHROME book and a third book to round out a trilogy, plus a prequel novella. LIBERATION DAY, which will explore the mysteries of the events leading up to freeing of the Blends from their cages.
CHROME is in U.S. print as a beautiful trade paperback. Also in U.K. print, in German print, in French print, in Spanish print, in Italian print, and in Japanese print.
The ebook is on US Kindle, Barnes and Noble, Smashwords, Apple, Kobo, and on UK Kindle, Canada Kindle, Australia Kindle, India Kindle, Germany Kindle, France Kindle, Spain Kindle, Italy Kindle, Netherlands Kindle, Japan Kindle, Brazil Kindle, and Mexico Kindle.

Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and help me while I recover from the Attack. I need your support! I’ve got lots of goodies for you—delightful new and previously published stories, writing tips, book excerpts, movie reviews, recipes, book, and more.
Donate a tip from your PayPal account to lisasmason@aol.com.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

Reviews of movies we viewed for Mom’s birthday party on this past Monday: “Stan and Ollie”. You DO have to be passingly familiar with Laurel and Hardy movies from the 1930s to fully appreciate the film, which I’m not and Tom is. There are moments of humor—they’re really like their slapstick movies in real life—but ultimately it’s a sad story. In their heyday, when they were the most popular comedians in the movies, they didn’t get paid well by their producer, didn’t get paid at all for reruns, and therefore were perpetually financially strapped. As we meet Stan and Ollie in the present story, it’s 1953 and they’re desperately doing a tour of England to raise interest in a prospective new movie, which a producer is attempting to finance. For viewers interested in the subject matter. Not a bad movie, but not particularly uplifting, either.
Downsizing” starts with a high-concept SFnal premise: technology has been perfected to shrink people to six inches tall. Why would they do this? Being six inches tall stretches your dollar a thousand times so that the $150,000 equity the protagonist (played by Matt Damon) has in his over-mortgaged house becomes worth $12 million in the community of “small people” where he plans to relocate. The story should have stayed focused on all the complications becoming irreversibly ”small” would entail. Instead the story veers off in odd directions and strays from the premise so much that this viewer had trouble remembering the benefits and limitations of becoming small and how the Big World interacted with them. Sadly, only for the curious. I was disappointed.
Yesterday”, on the other hand, is a delightful high fantasy concept that stays true to its premise until the very end. A talented but failing young musician is hit by a bus (literally) when the entire Earth goes dark for two seconds. (I don’t mind a good deus ex machina; I’ve even used a few DEMs in my books and stories.) He awakens in a world subtly changed. The first change he discovers is that no one knows who the Beatles are, knows their music, and only he can remember the melodies and the lyrics. When the realization dawns on him, he does what any sensible person would do. He runs home to his computer and googles “The Beatles,” only to keep getting pages listing insects.
The premise raises in this viewer the question of social context: how would Beatles’ songs fare in a world without Beatles? There a scene near the beginning in which our musician sits down at a piano (he also plays guitar) in his parents’ living room. The parents, deeply skeptical of his creative aspirations, listen as he expertly starts the opening chords and begins to sing “Let It Be.” Before he’s gotten through the first line, the doorbell rings, an equally skeptical neighbor comes in and sits down, the musician starts again, the neighbor’s cell phone chimes. And so on and on. He never does get past the first line. The scene is meant to be humorous, a send-up of how distracted we are these days and also that context thing—will anyone ever listen to the musician even though he’s singing “Let It Be”?—but I wanted to reach through the screen and smash everyone’s freaking phone.
In sum, “Yesterday” is a very enjoyable film and recommended for light entertainment. I wanted to see the copyright permissions on the Beatles’ songs (got it—who holds the rights now—I have my own reasons for finding out) and so kept the film on through the screen credits at the end. Huge bonus—over the end credits, they play Paul McCartney singing “Hey Jude.” Well worth the wait even if you’re uninterested in the copyright permissions.
Please join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. I’ve got lots of goodies for you—five delightful stories, movie reviews, recipes, book excerpts, and more.
Donate a tip from your PayPal account to lisasmason@aol.com.
And visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, reviews, interviews, blogs, roundtables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, worldwide links, and more!

Call me a fan girl and an SF geek, but I loved the Marvel Studios film, “Captain Marvel” (CM). This delightful film is the most woman-centric comics piece I’ve seen since “Wonder Woman” with the wonderful Gal Godot, who was born for the part. I truly hope she isn’t typecast for the rest of her career but that’s a risk actors take when they sign up to be a superhero.
While WW has more of an ethereal superhero plot, CM has the most personal storyline I’ve seen in quite a while in a comics film (caveat: I haven’t seen them all, but quite a few), exploring, as its central themes, the empowerment of women, friendship between women, and warm relations between black and white folks. My favorite themes in fiction and my own fiction (especially my novel, Summer of Love). The main character’s personal journey of discovering her true self, discovering her personal empowerment dovetails well with the greater plot.
Brie Larson is terrific as the lead, Carol Danvers. She captures the unruly emotions of her character, is funny, tender, and kick-ass deadly when she needs to be. Samuel Jackson, as Shield Agent Fury, is adorable (if digitally “anti-aged”), and there’s an even more adorable ginger tabby cat (a nod to “Alien”).
The story was created by a woman and a man, the screenplay written by the same woman, the same man, and an additional woman, and the film was directed by the woman story-screenplay writer and the man. No wonder it’s so good. Woman power is bred in its bones.
The screenplay is practically a perfect textbook example of what you should accomplish in your screenplay. (Note: you want to sell your screenplay, not a shooting script, which is a much different entity.) After the first screening, to acquaint me with the content, I sat through a second screening with a stopwatch and a notepad and pencil to take notes. I’m presently working on a screenplay adapting my print story that I sold to a major studio and needed some guidance and inspiration.
The rules about three-act structure aren’t arbitrary; they work to present the viewer (or reader) with a dynamic creation that carries you from start to finish. I’ve observed many effective books and stories that consciously (or unconsciously) follow the three-act structure. When I analyze my own work, stories and books, I see that I’ve consciously (or unconsciously) written often according to that structure.
A bonus: after the usual montage of Marvel Comics heroes, we see a 60-second montage of the cameos of Stan Lee in films, followed by a black page with red lettering THANK YOU STAN, and one final shot of his joyfully smiling face. As a young man, Lee started writing and drawing comic books around World War II. The comics industry had its ups and downs, publishers went out of business, but Lee persisted to create the powerhouse that is today Marvel Studios. His hilarious cameos in the films were always something to anticipate (like spotting Alfred Hitchcock in his movies). Lee died at age 95 last year. Sure enough, Stan makes a cameo in CM but I don’t know if it’s digital or was filmed before he died.
Now then: in Act One we open with Carol, known only as “Vers”, is beset by scattered disturbing dreams that seem to indicate an unknown life she had. This is always a tricky proposition to portray. The viewer has to pay attention, but attention is rewarded throughout the film, as we revisit the dreams—her fragmentary memories of a mysteriously lost life—in Act Two and Act Three and by the end make total sense of them.
Vers finds herself on HALA, the high-tech home planet of the Kree (a nod to “Forbidden Planet” and the high-tech Krell). The high-tech city, with dynamic images scrolling across the sides of buildings, is reminiscent of the futuristic Los Angeles in “Bladerunner.”
She is in training to “become the best she can be,” according to her mentor (played by Jude Law) as soldier in an on-going war fought by the Kree. She reports in to the Supreme Intelligence—an A.I. who rules the Kree and who appears as a woman. Vers’s problem is that she’s too emotional, too ready to laugh.
The Supreme Intelligence tells her “to serve well and with strength,” which is reminiscent of the oath in “Gladiator”, “Strength and honor,” and sure enough in the next scene, the African hunter from “Gladiator” appears as a member of a Kree military team.
She’s sent on a mission with the Kree team, there’s fighting (the writer-director is wise enough not to let any of the fight scenes go on too long—a problem for me in many comics films) with an alien race, the Skroll, whose appearance strongly resembles certain beloved aliens in “Star Trek”.
The Skroll capture Vers and probe her mind—more of those fragmentary memories emerge, including a woman who was once her mentor (the Supreme Intelligence takes the mentor’s appearance) and her best friend, a young black woman training to be a fighter jet pilot with Vers.
Then, at twenty minutes almost to the second, there’s a huge plot point that marks the end of Act One and spins the story around in a totally different direction.
Vers finds herself on C 53, Earth, Los Angeles in 1995. She crashes through the roof of a Blockbuster Video, curiously picks up a video of “The Right Stuff,” blasts off the head of a cardboard Arnold Schwarzenegger display, and searches for communication equipment from a nearby Radio Shack so she can contact her mentor back in the Kree universe. This is a humorous nod to “2001: A Space Odyssey,” with Pan Am as the brand on the space shuttle taking people from Earth to the Moon. The screenwriters of “2001” didn’t know the brand not only wouldn’t last until what was then the far future, Pan Am didn’t last past the 1970s. Blockbuster and Radio Shack, which seemed like indestructible brands in 1995, similarly didn’t last past the 2000s. So we viewers got a laugh out of that.
Enter Shield Agent Fury, Sam Jackson, in a scene reminiscent of “Men in Black”. Complications ensue. Certain personal details about Fury and Vers are skillfully revealed and then pay off a little later in plot points. I love it when writers pay off a setup and I become very annoyed when a setup doesn’t go anywhere.
CM also pokes fun at what appears to us now as clunky computer tech in 1995 (Carol awkwardly pecks with two fingers at a keyboard). There’s a fight between Vers and an alien enemy (the Skroll can shapeshift, taking on the appearance of whomever they see) atop a subway train reminiscent of “Indiana Jones.”
Act Two continues for fifty-five minutes with more complications circling around the storyline. There’s a midpoint at twenty minutes into Act Two. The script doctor, Linda Seger, is a big believer in the midpoint of a screenplay as a restatement of the overall themes. In CM, the two lead characters, seeking Carol’s long-lost best friend, travel in a futuristic jet plane from Los Angeles (L.A.) to Louisiana, (La.) where the friend lives. (“L.A.” to “La”—that’s a nice touch.) Vers is “going home” to her friend who has an appealing and intelligent young daughter, so we get some mother-daughter development. The personal relationships and Carol’s story of personal discovery, her personal empowerment are ramped up.
Then at fifty-five minutes, a HUGE mind-boggling plot point spins the story into a totally different direction, signaling the end of Act Two. I am NOT going to spoil the plot at this point, but my fedora is tipped at the screenwriters for a superb, memorable plot twist.
Act Three then lasts forty minutes, which is a bit long. But because of the HUGE plot twist, the writers have to re-establish certain back-stories and the forward momentum of the overall plot. Be assured the pace never flags. There are more fight scenes with multiple characters (as in all the comics films) and plenty of video-gamish space jets chasing and shooting at each other like in Star Wars. Because of the length, the writers cleverly slip in a hilarious midpoint twenty minutes into Act Three. (Okay, plot spoiler alert: the adorable cat isn’t really a cat.)
The conclusion for Carol, reinforcing her friendship with her best friend and her daughter, and for Agent Fury are fully satisfying (and the cat makes one last adorable cameo) and yet open the door to more of Captain Marvel. Indeed, a coda notes she will continue in “Avengers: Endgame”. We look forward to the film and intend to see it for Tom’s birthday in December, if the film is out on DVD.
With Captain Marvel by itself, though, a great time was had by all. If you don’t catch the film allusions (I probably missed many more), that’s okay. The film stands firmly by itself. Recommended.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206 and support me while I recover from the Attack. My first story “Arachne”, my first story published in OMNI magazine, appears exclusively there, plus a forthcoming account of how I published my first story in the premiere story venue at the time and the research I did. This review plus other movie reviews, and a couple of recipes with more forthcoming. Give back!
Donate from your PayPal account to lisasmason@aol.com. Even a tiny tip will help!
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!

All Is True” has a glacierly slow beginning but a painterly cinematography of Stratford-on-Avon, an idyllic village far from London. This was William Shakespeare’s home town and where he married, raised a family, and built a substantial brick-and-stone house on a lovely plot of land. He was also seldom at home, having gone off to London, written a body of work—plays and sonnets—praised in his own time as the greatest poetry ever written, earned good money from his genius, and managed the complex business of the Globe Theater where his plays were performed.
When a stage prop malfunctioned and burned the Globe Theater to the ground, Shakespeare, now middle-aged verging on old, returned to Stratford-on-Avon, to his family and house, and never wrote again.
(Plot spoiler: EVERYone back home is pissed off at WS when he went off to London and became a famous playwright.)
This film tells of that time and is a sad revelation of Shakespeare’s last years, of the tragedies and scandals which befell his family and his confrontation of them.
There are points of wit, as you would expect of a film about Shakespeare. A fan, a young man, approaches WS as he is laboriously digging a garden, and asks him about writing. WS snaps, “You become a writer by writing.” But the fan insists, where do your ideas come from? WS replies from his imagination. When the fan persists, WS says, “Cherrio. Cherrio.” And in a conversation with a friend, WS says, “I never let the truth get in the way of a good story.”
There’s even a ghost story, as appropriate for Shakespeare.
If you enjoy an intimate character study, with tear-jerkers along the way, and an ultimately redemptive ending, “All Is True” is for you.
A bonus feature of getting the DVD: This is a Sony Classic Picture, and half a dozen interesting small films are pitched in the preview: “Stan and Ollie”, which husband Tom wanted to see and I didn’t so much (I’ve never cared for old-timey black-and-white slapstick), but the preview made me laugh, so that’s a Go. Films about the first all-women crew to sail a sailboat around the world in a competition, a film about Oscar Wilde, a film about underground artists in Nazi Germany, and more. I wrote the titles down for future reference.
Join my Patreon page at https://www.patreon.com/bePatron?u=23011206  and help support me after the Attack. I’ve just posted “Arachne”, my FIRST story published in OMNI magazine, the premiere fiction venue at the time. Upcoming in a few days, a blog about how I got my first story published in OMNI, inspiration, influences, and research, plus the October Writing Tip, how to expand a novelette into a novel.
Visit me at www.lisamason.com for all my books, ebooks, stories, and screenplays, worldwide links, covers, reviews, interviews, blogs, round-tables, adorable cat pictures, forthcoming works, fine art and bespoke jewelry by my husband Tom Robinson, and more!